85 research outputs found
Word of Mouth Attractiveness Factors Loyalty and Shoppers' Satisfaction : Empirical Analysis from Lahore Pakistan
The Impact of Brand Experience on Customer Satisfaction of Consumer Goods : Brand Attachment in Pakistan
Factors affecting employee creativity in Islamic banking in Pakistan
Islamic banking emerged as a response to both religious and economic needs in Islamic countries. Previous literature highlighted the need for more studies to focus employee creativity on staying competitive in this challenging market. Therefore, previous studies failed to discuss thoroughly cultural, behavioral, and internal factors affecting employee creativity, especially in Islamic banking. The current study integrated a framework on the factors affecting employee creativity suggested by practitioners and previous literature. This study's framework includes organizational culture with its nine dimensions, internal marketing, and employee creativity with the mediating effect of knowledge sharing. This study has seven main hypotheses to meet these objectives, and 15 hypotheses were tailored in total, including sub-hypothesis. A quantitative method was followed, and data were collected from a survey questionnaire from Islamic banks in Pakistan. The data analysis was conducted using Smart PLS 3.2.7 for 393 final clean respondents. The results show that both organizational culture and internal marketing have a positive effect on employee creativity jointly. However, three of the dimensions of organizational culture are not significant to employee creativity. Simultaneously power distance and performance orientation don’t support knowledge sharing in Islamic banking. Moreover, knowledge sharing is found as a significantly supported mediator. This study provides some implications for theory advancements and practical applications that can help practitioners better understand the issues related to organizational culture, internal marketing, employee creativity, and knowledge sharing in Pakistan's Islamic banking
The Impact of Trust, Communication, Commitment and Conflict Handling on Customer Loyalty : An Empirical Evidence from Banks in Lahore, Pakistan
Displacement, belonging, negotiation and third space in Mai Ghoussoub’s Selected writings, Zena El Khalil’s Beirut I love you, and Naima El Bezaz’s Vinexvrouwen -
Thesis. M.A. American University of Beirut. Department of English, 2014. T:6069Advisor : Dr. Amy Zenger, Associate Professor, English ; Members of Committee : Dr. David Wrisley, Associate Professor, English ; Dr. Syrine Hout, Professor, English.Includes bibliographical references (leaves 83-87)This thesis examines the works of three postmodern authors: Selected Writings by Mai Ghoussoub’s, Beirut I Love You by Zena El Khalil and Vinexvrouwen (The Suburban Wives) by Naima El Bezaz. Through closely reading and analyzing their texts I show that narration is a tool with which they attempt to transcend their identities and ground themselves. I explore how writing created a Third Space symbolizing a home to all three writers, a space where diversity is appreciated and becomes the norm. The first chapter defines and explores the different definitions of the terms, displacement, belonging, negotiation and Third Space. The second chapter discusses the displacement of Mai Ghoussoub, Zena El Khalil and Naima El Bezaz and the different causes of displacement. The third chapter elaborates on the negotiation and belonging of the three authors. This chapter examines the different negotiation styles of each author and their attempts at belonging. The fourth chapter looks at the Third Space created by Mai Ghoussoub, Zena El Khalil and Naima El Bezaz through writing. This chapter discusses the need for narrative in creating an identity and home. I will attempt to show that the Third Space, instead of being a contested space, can be a source of stability and self expression. The fifth chapter concludes the thesis and finds that Mai Ghoussoub, Zena El Khalil and Naima El Bezaz created an additional space, a Third Space, through writing in which they are not touched by offensive behavior. They anchor themselves in a virtual Third Space and find a home within their texts
Тurcik words of an ottoman chronickle «Нistory of Naima» as stylistic and informational code
Стаття присвячена одній зі стилістичних особливостей османського літопису поч. 18 ст.
«Історія Наїми». Проведений на основі корпусної методології лексикостатистичний аналіз хроніки
засвідчив, що в порівнянні з іншими османськими творами в ній домінують тюркські дієслова та
масдари. Втім, домінація не є такою відчутною, аби стверджувати, що автор радикально опонував
літературним канонам. Вжиток тюркізмів пояснюється намаганнями автора вплинути на адресата
тексту.
Ключові слова: літопис, текст, стиль, тюркізми, османська проза.Статья посвящена одной из стилистических особенностей османской летописи нач. 18 в.
«Истории Наимы». Проведенный на основании корпусной методологии лексико-статистический анализ
хроники засвидетельствовал, что по сравнению с другими османскими произведениями в ней доминируют
тюркские глаголы и масдары. Между тем, их доминирование не настолько ощутимо, чтобы
утверждать, что автор радикально оппонировал литературным канонам. Употребление тюркизмов
объясняется попытками автора повлиять на адресата текста.
Ключевые слова: летопись, текст, стиль, тюркизмы, османская проза.The article is devoted to one of stylistical peculiarities of an 18 c. Ottoman chronicle “History of
Naima”. This Ottoman prose work for a long time has been the subject of special interest for literary critics,
historians and linguists due to its stylistic features. The comparison of the chronicle frequency lexical parameters
with other Ottoman prose texts by corpus approach demonstrated that it had been created according to the
canons of Ottoman Prose Literature and rules of its language norm. Yet at the same time, «History of Naima»
differs from other texts in some obscure, inexpressive form, which let the annalist work stay quite famous in
Ottoman Literature for two centuries and not be forgotten as was the chronicle “Seyahatname” of the famous
traveler Evliya Chelebi. Verbs and masdars of Turkic origin prevail in Naima’s History in comparison with other
Ottoman Prose. Meanwhile this prevailing is not so noticeable as to claim that the author radically opposed
literary canons. More frequent using of Turkic words in the chronicle can be explained by author's attempts to
influence the recipient of the text with the aim to convince him of some political ideas.
