1,721,031 research outputs found
John Home et Alan Kramer. German atrocities 1914. A History of Denial
No full textIngrao. John Home et Alan Kramer. German atrocities 1914. A History of Denial. In: Politique étrangère, n°3 - 2002 - 67ᵉannée. pp. 808-809
Miguel ALONSO, Alan KRAMER y Javier RODRIGO (eds.): Fascist Warfare, 1922-1945. Agression, Occupation, Annhilation, Londres, Palgrave Macmillan, 2019, 336 pp., ISBN: 978-3-030-27647-8
Full text linkReview of Miguel ALONSO, Alan KRAMER y Javier RODRIGO (eds.): Fascist Warfare, 1922-1945. Agression, Occupation, Annhilation, Londres, Palgrave Macmillan, 2019, 336 pp., ISBN: 978-3-030-27647-8.Reseña de Miguel ALONSO, Alan KRAMER y Javier RODRIGO (eds.): Fascist Warfare, 1922-1945. Agression, Occupation, Annhilation, Londres, Palgrave Macmillan, 2019, 336 pp., ISBN: 978-3-030-27647-8
Women’s mobilization for war (Italy)
No full textThe departure of millions of men for the front created unprecedented areas of action which Italian women could enter. The mobilization of women was accompanied by acceptance of, or, on the contrary, opposition to the war reflecting the developments and the rifts which were taking place in society. With the start of the conflict women mobilized through a network of associations in order to support families and combatants. At the same time they were introduced into employment in a manner unprecedented in the country’s history. Generally, the women's movement participated in the mobilization believing that it would lead to greater political, social and economic citizenship. However, this strategy did not succeed and revealed a political class not prepared to recognize women as an essential part of the nation in concrete terms
Military Volunteers (Italy)
Full text linkThe history of the Italian military volunteers concerns not only the roughly 10,000 men who chose to fight without (or before) being drafted, but also the approximately 6,000 Italians who served in the French army and the 2,500 irredenti who came from Austria to fight for Italy
Bishops and Chaplains (Italy)
Full text linkItalian bishops and chaplains played a central role in making sense of the war by presenting sacrifice for one’s country as an act of charity and brotherly love. In addition to the 2,624 Catholic military chaplains, the Italian Supreme Command also nominated nine Jewish, nine Waldensian and three Methodist military chaplains
Cultures of Total Annihilation? The German, Italian, and Japanese Armies During the Second World War
No full text
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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