1,722,381 research outputs found
Stages for the More Sustainable Farm
Currently, agricultural farm units are faced with a double and most times contradictory challenge, in order to be successful: on the one hand the invested capital has to be profitable and the economic performance has to be maximised. On the other hand, given the socio-environmental situation, it is necessary to preserve and to protect the environment and natural resources. Given the potential conflict of the two aims, since the satisfaction of one implies the underperformance of the other (and vice versa), the question then is: which is the solution to choose? We intend, in this work, to formulate a farm plan with the purpose of reconciling the criteria of environmental sustainability with that of economic competitiveness. For this achievement we proceed to the comparative study of sustainability of different groups of farms identified in the study area (first evaluation cycle) through MESMIS (“Marco para la Evaluación de Sistemas de Manejo de Recursos Naturales Mediante Indicadores de Sustentabilidad” - Framework for Evaluation of Natural-Resource Systems Handling through Sustainability Indicators) methodology, that allowed to select the more sustainable group of farms. Based on the found potentialities and weakness on these production systems, we stepped to the planning of a production unit of bovine meat, which obeys simultaneously to economic and environmental objectives, using Multicriteria Decision. We finished the work with the sustainability evaluation between groups of farms identified previously and the planned farms (second evaluation cycle), based, again, in the MESMIS methodology, to confirm (or not) the greatest sustainability of the last ones. Analyses of the results allow us to confirm the greatest relative sustainability of the planned farm, for the diverse traced scenarios.Decision taking, planning, sustainability, Environmental Economics and Policy, Farm Management,
Manual de grego. Heródoto e lírica arcaica com exercícios: nível seis, semestral.
Textos estabelecidos e anotados por Ana Alexandra Alves de Sousa.Antologia de textos de Heródoto (algumas das mais curiosas histórias narradas por Heródoto) e poesia grega dos sécs. VII-V aC. Introdução ao estilo de Heródoto e à lírica grega. Contém exercícios e fichas de trabalho.info:eu-repo/semantics/publishedVersio
Manual de grego. Heródoto e lírica arcaica com exercícios: nível seis, semestral.
Textos estabelecidos e anotados por Ana Alexandra Alves de Sousa.Antologia de textos de Heródoto (algumas das mais curiosas histórias narradas por Heródoto) e poesia grega dos sécs. VII-V aC. Introdução ao estilo de Heródoto e à lírica grega. Contém exercícios e fichas de trabalho.info:eu-repo/semantics/publishedVersio
Manual de grego. Ilíada. Livro XIX. Odisseia. Livro XX. Com exercícios: nível seis, semestral.
Textos estabelecidos e anotados por Ana Alexandra Alves de SousaAntologia com dois cantos integrais dos Poemas Homéricos. Contém notas aos textos, propostas de exercícios e fichas gramaticais. Adequa-se ao terceiro ano de aprendizagem da língua (sexto semestre).info:eu-repo/semantics/publishedVersio
The NGO-ization of social movements in neoliberal times: contemporary feminisms in Romania and Belgium
As women gained access to influence politics through formal official channels, social justice concerns of feminist activists started to be pursued through institutionalized forms of political intervention. Scholars have argued for a shift in feminist activism from participation in political movements to lobby and advocacy within formal organizations. The
institutionalization and professionalization of the feminist movement were widely associated
with feminist and women NGOs collaborating with governmental gender equality bodies to
advance movement goals and achieve policy success. While some insisted on the benefits of
infusing feminist ideas and practices within the state, others considered that NGO-ization
made the feminist movement susceptible of co-optation, contributing to its demobilization
and depoliticization. The financial dependency on public or private subsidies studded the
NGO-ization hypothesis and urged scholars to analyse the effects of funding on feminist
organizations and their capacity for mobilization. Despite the general diagnosis of a demobilized movement comprising an overabundance of depoliticized NGOs, contemporary feminist movement reveals as a space in which formal official organizations and informal groups co-exist, which use both disruptive and disciplined strategies, in different political locations, with various material resources, from friends and comrades’ contributions, to state funds or private grants. However, the NGO form seems to
dominate feminist movement organizations that turned into stable and legitimate partners of the state or international institutions, being more visible in the public space, while the informal groups are more fluid and less conspicuous. The major shortcoming within the literature that analyses these transformation is the fact that NGO-ization, institutionalization, professionalization and bureaucratization are used interchangeably and the relation between them is ambiguous. Similarly, scholars however do
not always seem to agree if there is a causal relation or a co-occurrence regarding the
outcomes of these processes – co-optation, demobilization and depoliticization. By comparing NGOized feminist organizations and Street feminist groups in Belgium and
Romania, in this research I aim to provide an answer to the question of what is NGO-izationand to trace the development of the NGO-ization process and its entanglements with
neoliberal modes of governance and techniques. Drawing both on social movements and
NGO-ization literature, by analysing the NGO-ization process, I aim to disentangle the links between institutionalization, professionalization, bureaucratization and financial dependence and bring some clarifications concerning the outcomes associated with them such as demobilization, depoliticization and co-optation
Introduction. World Languages: People, Migration And Cultures - Shifting Paradigms In The 21st Century. New Literacies.
World languages: people, migration and cultures - shifting paradigms in the 21st century. New literacies emphasises theoretical-methodological frameworks describing the way linguistic systems work by drawing on users’ perspective while bearing in mind that linguistic productions and language change in natural languages operate with various extralinguistic dimensions and contexts (Baym 2015; Collins, Baynham, & Slembrouk 2009; De Meo et al. 2014)
Journal of Linguistic and Intercultural Education
Special Issue: "World languages: People, migration and cultures - shifting paradigms in the 21st century. New literacies
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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