101 research outputs found

    Otto Mainzer Collection. late 1800s-2003 bulk 1922-1998

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    The Otto Mainzer collection documents the life and professional activities of Otto Mainzer, lawyer, writer, and financial consultant; the collection also sheds light on the life of Otto Mainzer’s wife, Ilse Wunsch, a musician and a teacher. The collection includes correspondence, financial, vital, immigration, and legal documents, notes, photographs, printed materials, and writings, by Otto Mainzer and Ilse Wunsch as well as a small number of manuscripts by other authors. The collection is divided into two distinct sections, one pertaining to Otto Mainzer and the other to Ilse Wunsch.Otto Mainzer, lawyer, writer, and a financial consultant was born in 1903 in Frankfurt am Main. He received his basic schooling in Frankfurt am Main and continued his education at Frankfurt, Munich, and Berlin universities, studying jurisprudence. After receiving his degree Otto Mainzer worked as a lawyer at the Berlin Court of Appeals. He immigrated to Paris in 1933 where he devoted his time to writing. It was in Paris that he began working on his monumental work of non-fiction, Die sexuelle Zwangswirtschaft: ein erotisches Manifest, which he eventually managed to publish in 1981. In the mid-thirties Otto Mainzer published one volume of poems entitled, Der zaertliche Vorstoss: in sechsundsechzig Gedichten. During the same period he wrote his first novel, Prometheus. He had to wait for forty years before it was published by Stroemfeld/Roter Stern in 1989. After the outbreak of World War II in 1939 Otto Mainzer was interned at a French concentration camp for over a year before being allowed to leave. He arrived in New York in late 1941. Shortly after his arrival, Otto Mainzer moved to Chicago to work as a graphologist for the Spiegel of Chicago. It was in Chicago that he met his future wife, Ilse Wunsch. Soon after Otto Mainzer and Ilse Wunsch moved back to New York. Otto Mainzer devoted the rest of his life to writing and propagating his ideas of human love and sexuality as an underlying stratum for all of the human interactions. The bulk of Otto Mainzer’s written legacy was never published. He died in New York in 1995.Ilse Wunsch was born in 1911 in Berlin, Germany. She started studying piano at a very early age. After graduating from high school, Ilse Wunsch continued her studies at the Teachers Training College. In 1936 she left for Japan, for concertizing and teaching. She eventually moved to Chicago where she continued her studies at the Chicago Musical College, in due course earning a Master of Music degree. After meeting Otto Mainzer, the couple moved to New York, where Ilse resumed her post graduate studies. In New York, Ilse Wunsch was a member of the faculty of the New York College of Music, Stern College for Women, teaching piano and theory. Later she became an Assistant Professor at New York University, School of Education, Music Education Division. Ilse Wunsch was also an author of a number of books on music theory and pedagogy; she also composed a number of music pieces; and finally she wrote autobiographical non-fiction dedicated to her husband, Otto Mainzer.Otto Mainzer's collection of poems "Der zaertliche Vorstoss in sechsundsechzig Gedichten" is available in the LBI library (r PT 2613 R825 Z3).Processeddigitize

    Nonionoides n. gen. demens (Bık, 1964), eine bisher verkannte Foraminiferenart aus dem Aquitan des Mainzer Beckens

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    Investigations on the systematic position of the foraminifer generally refered to as Hastigerina demens known from the Aquitanian of the Mayence basin have shown, that a new classification has to be made. Based on the shown protoforamina the species has to be considered as belonging to the family Polystomellidae EIMER & FICKERT, 1899. The aberrant test of the species which above all appears in the evolute arrangement of the chambers, has induced the author to place the species in a new genus Nonionoides n. gen. For N. demens a benthonic way of life has to be assumed. Therefore no autochthon planctonic living foraminifers are known from the Hydrobia beds and Corbicula beds of the Mainz basin.researc

    Nonionoides n. gen. demens (Bık, 1964), eine bisher verkannte Foraminiferenart aus dem Aquitan des Mainzer Beckens

    No full text
    Investigations on the systematic position of the foraminifer generally refered to as Hastigerina demens known from the Aquitanian of the Mayence basin have shown, that a new classification has to be made. Based on the shown protoforamina the species has to be considered as belonging to the family Polystomellidae EIMER & FICKERT, 1899. The aberrant test of the species which above all appears in the evolute arrangement of the chambers, has induced the author to place the species in a new genus Nonionoides n. gen. For N. demens a benthonic way of life has to be assumed. Therefore no autochthon planctonic living foraminifers are known from the Hydrobia beds and Corbicula beds of the Mainz basin.researc

