21 research outputs found

    Pabrik Asam Phosphate dari Batuan Phosphate dan Asam Sulfat dengan Proses Wet

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    The chemical industry is a sector that drives the national economy, which is continuously encouraged by the Indonesian government. Including one of five sectors that get priority in development so that they are ready to implement Industry 4.0. One of the chemicals that are widely needed in the chemical industry is phosphoric acid. Phosphoric acid factory from phosphate rock and sulfuric acid will be operated with a capacity of 150,000 tons/year and will be built in Gresik, East Java. The Phosphoric Acid Factory operates 330 days a year and 24 hours a day with a total of 200 employees. The feasibility analysis is seen from the value of Return On Investment (ROI) after tax of 32%, Pay Back Periode (PBP) after taxes of 3,2 years, Internal Rate of Return (IRR) 29,08%, Break Event Point (BEP) 32,6%. From the above eligibility parameters, it can be concluded that this Phosphoric Acid Factory is feasible to be established

    Głos autorski w powieści Diny Rubiny „Maniak Gurewicz”

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    The polysubjective perception of the world in Dina Rubina’s novel allows us to observe the author’s voice in the narrator’s comments and the characters’ remarks. The author coordinates all the subjects of narration, and in his comments he makes a connection between the time the hero experiences the event and the time the reader comprehends it. The author’s commentary includes direct judgments from his own life experience, figures of silence (semantic gaps), as well as incorporated constructions. Through those ploys it is possible to present the picture of the world in the novel which is largely determined by the phenomenon of transition of the character’s internal state and his external displacement (emigration).Полисубъектное восприятие мира в романе Дины Рубиной позволяет отметить авторский голос в суждениях нарратора и репликах героев. Автор осуществляет координацию всех субъектов наррации и в своих комментариях осуществляет связь между временем проживания события героем и временем осмысления его читателем. Авторский комментарий включает непосредственные суждения из его жизненного опыта, фигуры умолчания (смысловые лакуны), вставные конструкции, посредством которых можно представить картину мира в романе. Она в значительной степени обусловлена явлением переходности внутреннего состояния героя и его внешнего перемещения(эмиграции).Wielopodmiotowe postrzeganie świata w powieści Diny Rubiny pozwala wyróżnić głos autora w komentarzach narratora i wypowiedziach bohaterów. Autor koordynuje wszystkie wątki narracji, a w swoich komentarzach łączy moment przeżywania wydarzenia przez bohatera z czasem ,w którym czytelnik go pojmuje. Komentarz autora zawiera bezpośrednie sądy z własnego doświadczenia życiowego, figury ciszy(luki semantyczne),a także konstrukcje inkorporowane. Dzięki tym chwytom możliwe jest przedstawienie obrazu świata w powieści, który w dużej mierze jest zdeterminowany przez zjawisko przejścia stanu wewnętrznego bohatera i jego zewnętrzne przemieszczenie (emigracja)

    Особенности картины мира в романе Дины Рубиной Окна

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    Features of the image of the world in Dina Rubina’s novel The WindowsIt is shown that the reflection leaning on keywords and keynotes allows to connect the separate moments of the biography in a difficult and multifaceted image of the world. From endured impressions of people and events, the author builds a peculiar chronicle of consciousness.Właściwości przedstawienia obrazu świata w powieści Diny Rubiny OknaW artykule zaprezentowano analizę powieści Diny Rubiny Okna pod kątem znaczenia lejtmotywówi słów kluczowych. Wykazano, że poszczególne obrazy życia jednostki składają się na wielowymiarowy obraz świata. Przedstawione wydarzenia i przeżycia postaci posłużyły Rubinie do stworzenia swego rodzaju kroniki świadomości

    Kinetika Reaksi Transesterifikasi Biodiesel Dari Minyak Jelantah Menggunakan Katalis CaO Modifikasi

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    The reduced availability of fossil fuels as an energy source requires humans to create new and renewable energy, such as making biodiesel from plant oils or animal fats. Biodiesel obtained from animal fat or plant oil has a higher price. Making biodiesel at a more affordable price can be done using used cooking oil. This observe goals to decide the kinetics, temperature, and time of transesterification reaction of waste cooking oil using modified CaO catalyst. Used cooking oil is from PT. Onsu Pangan Perkasa outlet “Geprek Bensu” in Rungkut area, Surabaya. The used cooking oil is pretreatment first. The pretreatment used cooking oil was then set at 40, 45, 50, 55, 60°C and mixed with methoxide solution, and then stirred for 20, 30, 40, 50, 60minutes. The biodiesel obtained is then allowed to stand, purified, and separated from the water content in the centrifuge. The results showed that the most extensive conversion was 21.94% at 60°C and 60minutes with a total methyl ester content of 98.16%. The transesterification reaction of biodiesel from waste cooking oil that makes use of a modified CaO catalyst is pseudo first-order

