1,720,987 research outputs found
Le parole della crisi, le politiche dopo la pandemia. Guida non emergenziale al post-Covid-19
Get PDFLo scorso 11 marzo, l'Organizzazione Mondiale della Sanità ha dichiarato il Covid-19 una pandemia. Molti paesi hanno conseguentemente adottato o inasprito le misure di contenimento della mobilità e la sospensione delle attività produttive. Inevitabilmente, la crisi ha coinvolto la sfera economica, quella sociale, il mondo culturale e l'ambito politico-istituzionale, in alcuni casi esacerbando tendenze che erano presenti in nuce nella trama delle relazioni intersoggettive, altre volte lacerando le aspettative, i valori e le percezioni sui quali ciascuno di noi, e la comunità nel suo complesso, definisce e articola la propria esistenza.
Il CEST - Centro per l'Eccellenza e gli Studi Transdisciplinari, come associazione di studenti, dottorandi e giovani ricercatori, con diversi background, propone un volume che analizza, in chiave transdisciplinare, la pluralità dei possibili effetti dell'emergenza in corso e indica alcune linee direttrici per immaginare la sua gestione nei prossimi mesi, mediante un approccio specifico e originale: il libro è infatti il frutto della collaborazione tra giovani studiose e studiosi e figure autorevoli del dibattito culturale italiano e internazionale
Alberto Martinengo, Giovanni Matteucci and Silvia Vizzardelli discuss. Alessandro Bertinetto's Il pensiero dei suoni (The Thought of Sounds)
No full textAlberto Martinengo, Giovanni Matteucci and Silvia Vizzardelli discuss Alessandro Bertinetto's Il pensiero dei suoni (The Thought of Sounds). After presenting the book's main theses, the authors critically examine Bertinetto's approach to philosophy of music. Martinengo focuses on the phenomena of musical improvisation and on their compatibility with debates in Continental aesthetics. Matteucci retraces the role of aesthetic experience in the theoretical discussion around music. Vizzardelli places Bertinetto's perspective within the most recent issues in analytic aesthetics and offers a critical response
Le formiche di Nietzsche. Prospettivismo e coscienza animale
No full textWith the title “The Gay Science” Nietzsche empathizes the contrast between the joyfulness of poetry and the seriousness of philosophy. A gay science is a philosophy able to laugh at the pretension of absolute truth as part of itself. Nietzsche completes in this manner the critique of anthropocentrism that is the main theme of perspectivism. This paper aims at arguing on the relationship between the issue of perspectivism and the Nietzsche’s interpretation of the Kantian thing in itself.
I consider Schopenhauer’s thought and Lange’s Geschichte des Materialismus as crucial sources of inspiration for the Nietzsche’s interpretation of Kant. Therefore, from Nietzsche’s point of view, the thing in itself is coextensive with its own phenomenon. Thus we cannot leave aside the phenomenal knowledge, that is, with Nietzsche’s words, the multiplicity of perspectives. This multiplicity has to include the individual perspective of every living being: for instance, that of the ant, to whom Nietzsche frequently refers
Sentirsi responsabili l'uno dell'altro. Ethos repubblicano e doveri costituzionali, argini alla pandemia.
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La Hermenéutica como reconstrucción de la realidad
No full textPonència del professor Alberto Martinengo, de la Università di Torino, en el marc del Seminari dedicat al pensament de Gianni Vattimo804.mp4
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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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