1,721,230 research outputs found

    Digital Literary Studies Syllabus

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    The syllabus for a graduate course on "Digital Literary Studies" taught in the UVA English department. Course was co-taught and co-constructed by Alison Booth and Brandon Walsh

    Challenges to social cohesion and approaches to policy reform.

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    Now, at the end of the 20th century, many OECD countries face serious problems in achieving both prosperity and social cohesion. One important - and sadly neglected - source of these problems are the very policy systems that are meant to address them. I will argue that these policy systems - including taxes and transfers, regulations governing employment, welfare services, and many more - are imparting a serious long-term imbalance to their host countries, by making these countries increasingly vulnerable to economic, social and political shocks. Although these policy systems were originally designed with the express aim to cushion citizens from these shocks and to provide security against a variety of uncertainties, their long-term effect is turning out to be the opposite of what was intended. This paper examines how and why this has happened and then turns to some important, recent economic developments that are likely to make this problem more serious in the future. Finally, it examines a strategy for economic policy reform that addresses the problem and thereby provides a means for achieving more favorable economic and social outcomes in the years ahead.Sozialer Wandel; Wirtschaftskrise; Wirtschaftspolitik; OECD-Staaten;

    Correction to: Food, nutrition and sustainability education in Australian primary schools: a cross-sectional analysis of teacher perspectives and practices

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    Correction: Arch Public Health82, 222 (2024). Following publication of the original article [1], the authors requested to modify the order of the authors from Jessica V. Kempler, Alison Booth, Claire Margerison and Janandani Nanayakkara to Jessica V. Kempler, Claire Margerison, Janandani Nanayakkara and Alison Booth. The original article [1] has been updated

    800172_Supplementary_File_1_Search_Strategies – Supplemental material for Research prioritisation exercises related to the care of children and young people with life-limiting conditions, their parents and all those who care for them: A systematic scoping review

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    Supplemental material, 800172_Supplementary_File_1_Search_Strategies for Research prioritisation exercises related to the care of children and young people with life-limiting conditions, their parents and all those who care for them: A systematic scoping review by Alison Booth, Jane Maddison, Kath Wright, Lorna Fraser and Bryony Beresford in Palliative Medicine</p

    800172_Supplementary_File_2_Table_of_research_priorities_by_topic – Supplemental material for Research prioritisation exercises related to the care of children and young people with life-limiting conditions, their parents and all those who care for them: A systematic scoping review

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    Supplemental material, 800172_Supplementary_File_2_Table_of_research_priorities_by_topic for Research prioritisation exercises related to the care of children and young people with life-limiting conditions, their parents and all those who care for them: A systematic scoping review by Alison Booth, Jane Maddison, Kath Wright, Lorna Fraser and Bryony Beresford in Palliative Medicine</p

    Author Country: Longfellow, the Brontës, and Anglophone Homes and Haunts

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    This essay explores the nineteenth-century development of pilgrimage to authors’ houses and locales in light of British and American regionalism and literary reception. It focuses on the trope of “author country” in the celebrated careers and commemoration of Longfellow and the Brontës, and examines American “homes and haunts” books that represent ritual visits to these different authors. Various representations and sites, including portraits, statues, waterfalls, and houses, mark the indigenous qualities of national literature and international attractions

    Tenants in Author Country

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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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