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Giovanna Bergonzi, Andrea Cardarelli, Pier Giovanni Guzzo, Renato Peroni, Lucia Vagnetti, Ricerche sulla protostoria della Sibaritide. 1 ; Giovanna Bergonzi, Vittoria Buffa, Andrea Cardarelli, Claudio Giardino, Renato Peroni, Lucia Vagnetti, Ricerche sulla protostoria della Sibaritide. 2
No full textVan Wonterghem Frank. Giovanna Bergonzi, Andrea Cardarelli, Pier Giovanni Guzzo, Renato Peroni, Lucia Vagnetti, Ricerche sulla protostoria della Sibaritide. 1 ; Giovanna Bergonzi, Vittoria Buffa, Andrea Cardarelli, Claudio Giardino, Renato Peroni, Lucia Vagnetti, Ricerche sulla protostoria della Sibaritide. 2. In: L'antiquité classique, Tome 54, 1985. pp. 534-535
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The Origin of Inequality. Origini 3, edited by Andrea Cardarelli, Alberto Cazzella and Marcella Frangipane
Full text linkThe article reviews The Origins of Inequality, a collection of essays brought together by Andrea Cardarelli, Alberto Cazzella and Marcella Frangipane following a series of seminars on this theme at the University of Roma La Sapienza. The volume was formally presented at the university in May 2017 as the focus of a discussion of its theme by a philosopher (Giacomo Marramao), economic historian (Monika Poettinger), cultural anthropologist (Alessandro Lupo) and archaeologist (Graeme Barker). The review is an edited version of Graeme Barker’s contribution, which he structured in terms of the book‘s evidence of how the research agenda has developed in the 20 years since Gary Feinman summarised it in his final chapter in the book he edited with Douglas Price, The Foundations of Social Inequality (New York: Plenum Press, 1995)
Pathways through Arslantepe Essays in Honour of Marcella Frangipane
No full textRaccolta di articoli su Arslantepe in onore di Marcella Frangipan
I ripostigli da ‘fonditore’ e il ‘tesoretto’ di Frattesina: aggiornamenti e considerazioni
No full textThis work concerns the five Hoards of the protohistoric settlement of Frattesina di Fratta Polesine, site dated between the Recent Bronze Age 2 and the Early Iron Age - phase 1A (12th – 10th/early 9th c. BC). The Hoards, datable to the central phase of the final Bronze Age (FBA2 – ca. 11th c. BC) have been studied (and written about) from the typological, chronological and functional point of view. In this work, the Hoards are analysed with different approaches, starting from the renewed chrono-typological analysis of the so called ‘tesoretto’, the Hoard composed of bronze, amber, glass, ivory, Ostrich eggshell and stone objects (mainly ornaments) published in 1971. As regards the so called ‘Founder’s hoards’ (nos. 1-4) formed of ingots and different kinds of object fragments (instruments, weapons, ornaments), the metrological and weigh system aspects are investigated. After weighing each component (included the minimal fragments hitherto unpublished) we compared them with other similar Italian and European ensembles. Finally, we propose some considerations about the function and the meaning of the Hoards on the base of the review of the materials, the rare and scarce notes on the discovery (unfortunately not in stratigraphic context) and in the light of the research carried out on this site since 2014, aimed at the structural and infrastructural features of the settlement. On this base, and considering the comparison with hoards coming from both inside and outside the settlements, the paper addresses the issue of whether to attribute to these items a profane or ritual function, and underlines how the boundaries between the two are often blurred, as demonstrated by the analogies between the Hoards nos.1-4 of Frattesina and those from some Apennine peaks, most likely of votive nature. Overall, we confirm what was expressed by Anna Maria Bietti Sestieri and Luciano Salzani on the Hoards 1-4, namely that they must have been connected with metallurgical workshops, and we propose a possible symbolic and/or sacred value for the ‘tesoretto’
Etruschi Maestri Artigiani. Nuove prospettive da Cerveteri e Tarquinia
No full textIl volume rappresenta la guida alla mostra realizzata a Cerveteri e Tarquinia dal Luglio ad Ottobre 2019. Il volume è organizzato per periodi cronologici e si concentra soprattutto sulla produzione artigianale etrusca dal IX secolo a.C. fino alla romanizzazione
L’età della lana: spunti per un’archeologia della lana durante l’età del bronzo
No full textThe paper shall briefly illustrate the astonishing results achieved during the past two decades of textile research shedding light on the study of wool economy during the Bronze Age. Thanks to this renewed attention to textile production and consumption, we are now able to argue that the production of wool and of woolen textiles was not -as mistakenly believed for a long time- a simple every day domestic activity, but a crucial component of the Bronze Age economy all over the continent. To this new understanding of the political economic value of wool and textiles contributed the study of the textile tools from the Terramara settlement of Montale, in Modena province. The latter was possible thanks to the interest and support of Andrea Cardarelli, to whom this contribution is dedicated
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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