1,721,578 research outputs found
Cuarteto Alban Berg, cuarteto de cuerdas (Austria)
No full textConcierto interpretado por Cuarteto Alban Berg. Este cuarteto, creado en 1970 por cuatro jóvenes profesores de la Academia de Música de Viena, hizo su primera presentación en otoño de 1971 en el Konzerthaus de Viena. Hoy es considerado como uno de los mejores cuartetos del mundo. Está formado por Günther Piehler y Gerhard Schulz, violines; Thomas Kakuska, y Valentin Erben, violonchelo.
En este concierto interpretaron obras de Wolfgang A. Mozart, Alban Berg, Franz Schubert, Ludwig Van Beethoven y Anton Dvorak
ALBAN BERG, Suite lirica. Scritti musicali e letterari
No full textA causa del decesso della curatrice (e traduttrice dal tedesco) Anna Maria Morazzoni, ho dovuto provvedere alla revisione della prima edizione di questo volume (uscita nel 1995), rivedendo i testi e occupandomi di dar veste adeguata ai numerosi inserimenti successivi (ben sedici scritti complessivamente, fra i quali un'intera sezione nuova dedicata alle opere letterarie del compositore). La cit. bibliografica completa del volume: ALBAN BERG, Suite lirica. Scritti musicali e letterari, a cura di Anna Maria Morazzoni, prefazione e revisione di Michele Girardi, Milano, Il Saggiatore, 2020
Una passione intellettuale
No full textprefazione al volume ALBAN BERG, Suite lirica. Scritti musicali e letterari, a cura di Anna Maria Morazzoniforeword to the volume ALBAN BERG, Suite lirica. Scritti musicali e letterari, a cura di Anna Maria Morazzon
Composizioni vocali e strumentali di Alban Berg
Get PDFIl saggio prende in esame l'intera produzione di Alban Berg non destinata alla scena, con analisi musicali dettagliate
Alban Berg / Wozzeck
No full textTheater poster for the opera "Wozzeck" by Austrian composer Alban Berg features a red, orange, and pink illustrating of an abstracted human silhouette with no face features except a small mouth in the middle of its face. The entire poster is illustrated in concentric undulating lines with thick black strokes.outline of person, mouth in middle of hea
Alban Berg´ s Violin concerto
No full textAt work I introduce the Violin Concerto of Alban Berg. From primary ideas through the formation of composition and subsequential prestentation of the piece at auditoriums even in a market throught cd records we will get to the analysis of composition. The whole work will be completed by characteristic of interpret ation of world-known violinists
Conferencia 'La música vocal de Alban Berg'
No full textConferencia 'La música vocal de Alban Berg', a cargo de Antonio Pardo Cayuela, Universidad de Murcia). Curso Ópera Abierta. Hemiciclo de la Facultad de Letras. Campus de la Merced
Alban Berg and the BBC
No full textEdward Clark (1888-1962), who was a programme planner with the BBC from 1927 to 1936, had been introduced to Arnold Schoenberg after a performance of the latter's symphonic poem Pelleas und Melisande in Berlin in 1910. He was thereafter an ardent champion of the music of Schoenberg (whose pupil he became in 1911) and also of that of Alban Berg and Anton von Webern
Alban Berg
No full textAdorno's study of Alban Berg is a unique document. Itself now a part of music history, it is a personal account, by a pre-eminent philosopher and aesthetician, of the life and musical works of his mentor, friend and composition teacher. Shortly after Berg's death in 1935, Adorno contributed several analyses to the first Berg biography. Thirty years later he incorporated these chapters and several subsequent essays into one volume. Beyond analyses of individual pieces, the book explores the historical and cultural significance of Berg's music, its relationship to that of other twentieth-century composers, and to the larger issues of contemporary life. This is a classic study, made available here for the first time in English, and it provides a key to understanding Adorno himself as well as offering an individual perspective on one of the major composers of the twentieth century.</jats:p
Alban Berg
No full textWhen Austrian composer Alban Berg was working on his opera Lulu, he wrote three Baudelaire songs as a Konzertaria entitled Der Wein. Premiered in 1930, Der Wein is a large-scale work for voice and orchestra. Berg uses a German translation by Stefan George, but the published score is in parallel texts, accommodating the French verse line. The chapter also considers a ‘hidden’ Baudelaire setting from Berg’s 1926 Lyric Suite for string quartet. The analysis covers: (a) the context of composition; (b) the connections established between selected poems; (c) the statistical data generated from the adhesion strength tests; and (d) how the data shape an evaluation of Berg’s settings of Baudelaire. Evidence suggests that Berg’s settings of Baudelaire are loosely entangled; the highly prescriptive score affects syntax, semantics, and prosody. Yet, because Der Wein has stood the test of time, the settings are deemed loosely accretive.</p
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