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Angel M. Otero
No full textAngel M. Otero
Mr. Otero was born in Santurce, Puerto Rico and lived there for the first 23 years of his life. He has a Bachelors degree in Mechanical Engineer from the University of Puerto Rico, Mayagiez, and a Masters in Mechanical Engineering from the University of Toledo in Ohio.
Presently, Mr. Otero serves as Deputy Division Director for the NASA Space Life and Physical Sciences Research and Applications Division at NASA HQ in Washington, D.C.
He has over 30 years of experience in the design, assembly, integration, test and flight operations for microgravity research payloads, his focus today is mainly getting research done in the International Space Station. Besides NASA HQ, he has worked at the Glenn Research Center in Ohio and the Kennedy Space Center in Florida.
Mr. Otero has two sons and lives in Alexandria, Virginia.https://commons.erau.edu/space-congress-bios-2016/1035/thumbnail.jp
BARRIOS, Angel M.
No full textLetter from Angel M. Barrios to F.N.V. requesting questionnaires and a subscription to the newspaper called GOD. / Carta de Angel M. Barrios a F.N.V. en la que solicita cuestionarios y suscripción al periódico titulado DIOS
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Degeneración y regeneración nerviosa
No full textFil: Obiglio, Angel M. Universidad de Buenos Aires. Facultad de Odontología. Cátedra de Embriología e Histología. Buenos Aires, Argentina
Recopilación de notas de laboratorio
No full textContenido: Método de Best - Método de OchoterenaFil: Obiglio, Angel M. Universidad de Buenos Aires. Facultad de Odontología. Cátedra de Embriología e Histología. Buenos Aires, Argentina
Las ruinas de Rijnsburg en el Museo Nacional de Bellas Artes.
No full textFil:Navarro, Angel M. Universidad de Buenos Aires, Facultad de Filosofía y Letras, Instituto de Historia de las Artes "Julio E. Payró"; Argentina
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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