843,687 research outputs found

    Protecting Animals 38: Artist Angela Singer

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    This week we are joined by Angela Singer. Angela is an artist. You can view her artwork at her website: https://www.angelasinger.com

    Featuring: Prof Angela Maas

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    In the Cardiology Masters section of European Cardiology Review, we bring you an insight into the career of a key contributor to the field of cardiology. In this edition, we feature Prof Angela Maas

    Angela Shanté : 2022 Irma Black Award Silver Medal Acceptance Speech

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    Author Angela Shanté gives an acceptance speech for When My Cousins Come to Town, illustrated by Keisha Morris (West Margin Press)https://educate.bankstreet.edu/irma_black_awards/1004/thumbnail.jp

    Journey towards the mother : myth, origins and the daughter's desire in the fiction of Angela Carter

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    This study examines Angela Carter’s demythologising of origin myths and will investigate the extent to which her fictions offer viable alternatives that allow for productive representations of women and gender relations outside patriarchal paradigms. In the first half of the thesis (Chapters 1-3), I will primarily focus on how several of Carter’s earlier texts deconstruct existing mythical spaces, particularly the biblical creation story in Genesis. The Genesis myth is central to socio-historical constructions of gendered identities, and in itself, central to Carter’s imagination. She repeatedly returns to this myth in her challenging of the ways in which patriarchal narratives construct violent relations between self and other, specifically where ‘woman’ is situated as the repressed other of male desires and fears. Alongside her demythologising of Genesis, Carter deconstructs Freudian myths of sexual maturation, exposing where these also set up a relationship of antagonism or enmity between the sexes. Although Chapter One will explore how Carter attempts to revise these origin myths from a positive stance, Two and Three will focus on the inherent difficulties faced by the female subject in her struggle against patriarchal myths and their violent oppression of female autonomy. The second half of the thesis (Chapters 4-6) will shift to an investigation of how Carter’s later texts set up both possibilities and challenges for women when attempting to construct their own narratives of origin. Through her problematising of matriarchal myths and feminist fantasies of self-creation, Carter emphasises the need for confronting limitations rather than celebrating transgressions as entirely liberating. The thesis will conclude, however, with an examination of where Carter’s own attempts at remythologising opens up an alternative space, or ‘elsewhere’, of feminine desires that allows for a refiguring of the female subject as well as more reciprocal relations between the sexes

    Angela Nickerson

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    Angela Nickerson is an administrative assistant for the University of Maine System. She conducted several interviews while completing her Certificate in Maine Studies in the Spring of 2002.https://digitalcommons.library.umaine.edu/songstorysamplercollectors/1000/thumbnail.jp

    Career Spotlight: Angela Jones

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    An interview with Angela Jones. Angela Montag Jones is Senior Director, Business & Legal Affairs (Original Series) at Netflix, based in Los Angeles, California. She joined Netflix in early 2013 and currently leads a team of business and legal affairs executives that make up Netflix’s U.S. Studio Partnerships team. Prior to joining Netflix, Angela started her legal career as an associate in the Business & Finance group at Morgan, Lewis & Bockius, LLP, where she counseled clients on mergers and acquisitions, public and private company finance and securities law, and later as a Senior Counsel at Comcast, where she handled a range of content acquisition deals for Comcast’s Cable division. Angela graduated from Juniata College in 2001 with a B.A. in Politics (Political Philosophy), and received her J.D. from The College of William & Mary, Marshall-Wythe School of Law in 2004. She currently lives in Manhattan Beach, California with her husband, their three children, and two dogs. She is also active with Soroptimist International of Manhattan Beach (she has served as President, Treasurer, and is a member of the board of directors), which is a service organization focused on empowering women and girls, both locally and internationally

    Materia-autore = Author-Matter

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    The etymology of the word author refers to an act of creation, an act of augmentation, from the Latin verb augere. Author instantiates creation, the expansion of the pre-existing. In 1967 Roland Barthes declared the death of the author in his famous essay to state once more that the crisis is that of the author as a single subjectivity and as a term that condenses prestige, undermined by the de-subjectivation strategies of automatism, fortuity and fragmentation of the historical avant-gardes, as well as by the machinic act and by the reproducibility of the second avant-gardes. Fifty years after Barthes’ paradigmatic formula, this lack of authorship appears to be a successful brand. The ten- sions between the anomie of matter, the law that establishes authorship and the economy that makes the work pos- sible, invoke discordant perspectives. Artists make the self-destruction of their work the real work, and appeal is made for the demolition of architectures, whether by a recognised author or not, in order to re-design, or better still, re-claim the territory. Artificial intelligence consolidates its logics and its design by progressively shedding human ingenuity. The space of criticism becomes, finally, increasingly ephemeral. However, there is an acceptation of criti- cism that is, rather than an individual ‘signature’, an exploration and explanation of how design makes theory. The binomial author-matter seeks to mark these tensions and contradictions: the featured term author is main- tained to underline the persistence of that prestigious subjectivity, at the very moment when the rhetoric of “mat- ter as an author” promises other forms of authorship

    Career Spotlight: Angela Jones

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    An interview with Angela Jones. Angela Montag Jones is Senior Director, Business & Legal Affairs (Original Series) at Netflix, based in Los Angeles, California. She joined Netflix in early 2013 and currently leads a team of business and legal affairs executives that make up Netflix’s U.S. Studio Partnerships team. Prior to joining Netflix, Angela started her legal career as an associate in the Business & Finance group at Morgan, Lewis & Bockius, LLP, where she counseled clients on mergers and acquisitions, public and private company finance and securities law, and later as a Senior Counsel at Comcast, where she handled a range of content acquisition deals for Comcast’s Cable division. Angela graduated from Juniata College in 2001 with a B.A. in Politics (Political Philosophy), and received her J.D. from The College of William & Mary, Marshall-Wythe School of Law in 2004. She currently lives in Manhattan Beach, California with her husband, their three children, and two dogs. She is also active with Soroptimist International of Manhattan Beach (she has served as President, Treasurer, and is a member of the board of directors), which is a service organization focused on empowering women and girls, both locally and internationally
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