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WUJUD LAN ISI CRITA NABI MUSA ING SERAT AMBYA (Tintingan Filologi)
Full text linkRESPATI RETNO UTAMI
PENDIDIKAN BAHASA DAERAH
FAKULTAS BAHASA DAN SENI
UNIVERSITAS NEGERI SURABAYA
[email protected]
Abstrak
Naskah iku tulisan tangan kang nyimpen sawernaning pamikiran lan rasa pangrasa minangka asiling budaya bangsa jaman biyen. Naskah minangka sawijining karya sastra kang arupa sastra tulis ngemot perangan-perangane kabudayan Hindu, Budha, Islam, Kristen, lan uga budaya asing. Budaya-budaya kasebut campur bawur dadi siji nyawiji dadi sawijining gegambaraning kahanan sosial budaya kang ana ing jamane dhewe-dhewe. Naskah Serat Ambya iki minangka serat kang narik kawigaten kanggo ditliti, amarga mujudake serat kang nyritakake babagan Nabi kang adedhasar Kitab Suci. Naskah kasebut dianggep minangka Kitab kang sakral lan ngandhut pitutur luhur kaya dene Al Qur’an.
Gegayutan karo andharan mau underaning panliten iki yaiku: (1) Kepriye andharan ngenani Serat Ambya, (2) Kepriye suntingan teks sajrone Serat Ambya mligine episode Nabi Musa, (3) Kepriye struktur naratif sajrone Serat Ambya, (4) Kepriye nilai filosofis kang kinandhut jroning episode Nabi Musa.
Adhedhasar underaning panliten kadudut ancasing panliten kaya mengkene: (1) Ngandharake deskripsi naskah Serat Ambya, (2) Ngandharake suntingan teks sajrone Serat Ambya mligine episode Nabi Musa, (3) Ngandharake struktur naratif sajrone Serat Ambya, (4) Ngandharake nilai filosofis kang kinandhut sajrone episode Nabi Musa.
Panliten iki diajab bisa menehi paedah, paedah panliten iki kaperang dadi loro yaiku: (1) Paedah Teoritis ing panliten iki yaiku supaya menehi sumbangsing marang teori filsafat kang dicakake jroning karya sastra lawas. Saliyane iku uga mbuktekake yen antarane teori filsafat lan teori sastra pancen nduweni gayutan kang raket. (2) Paedah Praktis ing panliten iki yaiku paedah kang dirasakake dening panliti, pamaos, lan masyarakat kang bisa ndudut nilai lan pitutur becik kang kinandhut sajrone Serat Ambya kasebut.
Metode kang digunakake ing panliten iki ana telu, yaiku metode deskriptif kualitatif, metode heuristik, lan kang pungkasan metode hermeneutika. Metode kang dicakake ing panliten iki ana telu amarga teori kang digunakake kanggo mbedhah karya sastra lawas iki ana papat yaiku filologi, filsafat, lan teori struktur lan hermeneutik. Metode deskriptif kualitatif digunakake kanggo ndeskripsikake kepriye wujude NSA kasebut. Metode heuristik digunakake kanggo nindakake kagiyatan maca supaya bisa nemtokake isine NSA. Banjur kang pungkasan metode hermeneutika digunakake kanggo nafsirake nilai filosofis kang kinandhut jroning simbol-simbol ing NSA mligine episode crita Nabi Musa.
Asiling panliten bisa didudut telung perangan lan laras karo underaning panliten. Dudutan kapisan pranyata Serat Ambya kasebut nduweni katrangan kang jangkep ngenani identitas naskah, jinising tulisan naskah apik, cacahe kacane naskah iku jangkep, lan basane naskah nggunakake basa jawa anyar kang bisa dimangerteni kanthi cetha. Dudutan kang kaping pindho ngenani suntingan teks, kesalahan kang dumadi ing naskah kasebut ora akeh, mung kesalahan ing bab kaidah panulisan lawas kang wis beda karo kaidah panulisan jaman saiki. Paugerane tembang umume wis laras karo paugeran kang trep, amarga Naskah kasebut wis awujud gubahan saka naskah pesisiran menyang naskah kraton. Dudutan kang kaping telu ngenani struktur naratif NSA kaperang jroning episode crita wiwit Nabi Adam nganti tumeka Nabi Muhammad lan uga Prabu Jayabaya. Saben episode-episode ing crita kasebut kaperang maneh menyang sekuen-sekuen kang ngandharake tema-tema saben episode. Dudutan kang kaping pungkasan ngenani nilai filosofis kang kinandhut jroning pitung simbol kang tinemu ing episode crita Nabi Musa. Nilai-nilai kasebut yaiku; (1) nilai filosofise wong sabar (2) nilai filosofise percaya yen kabecikan tansah menang (3) nilai filosofise ngucap syukur (4) nilai filosofise bekti marang wong tuwa (5) nilai filosofise kadurjanan bakale tansah konangan (6) nilai filosofise upaya kanggo nyinaoni ngelmu gaib (7) nilai filosofise nampa kematian. Nilai kasebut kang kudu dituladhani dening para pamaos kang gelem ngrenungake samubarang kang sinurat lan sumirat saben tetembungan kang karonce jroning karya sastra
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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