292 research outputs found

    Chick Lit in Historical Settings by Frida Skybäck

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    Chick lit is mostly contemporary portrayals of single women in cities. The Swedish author Frida Skybäck writes “chick lit in corsets”, that is, chick lit in a historical setting, and she writes primarily for teenage girls. Her two novels Charlotte Hassel (2011) and Den vita frun (2012) balance between chick lit jr. and romance. They can also be read as historical novels, and in my article I highlight how Skybäck has consciously played with the different genres to convey a feminist message and to strengthen young readers

    Fashion Culture: Frida Kahlo: Fashion as the Art of Being

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    On Thursday, November 3, Susana Martinez Vidal, author of "Frida Kahlo: Fashion as the Art of Being", and Circe Henestrosa, curator of the exhibition "Appearances Can Be Deceiving: The Dresses of Frida Kahlo" at the Frida Kahlo Museum in Mexico City, came together for a discussion of this inspiring artist, whose legacy continues to influence the worlds of fashion, media, and art

    Frida Kahlo -näytelmän puvustusprosessi

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    Opinnäytetyön aiheena on Kuopion kaupungin teatterissa vuonna 2016 keväällä ensi-iltansa saanut Frida Kahlo - näytelmän puvustusprosessi. Opinnäytetyössä prosessia tarkasteltiin J. Michael Gilletten teatterituotantoon tarkoitetun suunnittelu-ja ongemanratkaisumallin avulla. Tekijä toimi opinnäytetyö-ja työharjoittelujakson aikana skenografi Marie Antikaisen assistenttina ja puvustusprosessin havainnoijana Frida Kahlo -näytelmässä. Tekijä suunnitteli näytelmän tanssikohtauksiin viidelle tanssijalle puvut. Havainnoinnin lisäksi opinnäytetyöhön haastateltiin koko näytelmän puvustuksen suunnitellutta skenografi Marie Antikaista sekä puvustonhoitaja Pirkko Jokelaa, joilta saatiin arvokasta tietoa siitä, miten näytelmän puvustus syntyi tällaiseen taidepainotteiseen näytelmään. Havainnointiaineistoa hankittiin näytelmään ensisijaisesti näytelmän käsikirjoituksesta, elokuvasta, elämäkerroista, pukuhistoriasta, ajankuvasta sekä näytelmän harjoituksista, kyselemällä ja kuuntelemalla ohjaajaa ja muita teatteriproduktion työntekijöitä. Opinnäytetyön tuloksena syntyi raportti, jossa opittiin käytännössä soveltamaan J. Michael Gilletten ongelmanratkaisumallia. Raportissa sovellettiin myös muita esille tuotuja luovan prosessin työkaluja lopputuloksen saavuttamiseksi.The subject of the final thesis is clothing of the play of Frida Kahlo.The premiere was played in spring 2016. The clothing design process was considerd by the method of J.Michael Gillette, which is meant to be theatre production workers. The final thesis and training were connected to the same process. During the training period the author worked as an assistant and observer in the play of Frida Kahlo. The author had also designed a dancing costume for five people in the Frida Kahlo play’s dancing scene. The whole play’s costumes designer, scenographer and costumier Marie Antikainen and also wardrobekeeper Pirkko Jokela were interviewed for this work. They gave important information on how to create this kind of costumes and how they choose these clothes to this kind of oriented play. The observation material was collected this play from the place in plays script, movies, biography, the history of fashion, the plays scenes, asking and listenig to the director and other theatre production members. As a result of final thesis is this report where I learned in practice to apply J. Michael Gillette’s method. I used in the report also other creative methods

    A Frida le duelen los huesos : La representación del cuerpo y de la experiencia del dolor en obras de Frida Kahlo

