1,721,445 research outputs found
Andrew Walker Diary Volume 01
Full text linkVolume I of the Andrew Walker Diary. Entries cover January 1, 1851 through April 18, 1852. A separate document titled Sales of Real Estate in Kennebunk 1845 - 1852 is included at the end of the volume. Note that the date range written on the front cover is January 1, 1851 - April 19, 1852.https://digitalmaine.com/andrew_walker_diaries/1001/thumbnail.jp
Andrew Walker, ed. Tai Lands and Thailand: Community and State in Southeast Asia, 2009
No full textRenard Ronald D. Andrew Walker, ed. Tai Lands and Thailand: Community and State in Southeast Asia, 2009. In: Aséanie 24, 2009. pp. 175-178
Collaborations Workshop 2018 - Lightning talk - Andrew Walker
No full textPresentation during Collaborations Workshop 2018, https://www.software.ac.uk/cw18
Book review for, Performing Orthodox Ritual in Byzantium, by Andrew Walker White. Cambridge: Cambridge University Press, 2015. [Recensione]
Full text linkBook review for Performing Orthodox Ritual in Byzantium by Andrew Walker White.
Cambridge: Cambridge University Press, 2015 (ISBN 978-1-107-07385-2)
Tai Lands and Thailand. Community and State in Southeast Asia, Andrew Walker (éd.)
Full text linkVoici un ouvrage à lire en commençant par la fin, car l’argument principal se trouve exposé de façon plus claire et convaincante dans la conclusion que dans l’introduction. Pour Andrew Walker, une conception erronnée de la notion de communauté prévaut aujourd’hui parmi les universitaires et les ONG thaïs et elle explique en partie les tensions sociales et politiques que connaît la Thaïlande depuis 2006. Appartenance locale, économie de subsistance, maintien des savoirs traditionnels : la com..
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Book review: 'eat the heart of the Infidel': the harrowing of Nigeria and the rise of Boko Haram by Andrew Walker
Full text linkIn ‘Eat the Heart of the Infidel’: The Harrowing of Nigeria and the Rise of Boko Haram, journalist Andrew Walker examines the emergence of Boko Haram, teasing out the societal and state structures that contributed to its rise and sustained its position. With the book drawing on a comprehensive range of resources, Fisayo Ajala recommends this well-researched and dutifully analysed work
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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