1,721,160 research outputs found
Angelo De Gubernatis et Louis Léger : une collaboration aux sources de la slavistique italienne et française
No full textAloe Stefano. Angelo De Gubernatis et Louis Léger : une collaboration aux sources de la slavistique italienne et française. In: Revue des études slaves, tome 72, fascicule 1-2, 2000. pp. 7-24
Cosa intendeva Dostoevskij per ateismo?
Full text linkWhat had Dostoyevsky in mind when he spoke about “atheism”? Atheism is one of the main topics of Dostoyevsky’s work, particularly during the period that goes from The Idiot till The Brothers Karamazov, his last novel. All heroes of his main novels have direct or indirect connections with matters of faith and atheism. Some of them are described by the author himself as otritsáteli (deniers/refutators). That’s the case, in the first place, of Kiríllov (Demons) and Ivan Karamazov. There are also a significant number of atheist supporting characters, whose frivolous behaviour and superficial opinions greatly differentiates them from the exquisite ideas conveyed by Ivan and other ‘deeper’ atheists. The objective of the present article is to show that the word ‘atheism’ in Dostoyevsky points to two different and even contradictory positions. Ivan Karamazov’s position, in particular, reflects Dostoyevsky’s acknowledgment of the positive role of doubt in leading one to faith and truth. It also points to the possibility that the writer has gone beyond, in his religious beliefs, the traditional antinomy between theism and atheism
L’opera in versi di V.K. Kjuchel’beker
No full textLa tesi di dottorato analizza in forma esaustiva, cronologica e tematica, la produzione poetica di Kjuchel'beker. Scopo della ricerca: verificare la (s)fortuna critica di questo autore sulla base del confronto fra la tradizione letteraria e la rilettura autonoma di testi perlopiù ignorati dalla critica. La ricerca ha permesso di concludere che questo autore va ricontestualizzato e in parte rivalutato, specialmente per la grande varietà sperimentale della sua produzione letteraria e critica. Gli schemi in uso si sono mostrati, oltre che insufficienti, in buona misura inadeguati e fuorvianti per una valutazione storico-letteraria di K. nel contesto della letteratura romantica europea e russa.This doctoral thesis analyzes, chronologically and thematically, the poetical work of V. Kjuchel'beker. Its aim is to verify the history of the unfortunate critical reception of this author by comparating his work to the main stream of the literary tradition of XIXc. Russia and by a new reading of the most of the poet's texts. Kjuchel'beker needs to be "re-discovered" as an experimental critic and poet
L’artefatta spontaneità: alcune considerazioni sullo skaz e sul suo ruolo nel rapporto autore-narratore-lettore
Full text linkThe essay tries to trace a path on some of the mechanisms of skaz following the works of very different authors: Tat’jana Tolstaja’s Kys’, Isaak Babel’s tales, Jorge Amado’s Captains of the Sand and João Guimarães Rosa’s Grande Sertão: Veredas. The joining aspect between these works must be find in the common attitude of the writers of permitting the characters and the internal narrator to convey directly their own point of view, while the author eclipses himself in a very hidden position. The reader has to reconstruct the author’s point of view by awakening his presence in the text, hinted implicitly by irony, nostalgy, etc. Especially irony acts as a veiled link between the author and the reader, who percives his self-exclusion from the hic et nunc of the narration and from the characters’s skaz: irony underlines this unreachable distance and separates the reader from the naive narrateer as well as it takes the author apart from his narrator
Incise sul corpo del socialismo reale: dalla bardovskaja pesnja al rock sovietico
Full text linkRecorded on the bones of the Real socialism: from the Bardovskaya pesnyato Soviet Rock.Between the bardovskaya pesnya–the best manifestation of the alternative Soviet culture in the ’60s and ’70s –and the so-called “Soviet Rock” of the ’80s, there are lots of similarities. The article maintains that this peculiar variation of rock music represents the last step in the development of the strand starting from the bardovskaya pesnya. “Soviet Rock” has two basic premises in common with this form of song: the central role of the word (lyrics are more important than music), and the identity between author-performer and the song itself, seen as a subjective experience which is able to convey shared values that are an alternative toofficial conformism. In order to prove this hypo-thesis, the article analyses a typological survey concerning the salient features of “Soviet Rock” and its affinities and differences with Western roc
Allegorija, fantasmagorija, grotesk v russkom romantizme: neskol'ko zametok o proze O.I. Senkovskogo
No full textAllegoria, fantasmagoria, grottesco nel romanticismo russo: alcune osservazioni sulla prosa di Osip Senkovskij
(Аллегория, фантасмагория, гротеск в русском романтизме: несколько заметок о прозе О.И. Сенковского
Поздравление от Стефано Алое (Верона)
No full textDiscorso di felicitazioni per la nascita della Società Dostoevskiana Bulgar
Russkaja bardovskaja pesnja v ital'janskom universitete: obučenie russkomu jazyku posredstvom dialoga kul'tur
No full textLa canzone d'autore russa nell'università italiana: l'insegnamento della lingua russa attraverso il dialogo cultural
Поемата на В. Кюхелбекер „Ахасфер“ и поемата на Иван Карамазов за Великия инквизитор: историята на един интересен паралел
No full textSi ipotizza la lettura da parte di Dostoevskij del poema di Kjuchel'beker "Večnyj Žid", pubblicato nel periodo di gestazione del romanzo "Brat'ja Karamazovy". Alcuni motivi del poema romantico sembrano infatti confermare la lettura e contribuiscono ad un'interpretazione intertestuale di passi fondamentali dell'ultimo romanzo di Dostoevski
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