    Laporan Praktik Kerja Lapangan Pusat Pengembangan Sumber Daya Manusia Minyak Dan Gas Bumi (PPSDM MIGAS)

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    The implementation of on the job training program in the Department of Chemical Engineering is to gain knowledge and practical application in the industrial world. PPSDM Migas Cepu is Oil and Gas industry that provide the practical learning for student. The result of the practical learning is calculation of efficiency fractination column C-2 at refinery unit PPSDM Migas Cepu. The conclusion is that the fractination column still good to operate with the number of efficiency is 81,74%

    Życie zamknięte w komiksie. "Syndykat" Diny Rubiny

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    A novel by Dina Rubina, entitled Syndicate is described as a narrative experiment, which allows for various interpretations. The writer has updated a novel as a genre by combining it with a comic. The author of the article identifi es elements of a comic present in Syndicate, and shows how Rubina in her chosen form managed to unveil the absurd and ridiculous elements of our lives and the world around us

    On the (Re)construction of Identity in the Conditions of Russian-Jewish Borderland (Based on the Story “Apples from Shlitzbutter’s Garden” by Dina Rubina)

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    This article is devoted to the issues of identity formed in the Russian-Jewish borderland. The study discusses Dina Rubina’s short story “Iabloki iz sada Shlitsbutera” (“Apples from Shlitzbutter’s Garden”) as an autobiographical tale that reflects the actual processes of reconstructing the identity of the author-hero, a representative of the Great Aliyah, a person living at the crossroads of cultures. The author concludes that there is no fixed and unchanging identity. Particularly in the conditions of a cultural borderland and in watershed moments (repatriation), identity evolves and is subject to constant reconstruction.Artykuł poświęcony jest zagadnieniu tożsamości kształtowanej na rosyjsko-żydowskim pograniczu. W tekście omówiono opowiadanie Diny Rubiny Jabłka z sadu Szlicbutera (Iabloki iz sada Shlitsbutera) jako opowieść autobiograficzną, która odzwierciedla rzeczywiste procesy rekonstrukcji tożsamości autora–bohatera, przedstawiciela Wielkiej Aliji, człowieka żyjącego na styku kultur. Autor dochodzi do wniosku, że nie ma stałej i niezmiennej tożsamości. Szczególnie w warunkach pogranicza kulturowego oraz w momentach granicznych (repatriacja) tożsamość ewoluuje i podlega ciągłej rekonstrukcji

    Pamięć przestrzeni w powieści Diny Rubiny Po słonecznej stronie ulicy

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    The article is devoted to the role of memory in the creation of the literary image of Tashkent in Dina Rubina’s novel On the sunny side of the street. Using the concepts of “individual and collective memory”, “personal city” and “place hollowed out in memory”, the author analyzes nar-rative strategies that are used in the novel to reconstruct the city’s space and the realities of life in wartime and post-war Tashkent. Space is a factor necessary for the proper functioning of memory. Erasing the memories, as well as changes in the appearance of the city — these are the causes of the trauma suffered by the novel’s narrators.Статья посвящена роли памяти в создании литературного образа Ташкента в произ-ведении Дины Рубиной На солнечной стороне улицы. Используя понятия индивидуальной и коллективной памяти, личного города и места выдолбленного в памяти, автор анализирует стратегии повествования, которые применяются в романе для реконструкции пространства города и реалий жизни в военном и послевоенном Ташкенте. Пространство — это фактор, необходимый для правильного функционирования памяти. Стирание воспоминаний, а также изменения в облике города, — это причины травмы, которой страдают по-вествователи романа

    ETIKA KOMUNIKASI DALAM AL-QUR’AN (TELAAH “7 QAULAN”)

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    Humans are social creatures, namely creatures who always live in society and always need the participation of other parties. This fact also illustrates how communication activities are not something that is easily done by every human being. Because it is considered commonplace so that someone tends not to realize incompetence in communication. In this case, the Qur'an provides many directions or positive values that must be developed. The results of the study show, in the Qur'an there are at least seven types of speech styles or talks (qaulan) which are categorized as rules, principles, or ethics of communication, namely (1) Qaulan sadidan, (2) Qaulan Baligha, (3) Qaulan Ma'rufan, (4) Qaulan Karima, (5) Qaulan Layinan, (6) Qaulan Maysuran, and (7) Qaulan Tsaqila. In this research, the author uses the type of library research. Based on the results of the research from the perspective of communication ethics, qaulan sadidan teaches to speak honestly without manipulating information. While qaulan baligha means words that are precise, clear, and pay attention to the context and listeners. qaulan ma'fura communication must pay attention to politeness, not using harsh words or insulting others, understanding the feelings of others. qaulan karima refers to the use of kind, polite words. qaulan layyinan emphasizes the importance of respect in communication. qaulan maysuran teaches to use words that are polite, courteous, and do not hurt the feelings of others. qaulan tsaqila means words that carry weight, taking into account the core principles of communicating with dignity

