1,555,341 research outputs found
Julio Almeida III, Delia Almeida, Gilda Infante, Arturo Almeida, and Graciela Almeida in living room of Almeida house in 1600 block of Howard Street
No full textPhotograph shows (l. to r.) Delia Almeida, Gilda Infante (cousin of the Almeida children), Arturo Almeida, and Graciela Almeida
RNA Helicase DDX1 Converts RNA G-Quadruplex Structures into R-Loops to Promote IgH Class Switch Recombination. MOLECULAR-CELL-D-17-01580, Ribeiro de Almeida at al.
No full textRaw files for “RNA helicase DDX1 modulates G-quadruplex and R-loop formation to promote IgH Class Switch Recombination". MOLECULAR-CELL-D-17-01580, Ribeiro de Almeida at al
Oral History Interview, Ed Almeida (1754)
No full textEd Almeida met with Robert Cole on October 14, 1986, to talk about his time working for Verne Powell. To learn more about this oral history, download & review the index first (or transcript if available). It will help determine which audio file(s) to download & listen to.Ed Almeida met with Robert Cole on October 14, 1986, to talk about his time working for Verne Powell. Almeida discussed mainly the time period between when he came to work for Powell through taking over the Powell Flutes business with his partners. Almeida also talks about how Powell ran his business and offers insight into Powell’s character regarding his disinterest in collecting and aversion to machinery. This interview was conducted for inclusion into the Powell Flutes Oral History Project of the UW-Madison Archives & Records Management oral history collection
Aspectos históricos e psicanalíticos na Tetralogia Lusitana de Almeida Faria
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2011A presente dissertação privilegia o estudo da interlocução entre Literatura, História e Psicanálise no contexto do romance português contemporâneo. No âmbito da "Tetralogia Lusitana" de Almeida Faria composta pelos romances A paixão (1965), Cortes (1978), Lusitânia (1980) e Cavaleiro Andante (1983) , investigamos como a História Portuguesa mais recente, marcada pelos processos pré e pós-Revolução dos Cravos, comparece nessas narrativas de modo a fomentar aquilo que Linda Hutcheon concebe como metaficção historiográfica. Neste sentido, analisamos as questões contidas em sua obra Poética do Pós-Modernismo (1991), que nos serviram de norte para pensar como Almeida Faria reinventa a História Portuguesa na economia ficcional dos seus romances. Para abordar a relação entre a Tetralogia Lusitana e a psicanálise, utilizamos o pensamento de Freud e de estudiosos envolvidos na crítica literária psicanalítica, para que pudéssemos refletir como o parricídio, o signo da morte, o luto, a melancolia e os sonhos das personagens podem ser lidos na esfera familiar do clã do Alentejo como uma alegoria dos acontecimentos políticos marcados pela queda de Salazar. Além disso, demonstramos que o evento da morte do pai é o ponto nevrálgico onde convergem os discursos da História e da Psicanálise, a partir da atuação de personagens dispersas que se comunicam, segundo a pesquisadora Lilian Jacoto (2005), por meio de uma poética das distâncias.This dissertation focuses on the study of interactions between Literature, History and Psychoanalysis in the context of contemporary portuguese novel. Under the "Tetralogia Lusitana" by Almeida Faria composed of the novels A Paixão (1965), Cortes (1978), Lusitânia (1980) e Cavaleiro Andante (1983) we investigate how the most recent Portuguese History, which was marked by the processes before and after the Carnation Revolution, appears in these narratives in order to foster what Linda Hutcheon sees as historiographic metafiction. In this sense, we analyzed the issues contained in his work Poetics of Postmodernism (1991), which orientated us to think as Almeida Faria reinvents the Portuguese History in economy fictional of his novels. To deal with the relationship between Psychoanalysis and Tetralogia Lusitana, we use the thinking of Freud and scholars involved in psychoanalytic literary criticism to reflect how the parricide, the sign of death, mourning, melancholia, and dreams of characters can be read at the family level of the clan of Alentejo as an allegory of political events marked by the fall of Salazar. Furthermore, we demonstrate that the event of death of the father is the critical point where all speeches of the History and Psychoanalysis converge, from the actions of the characters that are far apart but can communicate among themselves, according to esearcher Lilian Jacoto (2005), through some kind of poetic of distances
From the founder’s private collection of the Grão Vasco Museum to Almeida Moreira Museum – Improvement proposals