    Watching for wanderers

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    Mainzer Maler - Maler in Mainz : Lebenswelten zwischen Stadt und Hof

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    Diese Arbeit beschäftigt sich mit Mainzer Malern. Maler die in Mainz ansässig waren und hier das Bürgerrecht besaßen, sowie Maler, die für die Mainzer Erzbischöfe als Hofkünstler tätig waren. Große Namen wie Matthias Grünewald aber auch unbekannte Namen wie Conrad Kol oder Hans von Oppenheim. Zeitlich bilden die Jahre 1462 – damals endete die Epoche der Stadtfreiheit – und 1631, damals wurde die Stadt im Dreißigjährigen Krieg von den Truppen Gustav Adolfs von Schweden erobert, die Eckpunkte der Untersuchung. Zu den zwischen den genannten Daten in Mainz ansässigen Malern und zu ihren Lebensbedingungen findet der gütige Leser ein wenig Text, dazu eine kleine Zusammenstellung der dem Autor bekannten Informationen zu einzelnen Malern, ein paar Diagramme, Tabellen und Karten und einen teilweise farbigen Abbildungsteil. 5 Bibliotheken, 15 Museen, 19 Archive, einige Semestertickets, 42 Bahntickets, 13.800 Blatt Papier, 16 Druckerpatronen, 4 Computer und mehr als 67 Liter Bier waren zu seiner Realisierung notwenig!The focus of this thesis are painters from Mainz, i.e. painters who were resident in and citizens of Mainz, as well as painters who worked for the archbishops of Mainz as court artists. They include well known names like Matthias Grünewald but also unknown names like Conrad Kol or Hans von Oppenheim. Chronologically, the year 1462 - when the period of the independency of the city ended – and the year 1631, when the city was conquered during the 30-year war by the troops of Gustav Adolf of Sweden, are the cornerstones of the thesis. With regards to these painters, the reader finds some facts about their living conditions, information known to the author about individual painters, a few diagrams, tables and maps and a section with partially colored figures. 5 libraries, 15 museums, 19 archives, several semester tickets, 42 train tickets, 13.800 sheets of paper, 16 printer cartridges, 4 computers and more than 67 liters of beer were needed to make it possible!1014 Seite

    Mainzer Maler - Maler in Mainz : Lebenswelten zwischen Stadt und Hof

    No full text
    Diese Arbeit beschäftigt sich mit Mainzer Malern. Maler die in Mainz ansässig waren und hier das Bürgerrecht besaßen, sowie Maler, die für die Mainzer Erzbischöfe als Hofkünstler tätig waren. Große Namen wie Matthias Grünewald aber auch unbekannte Namen wie Conrad Kol oder Hans von Oppenheim. Zeitlich bilden die Jahre 1462 – damals endete die Epoche der Stadtfreiheit – und 1631, damals wurde die Stadt im Dreißigjährigen Krieg von den Truppen Gustav Adolfs von Schweden erobert, die Eckpunkte der Untersuchung. Zu den zwischen den genannten Daten in Mainz ansässigen Malern und zu ihren Lebensbedingungen findet der gütige Leser ein wenig Text, dazu eine kleine Zusammenstellung der dem Autor bekannten Informationen zu einzelnen Malern, ein paar Diagramme, Tabellen und Karten und einen teilweise farbigen Abbildungsteil. 5 Bibliotheken, 15 Museen, 19 Archive, einige Semestertickets, 42 Bahntickets, 13.800 Blatt Papier, 16 Druckerpatronen, 4 Computer und mehr als 67 Liter Bier waren zu seiner Realisierung notwenig!The focus of this thesis are painters from Mainz, i.e. painters who were resident in and citizens of Mainz, as well as painters who worked for the archbishops of Mainz as court artists. They include well known names like Matthias Grünewald but also unknown names like Conrad Kol or Hans von Oppenheim. Chronologically, the year 1462 - when the period of the independency of the city ended – and the year 1631, when the city was conquered during the 30-year war by the troops of Gustav Adolf of Sweden, are the cornerstones of the thesis. With regards to these painters, the reader finds some facts about their living conditions, information known to the author about individual painters, a few diagrams, tables and maps and a section with partially colored figures. 5 libraries, 15 museums, 19 archives, several semester tickets, 42 train tickets, 13.800 sheets of paper, 16 printer cartridges, 4 computers and more than 67 liters of beer were needed to make it possible
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