1,721,019 research outputs found
Alberto Frigo, L’esprit du corps. La doctrine pascalienne de l’amour, préface de Vincent Carraud
L’esprit du corps rappelle la manière d’Ernst Kantorowicz (par exemple Mourir pour la patrie), dont visiblement Alberto Frigo est grand lecteur : se saisir d’un micro-dossier et en tirer le maximum de substance. L’expression provient de l’un des fragments de Pascal assemblés dans la liasse « Morale chrétienne » (351 à 376 selon la numérotation Lafuma des Pensées), dont l’étude donne ici l’occasion de puissantes synthèses : à la suite du P. de Lubac, de la tradition du « corps mystique » (chap..
You Can Touch This
Touch has become a central input modality for a wide variety of interactive devices, most of our mobile devices are operated using touch. In addition to interacting with digital artifacts, people touch and interact with many other objects in their daily lives. We provide a unique photo dataset containing all touched objects over the last 11 years. All photos were contributed by Alberto Frigo, who was involved early on in the "Quantified Self" movement. He takes photos of every object he touches with his dominant hand. We analyzed the 258,218 images with respect to the types objects, their distribution, and related activities. </p
Seminari di storia della lettura e della ricezione, tra Italia e Francia, nel Cinquecento. Vol. 4
Quattro piste d’indagine si rivolgono in questo volume alle manifestazioni letterarie della danza simbolica della carole (E. Muzzolon), ai primi volgarizzamenti di tragedie classiche nel Cinquecento francese (F. Fassina), alla produzione tragica, più in particolare, all’epoca delle guerre di religione (M. Meere), e poi, con un’incursione della nostra Collana verso il Seicento, ad un sentimento del tragico, letto nel senso del paradosso, in Pascal (A. Frigo). Elena Muzzolon lavora su testi medievali e rinascimentali per mettere in luce il valore allegorico, letterario e magico della danza in cerchio. Filippo Fassina indaga l’obscuritas del testo drammatico antico, così come si presentava nel Cinquecento agli umanisti, nel loro sforzo di comprensione della tragedia classica. Michael Meere analizza tragedie militanti e politiche, come in particolare Le Guysien di Belyard. Alberto Frigo legge le Pensées tessendo ipotesi sul senso e la funzione del sentimento, a partire dai contesti originali visti come la carta di una geografia pascaliana
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Locke o Spinoza: un punto di eresia
Relying on his previous inquiries, the author discusses theories of “consciousness” which were elaborated almost simultaneously by Locke and Spinoza, as a reaction against the Cartesian doctrine of self-certainty. Because of their remarkable analogies and their sharp antithesis, they illustrate a “point of heresy” which, even today, intrinsically divides any project of framing a “psychology” or “philosophy of mind
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