No full textRelatório de Estágio do Mestrado em Património Cultural e Museologia apresentado à Faculdade de LetrasO estágio curricular e o presente relatório surgiram para contribuir para a investigação e evolução do Museu Almeida Moreira, situado em Viseu numa das casas com mais valor para a cidade, a casa Soar de Cima legada em testamento por Francisco Almeida Moreira ao Município de Viseu em 1939. Almeida Moreira, personagem bastante relevante para a cidade de Viseu deixou uma herança material e um legado que se perpetuou na história com a fundação do Museu Regional de Arte que mais tarde passa a designar-se Museu Grão Vasco. Neste relatório de estágio procurou-se caraterizar o patrono da casa e o processo de evolução de coleção privada a Museu Almeida Moreira. Foi também desenvolvido e analisada a Rede Municipal de Museus e apresentados os sete espaços museológicos que compõem esta rede.No entanto o relatório incide maioritariamente na personagem de Almeida Moreira e os seus feitos como também a coleção que é possível visitar atualmente no Museu Almeida Moreira e que nos acaba por dar a conhecer parte do quotidiano da personagem e da própria sociedade da época. O museu conta com uma exposição permanente que vai desde de mobiliário, cerâmica, pintura e esculturas de grandes artistas portugueses e estrangeiros. O relatório de estágio surge também para propor melhoramentos tanto no Museu Almeida Moreira como na Rede de Museus do Município de Viseu.O estágio incidiu maioritariamente no contributo dos serviços educativos e no desenvolvimento do arquivo com o objetivo de melhorar o serviço prestado.The curricular internship and the present report emerged to contribute to the research and development of the Almeida Moreira Museum, located in Viseu, in one of the most valuable houses of the city, the house Soar de Cima, left by legacy in testament by Francisco Almeida Moreira to the Viseu Municipality in 1939. Almeida Moreira, a very relevant personality for the city of Viseu, who left a material inheritance and a legacy that has been perpetuated in history with the foundation of the Regional Museum of Art which later becomes renamed Grão Vasco Museum. In this internship report we sought to characterize the patron of the house and the process of evolution of private collection to Museum Almeida Moreira. It was also developed and analyzed the Municipal Museum network and presented the seven museological spaces that compose this network.However, the report focuses mostly on the character of Almeida Moreira and his achievements as well as the collection that is currently possible to visit at the Almeida Moreira Museum, which ends up getting to know part of the daily life of the character and of the society of the time. The museum has a permanent exhibition that goes from furniture, ceramics, painting and sculptures of great Portuguese and foreign artists.This internship report also emerges to propose improvements both in the Almeida Moreira Museum and in the network of museums of the municipality of Viseu.The internship focused mainly on the contribution of educational services and the development of the file in order to improve the service provided
Arturo and Julio Almeida III with cousins Gilda and Baldemar Infante
No full textPhotograph shows the children seated on hood of automobile. (L. to r.): Arturo Almeida, Julio Almeida III, Gilda Infante, and Baldemar Infante
[Report to Chief J. E. Curry, by an unknown author #1]
No full textReport to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
[Report to Chief J. E. Curry, by an unknown author #2]
No full textReport to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
Pseudoryssomus triangulus Almeida & Santos, 2014, sp. nov.
No full textPseudoryssomus triangulus sp. nov. (Fig. 11) Description of holotype (female). Length 5.26, width 3.89 mm. Form elongate oval, widest at middle of elytra, somewhat flattened dorsoventrally (Fig. 11 C). General color yellowish red, middle of thorax and abdomen yellowish red. Outline of pronotum and elytron discontinuous. Pronotum yellowish red, with a basal black spot, translucent at apex; finely, densely punctured; pubescence of semidecumbent yellowish hairs (Fig. 11 D). Elytra yellowish red with a triangular black spot, almost extending to apex, not reaching the humeral callus (Fig. 11 A). Elytral punctures intermixed coarse and fine, dense, slightly larger than on pronotum; sparse in the discal area. Antenna, mouthparts, hypomera, epipleura, and legs brownish yellow. Metaventrite finely, sparsely punctured medially and anteriorly; coarsely, densely punctured laterally and posteriorly with punctures large, often confluent. Abdominal ventrites coarsely punctured, punctures separated by about a diameter or less, punctures becoming coarser laterally (Fig. 11 B). First abdominal ventrite with postcoxal line incomplete, extending beyond middle of first ventrite; precoxal area coarsely punctured on base of cavity (Fig. 11 E). Genitalia with genital plates triangular, elongate, styli with setae; spermatheca elongate, uniform (Fig. 11 F, G). Male. Unknown. Etymology. The name of this species refers to the shape of the spot on the elytra. Discussion. Pseudoryssomus triangulus sp. nov. is somewhat similar to P. crucifer sp. nov., but is clearly distinguished by the shape of the spot and male and female genitalia. Type material. “Cayenne” “Muséum Paris/ 1930 /Coll. Sicard” “♀” [white label]. “ HOLOTYPE / Pseudoryssomus / triangulus /Almeida & Santos, 2014 ” [red label]. 