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    A los 19 años Frida Kahlo sufrió el primero de lo que en sus palabras fuera “uno de los accidentes de su vida”, el trole que le cambió su realidad y su espíritu para siempre, convirtiéndola en la gran artista que pintó su dolor y que hizo de su cuerpo un instrumento de inspiración para creación propia, transformando las lágrimas en belleza, el grito en color, las cicatrices en historia. El otro accidente sería Diego Rivera. Frida Kahlo, con su cuerpo herido, su columna rota, la mujer rota, en la tela y frente a ella, detrás del relato pictórico y dentro del mismo, es el centro de mi interés. Mi aporte es sobre aquellos lienzos, bosquejos y dibujos, que trazan el dolor del cuerpo roto, que construyen un mapa del dolor cuyas cicatrices exponen el vía crucis del sufrimiento. Si bien existe ligado de una manera especialmente difícil de separar, en el sentido de privilegiar cuál más o cuál menos peso tiene, el dolor que pasa por dentro, el que se vive en las vísceras, mi referencia está dirigida al dolor físico específicamente, al corporal. Aquel que la motivó y llevó a la creación de una simbología extraordinaria, componente de un relato autobiográfico, enraizado en la metáfora y la mexicanidad; poniendo en lenguaje el dolor, construyendo un lenguaje del dolor.Magister en Estética y Teoría de las ArtesUniversidad Nacional de La PlataFacultad de Arte

    Frida: sus fotos. El Financiero, sección Cultura "Clicks a la distancia"

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    Referencias bibliográficas:Frida Kahlo, sus fotosNota sobre el libro Frida Kahlo, sus fotos editado por el Museo Frida Kahlo Casa Azul y editorial RM

    Frida Framework Implementation for Workflow Manipulation in Android Applications: Implementasi Frida Framework untuk Manipulasi Alur Kerja pada Aplikasi Android

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    Enhancing security on Android devices has posed challenges for security researchers. Root bypass is a commonly employed method to evade detection by security mechanisms. In this research, the author explains the utilization of Frida, a dynamic instrumentation framework, for performing root bypass on Android devices. By leveraging Frida's capabilities for runtime code interception and modification, the author can alter the behavior of applications attempting to detect root presence. A series of experiments were conducted using Frida, successfully by passing common root detection mechanisms. The results demonstrate Frida's potential as an effective tool for root bypass and security testing on Android devices. This research provides further insights into the use of Frida in the context of Android device securit

    We're Still Fired up over Frida Kahlo

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    In honor of the Frida Kahlo exhibit at the Dali, the author lists educational events going on in Orlando that were inspired by the exhibition and gives a short synopsis of the exhibit itself

    Frida Kahlo entre as flores de Xochiquétzal

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    O autor lembra o grande interesse que a vida e a obra da pintora mexicana Frida Kahlo (1907-1954) vêm despertando entre estudiosos e artistas nestes últimos anos, mas o leitor deste trabalho poderá constatar que seu principal objetivo não se centra nos mitos que, com base na trágica existência da artista e nas evidentes particularidades dramáticas de sua obra, foram criados e têm tido uma acolhedora recepção na sociedade de consumo. O que, sem menosprezar esses valores, o autor fundamentalmente pretende, seguindo uma perspectiva poética, é colocar em evidência aspectos da expressividade plástica decorrente da relação de textos pictóricos de Frida Kahlo com iconografias pré-colombianas do México.The author remembers the great interest that Mexican painter Frida Kahlo\u27s (1907-1954) life and work have been generating among academics and artists in the last few years, but the reader of this work may notice that its main objective does not center on the myths that, based on the artist\u27s tragic existence and on the evident dramatic particularities in her work, were created and have had warm reception in the consumption society. Without understating these values, what the author intends, following a poetic perspective, is to evidence aspects of the plastic expressively resulting from the relation of Frida Kahlo\u27s pictorial texts with the Mexican pre-Columbian iconographies

    Self-portrait through the father-in-law:On Frida Vogels' De vader van Artenio (Artenio's father)

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    Review essay of the autobiographical novel De vader van Artenio by the Dutch author Frida Vogels.De vader van Artenio bestaat uit herinneringen aan ‘een ander’. Frida Vogels beschrijft ook zichzelf, maar doet dat zachtzinniger dan in haar eerdere werk

    Multi-authored interactive identification keys: The FRIDA (FRiendly IDentificAtion) package

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    FRIDA (FRiendly IDentificAtion) is a new software application for producing multi-authored interactive identification keys, which can be published on the Web, stored on optical devices, and used on mobile devices as PDAs and Smartphones, both on-line or in stand-alone mode. FRIDA is based on a double-level architecture, which grants to the authors that are involved in multi-authored projects a high degree of independence while working on their data, and several instruments to control and modify the final result of the elaboration of the keys. FRIDA can produce keys from the data by one author only, as well as keys from data by several different authors, merged together into new and original entities. In this paper we discuss the most interesting features of the FRIDA package, and detail the process of generation of an identification key
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