1,720,970 research outputs found
Álvaro Siza. Jardines de Santo Domingo de Bonaval
Get PDFAmann, Atxu; Cánovas, Andrés; 'Álvaro Siza. Jardines de Santo Domingo' en Experimenta n18, pp.53-59, 1997. ISSN: 1133-9675. Indexada en DIALNET; Red de Bibliotecas Universitarias (REBIUN)
Cuatro constructores en seco
Get PDFAmann, Atxu; Cánovas, Andrés; 'Cuatro constructores en seco' en Experimenta n20, pp.37, 1998. ISSN: 1133-9675. Indexada en DIALNET; Red de Bibliotecas Universitarias (REBIUN)
1946-1961. El diseño de mobiliario en la España de los cincuenta
Get PDFAmann, Atxu; Cánovas, Andrés; '1946-1961. El diseño de mobiliario en la España de los 50' en Experimenta n20, pp.41-55, 1998. ISSN: 1133-9675. Indexada en DIALNET; Red de Bibliotecas Universitarias (REBIUN)
De qué va esto. El entendimiento del aprendizaje genérico y arquitectónico
Get PDFAmann, Atxu; Vivanco, Eduardo; 'El entendimiento del aprendizaje genérico y arquitectónico' en Actas del XII Congreso Internacional de Expresión Gráfica Arquitectónica. 2008, pp.49-55, Madrid: EGA, 2008. ISBN: 978-84-9728-270-3
Cubierta para parque arqueológico del Molinete
Get PDFAmann, Atxu; Cánovas, Andrés; Maruri, Nicolás; 'Cubierta para parque arqueológico del Molinete' en R&R Restauración & Rehabilitación n116-117, pp.66-77, 2012. ISSN: 1134-4571. Indexada en Avery Index to Architectural Periodicals of Columbia University; DIALNET; CIRC (grupo C); CARHUS2014: D; DICE; LATINDEX; RESH; CINDOC (ISOC); SUDOC; CCUC; ICDS (MIAR): 4,322
Nosotros: la no investigación en arquitectura
Get PDFAmann, Atxu; 'La no investigación' en Actas de III Jornadas sobre investigación en Arquitectura y Urbanismo, pp.0-6, Madrid: Escuela Técnica Superior de Arquitectura de Madrid, 2009. ISBN: 84-9728-309-0. Congreso entre los días 17-19/06/200
Cubierta sobre restos arqueológicos del Molinete en Cartagena
Get PDFAmann, Atxu; Cánovas, Andrés; Maruri, Nicolás; 'Cubierta sobre restos arqueológicos del Molinete en Cartagena' en Actas Congreso internacional REUSO sobre documentación, conservación y reutilización del patrimonio arquitectónico, pp.33-38, Madrid: Escuela Técnica Superior de Arquitectura de Madrid, 2013. ISBN: 978-84-15321-72-9. Revisión por pares. Conferencia impartida el 20/06/2013
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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