805 research outputs found
Life of Cindy: a biography of Cindy Sherman
No full textThe first comprehensive biography of acclaimed, celebrated, and much-loved US artist Cindy Sherman, who turned sixty in 2014. Sherman is best known for her photographs of herself dressed and made up as a wide array of fascinating and sometimes bizarre characters, which she has continued for over forty years. Sherman has a reputation as a very private person off-camera. Now, discover the woman behind the myth in this new biography of one of the most pioneering and influential artists of our time.
Henry Bond’s biography is a richly detailed and accessible account of visual art’s greatest enigma—from her first encounters with art as a child, to her college days in Buffalo, and step-by-step from that time, beginning with her arrival in New York during the Summer of Sam, in 1977.
The subject of the book has offered many new insights to the author, and so too, a number of Sherman's circle has been forthcoming with recollections and clarifications—including her ex-husband Michel Auder and her former partners Robert Longo and Paul Hasegawa-Overacker.
Sherman's life story is surprisingly dark: her older brother committed suicide when she was a teen; her former husband Michel was a heroin addict for many years; the art scene she emerged from was replete with sociopathic behaviour in Lower Manhattan, New York, in the late 1970s, which at that time resembled a lawless war zone more than a recognisable urban neighbourhood. This book is also the tale of a woman’s rise to success and wealth from humble beginnings: from a Long Island North Shore clapboard development to a grand 1840s home in East Hampton set in private gardens, where a flock of wild turkeys roam free
Ep. #049 - Cindy Isenhour
No full textThis recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.On this week’s episode of the podcast, Dominic and Cymene relate their fave holiday traditions and identify the one thing that any gift-giving culture should absolutely avoid giving. Then (14:51) to help process our season of hyperconsumption, we welcome to the pod Cindy Isenhour from the University of Maine, co-author of Sustainability in the Global City, (http://www.cambridge.org/catalogue/catalogue.asp?isbn=1107076285), to talk about her recent research on displaced emissions from the Global North to the Global South. We discuss how the quest to green energy production often neglects the problem of rising commodity consumption and Cindy tells us her thoughts on whether it is possible to decouple economic growth from ecological harm. We talk about Sweden, the first country to officially recognize their displaced emissions, and how Swedish corporatism and cosmopolitanism contributed to that move. We cover Sweden’s efforts to improve China’s carbon efficiency, and how its new tax incentives to encourage reuse and repair of existing commodities are in tension with the government’s hesitation to restrict choice and consumer freedom. Then we turn to her new research on secondary consumption and the vibrant reuse culture of Maine. We reflect on how cheap fossil fuels make it easy to replace instead of reuse and what we in the North might be able to learn from the repair cultures of the South. And we debate whether cities can be the leading edge of climate progress given their own metabolic rift with respect to where their food and energy comes from. Finally, Cindy shares her own gift giving tips. Wishing all of our listeners a peaceful and beautiful holiday week. PS Here’s a photo of the Cultures of Energy rainbow xmas tree
Hurricane Cindy Galveston Bay Tides
No full text-Hurricane Cindy of September 1963 probably produced the most completely recorded set of tide data in a bay of any United States hurricane. Hydrographs showing the water levels in Galveston Bay along with pertinent meteorological data are presented. (Author)http://gbic.tamug.edu/request.ht
Kdo je Cindy Sherman?
Full text linkThe report introduces the work of Cindy Sherman, a visual and conceptual artist, who has mainly worked in the field of gender and identity politics. The author of the text describes Sherman's best known series of photographs Untitled Film Still as well as a series of photographs taken for Vogue Paris. Sherman's work is compared to the work of Slovak conceptual artist Lucia Nimcova and her series of photographs called Women. Later in the text, the author describes the field of recipients, devided into men and women, and the emotions they
feel and their thoughts, as they look on the work of Sherman
Daily Decision Making Regarding Occupations and Its Effect on Women With Chronic Pelvic Pain
No full textAbstract
Date Presented 3/30/2017
A survey collected data on 579 women with chronic pelvic pain. Engagement in specific daily activities and its effect on increasing symptoms was examined. Results indicate that educating pelvic pain clients in health behaviors can improve their management of symptoms and reengagement in occupations.
Primary Author and Speaker: Cindy Hayden</jats:p
Autoimmunities after COVID: An Interview with Cindy Patton
No full textCindy Patton is Professor Emeritus of Sociology and Anthropology at Simon Fraser University in Vancouver, Canada. An early AIDS activist in Boston, she holds a PhD in Communications from the University of Massachusetts, Amherst. After inaugurating her academic career at Temple University (Rhetoric and Community) and Emory University (Graduate Institute of the Liberal Arts), she accepted a Canada Research Chair in Community, Culture and Health at Simon Fraser (2003-15). In that capacity, she worked with more than two dozen groups to develop small community-driven projects related to HIV/AIDS, housing, social welfare, mental health, while achieving, culminating in the creation of the Community Health Online Digital Research Resource, a catalogued, open-access, full-text collection of the materials from those groups (www.chodarr.org). Her academic publications span the social study of medicine, especially AIDS; social movement theory; gender studies; and media studies. She is the coeditor of Queer Diasporas (2000) and a special issue of Cultural Studies on Pierre Bourdieu (2003). She is the author of such works as Globalizing AIDS (2002), Cinematic Identity: Anatomy of a Problem Film (1997), Fatal Advice: How Safe-Sex Education Went Wrong (1996), Inventing AIDS (1990), and LA Plays Itself/Boys in the Sand: A Queer Film Classic (2014).
