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Souza, Avelina Andreza Miss, [No Service Number]
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/418443Surname: SOUZA. Given Name(s) or Initials: AVELINA ANDREZA MISS. Military Service Number or Last Known Location: [No Registration Number]. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 53870.242021
Item: [2016.0049.50704] "Souza, Avelina Andreza Miss, [No Service Number]
AS MORTES DE SENHORITA ANDREZA: modos de acionamento das colonialidades
Get PDFO objetivo deste artigo é analisar os modos de acionamento das colonialidades (QUIJANO, 2005, 2009, 2014; MALDONADO-TORRES, 2007; LUGONES, 2014) no limiar entre a existência e as mortes sociais de Senhorita Andreza, mulher negra da periferia de Belém (PA) que se tornou “celebridade” repentina e, meses depois, acabou assassinada. Como as colonialidades atuam no processo de visibilização de sujeitos subalternizados? A partir dessa questão-problema, o caminho metodológico segue a análise de quatro acontecimentos-chave e seus desdobramentos no período de exposição pública da imagem de Andreza, entre janeiro de 2016 e abril de 2017, tendo excertos midiáticos como empiria. As colonialidades que atravessam a visibilização de Senhorita Andreza se apresentam nas formas de 1) celebrificação pela via do risível e julgamento público, 2) criminalização, escárnio e racismo institucional, 3) presença fora do lugar na disputa político-partidária, 4) assassinato e negação do luto. Há, portanto, uma visibilização desumanizante, uma visibilidade incompleta, que não garante reconhecimento.
PALAVRAS-CHAVE: Colonialidade; Visibilização; Morte social; Senhorita Andreza.
ABSTRACT
The purpose of this article is to analyze the ways in which colonialities (QUIJANO, 2005, 2009, 2014; MALDONADO-TORRES, 2007; LUGONES, 2014) are triggered on the threshold between the existence and the social deaths of Senhorita Andreza, black woman from the outskirts of Belém (PA) who became a sudden celebrity and, months later, ended up murdered. How do colonialities act in the process of making subaltern subjects visible? Based on this problem-issue, the methodological path follows the analysis of four key events and their developments in the period of public exposure of Andreza\u27s image, between January 2016 and April 2017, having media excerpts as empirics. The colonialities that go through the visibility of Senhorita Andreza are presented in the forms of 1) celebrification through laughter and public judgment, 2) criminalization, scorn and institutional racism, 3) out of place presence in the political-party dispute, 4) murder and grief denial. There is, therefore, a dehumanizing visibility, incomplete visibility, that does not guarantee recognition.
KEYWORDS: Coloniality; Visibilization; Social death; Senhorita Andreza.
RESUMEN
El propósito de este artículo es analizar las formas en que se desencadenaron las colonialidades (QUIJANO, 2005, 2009, 2014; MALDONADO-TORRES, 2007; LUGONES, 2014) en el umbral entre la existencia y la muerte social de Señorita Andreza, una mujer negra de las afueras de Belém (PA) que se convirtió en una celebridad repentina y, meses después, terminó asesinada. ¿Cómo actúan las colonialidades en el proceso de hacer visibles los sujetos subalternos? Sobre la base de este pregunta-problema, la ruta metodológica sigue el análisis de cuatro eventos clave y sus desarrollos en el período de exposición pública de la imagen de Andreza, entre enero de 2016 y abril de 2017, con extractos de los medios de comunicación como empíricos. Las colonialidades que pasan por la visibilización de la Señorita Andreza se presentan en forma de 1) celebrización a través de la risa y el juicio público, 2) criminalización, desprecio y racismo institucional, 3) presencia fuera de lugar en la disputa de los partidos políticos, 4) asesinato y negación del luto. Existe, por lo tanto, una visibilización deshumanizante, visibilidad incompleta, que no garantiza el reconocimiento.
PALABRAS CLAVE: Colonialidad; Visibilización; Muerte social; Señorita Andreza.
 
Urban transformations and public health in the emergent city
Get PDFUrban transformations and public health in the emergent city examines how urban health and wellbeing are shaped by migration, mobility, racism, sanitation and gender. Adopting a global focus that spans Africa, Asia, Europe and Latin America, the essays in this volume bring together a wide selection of voices that explore the interface between social, medical and natural sciences. Moving beyond traditional approaches to urban research, this interdisciplinary approach offers a unique perspective on today's cities and the challenges they face.
Edited by Michael Keith and Andreza Aruska de Souza Santos, this volume also features contributions from leading thinkers on cities in Brazil, China, South Africa and the United Kingdom. This geographic diversity is matched by the breadth of their different fields, from mental health and gendered violence to sanitation and food systems. Together, they present a complex yet connected vision of a 'new biopolitics' in today's metropolis, one that requires an innovative approach to urban scholarship regardless of geography or discipline.
With chapters from a number of renowned authors including former Deputy Mayor of Rio de Janeiro Luiz Eduardo Soares, this volume is an important resource for anyone seeking to better understand the dynamics of urban change. Through a focus on the everyday realities of urban living, from health services to public transportation, the contributors offer valuable lessons for academics, policy makers and practitioners alike
World: we got this - In conversation about Brazil’s defence agenda in the South Atlantic (Dr. Maísa Edwards and Dr. Andreza Aruska De Souza Santos - King's Brazil Institute)
No full textWORLD: we got this - King's College London PodcastIn conversation about Brazil’s defence agenda in the South AtlanticSeason 4, Ep. 11Friday, August 4, 2023What life skills can one learn from doing a PhD?In this episode, Dr Maísa Edwards who recently completed a joint PhD from the King’s Brazil Institute and the University of São Paulo talks about her research on Brazil’s diplomatic and defence relations in the South Atlantic region. Speaking to Dr Andreza de Souza Santos, Maísa also shares the challenges she faced in completing her PhD during the Covid-19 pandemic and the research skills and life lessons she learnt from the experience
Manifestações de rua nas grandes metrópoles brasileiras
No full textAs imagens fotográficas de Andreza Cunha e Bruna Navarro, capitaram cenas que expressam as tensões sociopolíticas ocorridas no Brasil durante o ano de 2016. Imagens que revelam a intensidade das lutas políticas pelos direitos sociais em manifestações de rua das grandes metrópoles brasileiras.</jats:p
“SENHORITA ANDREZA”:: Trajetória, sentidos e (re)construções no ciberespaço
Get PDFNeste artigo analisamos a trajetória de Ariani Castro de Souza, ou simplesmente “Senhorita Andreza”, como ficou conhecida em Belém e região metropolitana, após um vídeo polêmico em que convida outras pessoas para uma possível festa, com consumo de bebidas e drogas. Posteriormente, a jovem se tornou “meme” na cidade e até mesmo candidata a vereadora nas eleições municipais de 2016. Partindo disto, analisamos ainda outros casos de suspeitos de crime que se tornaram memes na região: “Leona Vingativa” e “Alanzinho Maniçoba”. Tudo isto levando em conta as possibilidades de (re)construção que o ciberespaço proporciona e que podem ser discutidas através da Folksonomia
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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