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    Quantum discord in a spin system with symmetry breaking

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    We analyze the quantum discord Q throughout the low temperature phase diagram of the quantum XY model in transverse field. We first focus on the T = 0 orderdisorder quantum phase transition QPT both in the symmetric ground state and in the symmetry broken one. Beside it, we highlight how Q displays clear anomalies also at a noncritical value of the control parameter inside the ordered phase, where the ground state is completely factorized. We evidence how the phenomenon is in fact of collective nature and displays universal features. We also study Q at finite temperature. We show that, close to the QPT, Q exhibits quantum-classical crossover of the system with universal scaling behavior. We evidence a nontrivial pattern of thermal correlations resulting from the factorization phenomenon. © World Scientific Publishing Company

    Adiabatic dynamics in open quantum critical many-body systems

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    The purpose of this work is to understand the effect of an external environment on the adiabatic dynamics of a quantum critical system. By means of scaling arguments we derive a general expression for the density of excitations produced in the quench as a function of its velocity and of the temperature of the bath. We corroborate the scaling analysis by explicitly solving the case of a one-dimensional quantum Ising model coupled to an Ohmic bath. © 2008 The American Physical Society

    Entanglement in many-body systems

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    Recent interest in aspects common to quantum information and condensed matter has prompted a flurry of activity at the border of these disciplines that were far distant until a few years ago. Numerous interesting questions have been addressed so far. Here an important part of this field, the properties of the entanglement in many-body systems, are reviewed. The zero and finite temperature properties of entanglement in interacting spin, fermion, and boson model systems are discussed. Both bipartite and multipartite entanglement will be considered. In equilibrium entanglement is shown tightly connected to the characteristics of the phase diagram. The behavior of entanglement can be related, via certain witnesses, to thermodynamic quantities thus offering interesting possibilities for an experimental test. Out of equilibrium entangled states are generated and manipulated by means of many-body Hamiltonians. © 2008 The American Physical Society

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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