Taken collectively, Patton’s scholarship and activism has laid the foundation for insights in the health humanities, particularly AIDS studies, that consider the inextricable connections between epidemiology and ideology. Patton’s theorizations of stigma and discrimination patterns, her deconstruction of “truth” discourses subtending science, her critical re-evaluations of axioms associated with risk, safe sex, community, and knowledge production have been crucial interventions in the understanding of health and illness as cultural and discursive scripts. Among Patton’s most enduring contributions has been her theorization of how “African AIDS” was invented and circulated—that is, the notion of geographically bifurcated HIV pandemics split by the essential linkage between Africa and blackness generally with pathogenesis. Equally influential has been her elaboration of the insurgent queer research practices that fused with antiracist struggle to combat this split.
In the interview below, Travis Alexander and Nishant Shahani engage Patton in a discussion on a range of topics—from (dis)continuities between the HIV/AIDS and COVID pandemics to the role of queer activism in forging epidemiological counter-publics and the geopolitics of medical bureaucracy
AN URBAN WALKABOUT WITH CINDY SHERMAN'S PHOTOGRAPH, "UNTITLED #466, 2008”
No full textIn this article, the narrator of the story immerses herself in the interiority of a character depicted in a Cindy Sherman portrait on an art gallery wall. The narrator invites the character out of the photograph and immerses her in the pandemic-stricken city outside. In this way, the author engages with contemporary visual art while composing fictional text as literary art. Her encounter with the photograph becomes an aesthetic visual and literary investigation of art, text, and characterization set against the backdrop of the global COVID-19 crisis
Introduction
No full textHarriet Beecher Stowe's most famous introduction took place on or around Thanksgiving Day, 1862, when she was introduced to President Abraham Lincoln, who allegedly greeted her with these memorable words, “So you're the little woman who wrote the book that made this great war! ” Even if we grant Lincoln's statement its obvious degree of ironic intention, he, nevertheless, makes quite a claim for the impact of Uncle Tom's Cabin on American history. One glance at virtually any of Lincoln's speeches reveals that he, like Stowe, believed that the power of words could alter the minds and hearts of individuals. Stowe's faith in the transforming capacity of language makes a great deal of sense, given that she came from a distinguished family of ministers and social activists - in an 1851 letter to Frederick Douglass, she writes, “I am a ministers daughter - a ministers wife & I have had six brothers in the ministry . . . & I certainly ought to know something of the feelings of ministers.” Stowe here refers to her father, Lyman Beecher, President of Lane Seminary, her husband, Calvin Stowe, who served at various times as Professor at Lane Seminary, Professor of the Chair of Sacred Literature at Andover Theological Seminary and Professor at Bowdoin College, and her brothers, the most famous of whom was Henry Ward Beecher, head of the prestigious Congregationalist Plymouth Church in Brooklyn and anti-slavery activist. This list, it should be noted, doesn’t even mention her influential sisters, Catharine Beecher, founder of the Hartford Female Seminary and author of many tracts, including A Treatise on Domestic Economy, and Isabelle Beecher Hooker, whose close ties to Elizabeth Cady Stanton and Susan B. Anthony made Isabelle an important figure in the campaign for women’s rights. To what extent Stowe’s own words of ministration and protest catapulted the nation toward Civil War is an unanswerable question, but clearly Stowe wanted her novel to bring about great social change and Lincoln thought she had succeeded
"Life Doesn't Seem Natural:" Ecofeminism and the Reclaiming of the Feminine Spirit in Cindy Cowan's A Woman from the Sea
No full textWhile critical reception of Cindy Cowan's A Woman from the Sea has typically valued its magical and fantasy elements, little critical attention has been given to its larger implications for ecofeminist spiritual revisioning. In what follows, the author considers Cowan's efforts to outline the liberating potential of ecofeminism and female spirituality. Drawing on textual evidence, the author examines how Cowan organizes a rediscovery of the sensual feminine through dramatic narrative.
Bien que les commentaires des critiques de A Woman from the Sea (Une femme de la mer) de Cindy Cowan aient beaucoup misé sur les éléments fantastique et magique du texte, peu d'attention a été porté à ses conséquences pour le révisionnisme spirituel ecoféministe. Dans ce qui suit, l'auteure évalue les efforts de Cowan de définir le potentiel libérateur de l'ecoféminisme et d'un spiritualisme féminin. Se basant sur une étude du texte, l'auteure examine la façon que Cowan développe l'idée d'une redécouverte de la sensualité féminine par l'intermédiaire d'un récit dramatique
Composing Research: A Contextualist Paradigm for Rhetoric and Composition
Full text linkIn Composing Research, Cindy Johanek offers a new perspective on the ideological conflict between qualitative and quantitative research approaches, and the theories of knowledge that inform them. With a paradigm that is sensitive to the context of one\u27s research questions, she argues, scholars can develop less dichotomous forms that invoke the strengths of both research traditions. Context-oriented approaches can lift the narrative from beneath the numbers in an experimental study, for example, or bring the useful clarity of numbers to an ethnographic study.https://digitalcommons.usu.edu/usupress_pubs/1125/thumbnail.jp
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