    Pandangan tokoh agama terhadap makna tahapan mencari mantu dalam tradisi pernikahan Bekasri di Lamongan: Studi kasus di Kelurahan Blimbing Kecamatan Paciran Kabupaten Lamongan

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    INDONESIA: Di Indonesia terdapat bermacam-macam adat dalam upacara pernikahan. Berisi tata cara dan tahapan yang harus dilalui oleh pasangan pengantin dan pihak-pihak yang terlibat didalamnya. Salah satu upacara pernikahan yang menarik adalah pernikahan bekasri. Daerah Lamongan memiliki tradisi sendiri dalam melaksanakan upacara pernikahan. Pernikahan di Lamongan ini disebut pengantin Bekasri. Berasal dari kata ‘bek’ yang berarti penuh dan ‘asri’ berarti indah. Jadi bekasri berarti penuh dengan keindahan yag menarik hati. Rumusan masalah dalam penelitian ini adalah bagaimana tahapan mencari mantu dalam tradisi pernikahan bekasri di Kelurahan Blimbing Kecamatan Paciran Kabupaten Lamongan dan bagaimana makna tahapan mencari mantu dalam tradisi pernikahan bekasri di Kelurahan Blimbing Kecamatan Paciran Kabupaten Lamongan menurut pandangan tokoh agama dan urf. Jenis penelitian yang berupa penelitian empiris. Maka pendekatan yang digunakan dalam penelitian ini penulis menggunakan pendekatan kualitatif dan pendekatan ushul fiqh. Dapat ditinjau dari pendekatan ushul fiqh dalam kajian ‘urf untuk menjawab permasalahan dalam penelitian ini. Diperoleh dua temuan setelah dilakukan penelitian, diolah dan dianalisis yaitu Pertama, tahap mencari mantu dalam pernikahan bekasri terdiri dari beberapa kegiatan yaitu, mandik/golek lancu, nyontok/ganjur, nothog dinten/negesi, lamaran, mbales lamaran, ambyuk/mboyongi, ngethek dino. Tahapan mencari mantu dalam tradisi pernikahan bekasri memiliki tata cara yang khas, tradisi tersebut dilakukan secara turun temurun karena adanya pengaruh budaya dari luar mengakibatkan pergeseran kebudayaan sehingga nilai-nilai adat hilang. Kedua, dalam setiap tahapan terdapat makna yang terkadung didalamnya, tahapan mencari mantu dalam tradisi pernikahan bekasri telah dikenal secara baik dalam masyarakat dan kebiasaan itu tidak bertentangan atau sejalan dengan nilai-nilai yang terdapat dalam ajaran Islam. Penelitian ini dapat dikatagorikan pada ‘urf shohih, yang mana tahapan mencari mantu dalam tradisi pernikahan bekasri di Kelurahan Blimbing ini dapat diterima oleh masyarakat dan mengandung kemaslahatan. ENGLISH: In Indonesia there are an assortment of custom in the wedding ceremony. Contains the procedures and stages that must be traversed by the couple and the parties involved. One of the attractive wedding ceremony is the wedding bekasri. The area has its own tradition of Lamongan in performing wedding ceremonies. Wedding in Lamongan is called the bride of Bekasri. Derived from the word ' Defender ' which means ' beautiful ' full and means beautiful. So bekasri means full of beauty that attracts the hearts. Formulation of the problem in this research is how stages are looking for law in the tradition of wedding bekasri at the village and subdistrict Blimbing Paciran Lamongan and how meaning stages looking for law in the tradition of wedding bekasri at the village and subdistrict Blimbing Paciran Lamongan according to the views of religious figures and urf. This type of research in the form of empirical research. Then the approach used in this study the author using qualitative approach and approach Usul fiqh. Can be reviewed from the approach of Usul fiqh in studies of ' urf to address problems in this research. Obtained two findings, after research, processed and analyzed in the first stage, i.e. looking for law in marriage bekasri consists of several activities i.e., mandik/golek lancu, nyontok/ganjur, nothog dinten/negesi, lamaran, mbales lamaran, ambyuk/mboyongi, ngethek dino. The stages are looking for law in the tradition of wedding bekasri has a typical Ordinances, the tradition of hereditary due to cultural influences from outside lead to the cultural shift so that indigenous values lost. Second, in each stage there are meanings contained therein, the stages are looking for law in the tradition of wedding bekasri has been well known in the community and that habit does not contradict or are inconsistent with the values contained in Islamic teachings. This research can be found on the ' urf shohih, which stages looking for law in the tradition of wedding bekasri in Kelurahan Blimbing is acceptable to society and contain the benefit
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