Key words: chronickle, text, style, Turkic words, Ottoman prose
Тurcik words of an ottoman chronickle «Нistory of Naima» as stylistic and informational code
Стаття присвячена одній зі стилістичних особливостей османського літопису поч. 18 ст.
«Історія Наїми». Проведений на основі корпусної методології лексикостатистичний аналіз хроніки
засвідчив, що в порівнянні з іншими османськими творами в ній домінують тюркські дієслова та
масдари. Втім, домінація не є такою відчутною, аби стверджувати, що автор радикально опонував
літературним канонам. Вжиток тюркізмів пояснюється намаганнями автора вплинути на адресата
тексту.
Ключові слова: літопис, текст, стиль, тюркізми, османська проза.Статья посвящена одной из стилистических особенностей османской летописи нач. 18 в.
«Истории Наимы». Проведенный на основании корпусной методологии лексико-статистический анализ
хроники засвидетельствовал, что по сравнению с другими османскими произведениями в ней доминируют
тюркские глаголы и масдары. Между тем, их доминирование не настолько ощутимо, чтобы
утверждать, что автор радикально оппонировал литературным канонам. Употребление тюркизмов
объясняется попытками автора повлиять на адресата текста.
Ключевые слова: летопись, текст, стиль, тюркизмы, османская проза.The article is devoted to one of stylistical peculiarities of an 18 c. Ottoman chronicle “History of
Naima”. This Ottoman prose work for a long time has been the subject of special interest for literary critics,
historians and linguists due to its stylistic features. The comparison of the chronicle frequency lexical parameters
with other Ottoman prose texts by corpus approach demonstrated that it had been created according to the
canons of Ottoman Prose Literature and rules of its language norm. Yet at the same time, «History of Naima»
differs from other texts in some obscure, inexpressive form, which let the annalist work stay quite famous in
Ottoman Literature for two centuries and not be forgotten as was the chronicle “Seyahatname” of the famous
traveler Evliya Chelebi. Verbs and masdars of Turkic origin prevail in Naima’s History in comparison with other
Ottoman Prose. Meanwhile this prevailing is not so noticeable as to claim that the author radically opposed
literary canons. More frequent using of Turkic words in the chronicle can be explained by author's attempts to
influence the recipient of the text with the aim to convince him of some political ideas.
Key words: chronickle, text, style, Turkic words, Ottoman prose
Günümüze ulaşmayan İstanbul yapıları (Naîma tarihi verilerine göre bir inceleme)
Naima Tarihi Osmanlının sonun başlangıcı diyebileceğimiz bir dönemde kaleme alınan önemli bir kaynak kitaptır. Yazarı Mustafa Naîma kendi dönemini ve bir önceki dönemi inceleme şansı bulmuş bir tarihçidir. Eserinde, İbn Haldun’dan etkilendiği görmekteyiz. Bu yönü ile Naima eserlerinde sosyal meselelere yer verip, yangınları, et satış fiyatlarındaki artışları konu ettiği gibi, Amasya ‘da yapılmış olan çeşmeye kadar zengin bir içerikle bize dönemini anlatmaktadır. Bu araştırmada amacımız, Naima tarihinde yer alan İstanbul’un günümüze ulaşmamış yapıları tespit etmek, Naima’da geçen semt ve yaşam alanlarını görebilmek, sanat tarihine dair bir kaynak olduğunu belirlemektir. “Günümüze Ulaşmayan İstanbul Yapıları (Naîma Tarihi Verilerine Göre Bir İnceleme) ” Adlı bu çalışmada kaybolan İstanbul yapıları dokuz yapı türü olarak incelenmiştir. Kaybolan yapılara dair Naima tarihinde yer alan bilgiler verildikten sonra kaybolma nedenleri araştırılmış, yapı türü genel bilgisi verildikten sonra yapılar ve harita üzerinde yer tespiti yapılmıştır. Tezin kurgulanması şu adımlar doğrultusunda olmuştur. İlk bölümde, konunun önem ve niteliği, çalışma yöntemi, Naîma ve eseri, Naîma’da İstanbul hakkında bilgilere yer verilmiştir. İkinci bölümde, kaybolan İstanbul yapıları yapı türlerine göre incelenmiştir. Üçüncü bölümde, elde edilen yapı bilgileri, yok olma nedenleri ile değerlendirmeye tabi tutularak sonuca gidilmiştir.The Naima History is an important source book that is written that in begining of end of the Ottoman empire. The author Mustafa is a historian who has found a chance for examine of his time and his previous period. We can see in his book that his was influenced from the Ibn Khaldun. Naima with this aspect, while he mentions social issues in his book, like fires, like regarding to the increase in retail prices of meat, at the same time, he mentions about the fountain that is made in Amasya. He tells his own period with a rich content. Our purpose in this study that is determine structures of İstanbul there aren't survived that mentioned in history of naima, to see the neighborhood and habitats that mentioned in history of naima , to define as a resource for the history of art. “According to the history of Naima, structures of İstanbul that aren't survived Until today” That named in this study , The structures of Istanbul that are examined as nine kinds of structure. informations of the lost structures that are mentioned into history of naima is given after, causes of loss were investigated. The thesis have been editing in accordance with the following steps; In the first chapter, the importance of the subject, nature of the subject, its working method, Naima,and his work and are given information about Istanbul In the second part, the structures lost in Istanbul, according to the types of structure are investigated. In the third section, informations obtained from the structures were evaluated with its the causes of extinction
Effect of cobalt doping on structural and dielectric properties of nanocrystalline LaCrO3
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