1 ex. [MNHN]; “ Guyane Française,/Commune de Roura,/Montagne des Chevaux, /RN 2 PK22, 11.IX. 2011,/vitre, SEAG col.” “♀” [white label]. “ PARATYPE / Pseudoryssomus / triangulus /Almeida & Santos, 2014 ” [yellow label]. 1 ex. [MNHN]; “ Guyane Française,/ Commune de Roura,/Montagne des Chevaux, /RN 2 PK22, 25.IX. 2011, /vitre, SEAG col.” “♀” [white label]. “ PARATYPE / Pseudoryssomus / triangulus /Almeida & Santos, 2014 ” [yellow label]. 1 ex. “ DZUP / 289061 ” [DZUP]; “ Guyane Française, /Commune de Roura,/Montagne des Chevaux, /RN 2 PK22, 23.X. 2011, /vitre, SEAG col.” “♀” [white label]. “ PARATYPE / Pseudoryssomus / triangulus /Almeida & Santos, 2014 ” [yellow label]. 1 ex. “ DZUP / 288989 ” [DZUP]; “ Guyane Française, /Commune de Roura,/Montagne des Chevaux, /RN 2 PK22, 07.XI.2011, 20 m/vitre, SEAG col.” “♀” [white label]. “ PARATYPE / Pseudoryssomus / triangulus /Almeida & Santos, 2014 ” [yellow label]. 1 ex. “ DZUP / 289235 ” [DZUP]; “ Guyane Française,/Commune de Roura,/Montagne des Chevaux,/RN 2 PK22, 20 m,/ 02.X. 2011, solaire/automatique, SEAG col.” “♀” [white label]. “ PARATYPE / Pseudoryssomus / triangulus /Almeida & Santos, 2014 ” [yellow label]. 1 ex. “ DZUP / 289898 ” [DZUP]; “ Guyane Française,/Commune de Roura, /Montagne des Chevaux, /RN 2 PK22, 20 m,/ 15.X. 2011, solaire/automatique, SEAG col.” “♀” [white label]. “ PARATYPE / Pseudoryssomus / triangulus /Almeida & Santos, 2014 ” [yellow label]. 1 ex. “ DZUP / 289902 ” [DZUP]; “ Guyane Française,/Commune de Roura,/Montagne des Chevaux, /RN 2 PK22, 20 m, / 30.X. 2011, vitre, SEAG col.” “♀” [white label]. “ PARATYPE / Pseudoryssomus / triangulus /Almeida & Santos, 2014 ” [yellow label]. 1 ex. “ DZUP / 289074 ” [DZUP]; “see notes” “ BRITISH GUIANA:/ Essequibo, R./Moraballi Creek./ 10 -X- 1929 /Oxf. Univ. Expedn. /B.M. 1929 - 485 ” “ 427 ” “ Oryssomus /det. R. Gordon 91 ” “♀” [white label]. “ PARATYPE / Pseudoryssomus / triangulus /Almeida & Santos, 2014 ” [yellow label]. 1 ex. [BMNH]. Geographical distribution. Commune de Roura, Montagne des Chevaux, French Guiana; Essequibo, Guyana (Fig. 16).Published as part of Almeida, Lúcia M. & Santos, Paula B., 2014, Synopsis of Oryssomini Gordon (Coleoptera: Coccinellidae) from the Neotropical region with new species of Oryssomus Mulsant, Pseudoryssomus Gordon and Gordonoryssomus Almeida & Lima in Zootaxa 3846 (1), DOI: 10.11646/zootaxa.3846.1.2, http://zenodo.org/record/25086
Embracing incoherence: perspectives on the performance of Almeida Prado's fourteen nocturnes
No full textThis dissertation lecture-recital delves into the interpretation of Almeida Prado's fourteen
Nocturnes. Using a multidisciplinary approach that includes an investigation of the composer's
output and musical philosophy, postmodernist ideology, comparison of currently available scores
of the fourteen Nocturnes, and analysis of the composer's writing and use of borrowed material,
this study evaluates the intersection between these categories to provide examples of a musical
interpretation process that goes beyond reading the scores.
The findings of this research indicate that Almeida Prado's attitude towards the performance of
his works encourages performers to engage in a creative search for sound and emotional
expression, rather than a literal interpretation of his writing. Furthermore, the currently available
scores contain inaccuracies that require attention from performers and welcome possible new
editions. Lastly, in accordance with postmodernist thought, Prado's borrowings and distortions of
well-known source materials can be approached by the performer in contrasting manners.
Overall, this dissertation lecture-recital makes a valuable contribution to the dissemination of
Almeida Prado's music outside of Brazil, as well as to the interpretation of Prado's musical
thought and the fourteen Nocturnes in particular. It provides insights and recommendations for
performers and scholars of Almeida Prado's music, and highlights the significance of a
multidisciplinary approach to musical interpretation.D. A
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