1,721,017 research outputs found
ALBERTO ROMELE, Digital Hermeneutics. Philosophical Investigations in New Media And Technologies
No full textRecensione a ALBERTO ROMELE, Digital Hermeneutics. Philosophical In- vestigations in New Media And Technologies, New York: Routledge Studies In Contemporary Philosophy, 2020, p.176. € 190,00. ISBN 978-1032088174
Recension Alberto Romele, L’expérience du verbum in corde, ou l’impuissance de l’herméneutique (Milan: Mimesis, 2013), 260 pp.
Full text linkBookreview of, Alberto Romele, L’expérience du verbum in corde, ou l’impuissance de l’herméneutique (Milan: Mimesis, 2013), 260 pp.
Compte rendu de l'ouvrage d'Alberto Romele, , L’expérience du verbum in corde, ou l’impuissance de l’herméneutique (Milan: Mimesis, 2013), 260 pp
L'Effettività dell'Ermeneutica. Puissances de l'hermeneutique. Prefazione.
No full textInterpretare non è solo comprendere qualcosa secondo la sua essenza, e neppure un punto di vista dell'interprete sulla cosa di un testo. Ogni atto interpretativo ha effetto sul senso del testo e contribuisce alla storia della sua significanza
Ricoeur interprète d'Augustin. Sur la notion de 'verbum in corde'. Traduzione dall'italiano al francese. Autore del contributo originale: Alberto Romele.
No full text[Autore del contributo originale: Alberto Romele] La notion augustinienne de verbum in corde a joué un rôle central au moment de la naissance de l’herméneutique ainsi que dans l’herméneutique contemporaine à travers sa réappropriation conduite par Gadamer notamment
[Recensione] ALBERTO ROMELE, Digital Hermeneutics. Philosophical Investigations in New Media And Technologies, New York: Routledge Studies In Contemporary Philosophy, 2020, p.176. € 190,00. ISBN 978-1032088174
No full textRecensione a ALBERTO ROMELE, Digital Hermeneutics. Philosophical In- vestigations in New Media And Technologies, New York: Routledge Studies In Contemporary Philosophy, 2020, p.176. € 190,00. ISBN 978-1032088174
Etty Hillesum: il confronto con il male e la testimonianza della Shoah
No full textIl saggio introduce la figura di Etty Hillesum nel contesto della Shoah. Il suo rifiuto dell'odio indifferenziato, anche contro i nazisti, e la sua qualità di testimonianza dell'Olocausto
Responsibility, Technology and Innovation: The Recognition of a Capable Agent
Full text linkPar II concludes with Chapter 10, in which Guido Gorgoni and Robert Gianni resort to Ricoeur’s notion of responsibility to frame a new approach to responsibility in technological innovation. According to the authors, Ricoeur’s contribution is important because he reconnects responsibility to the semantics of moral imputation, therefore regaining the sense of the connection between the agent and the action more than that of the attribution of its (typically negative) consequences. Responsibility in technological innovation is not just about a correct procedures and robust and trustworthy technological devices; it is also about personal commitment, towards oneself and the others
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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