849 research outputs found

    Forty Starr Chili

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    Print Edition: 300 copies.Print Pages: [10] p.Print Illustrations: ill. (photopolymer plate)Printing: LetterpressBinding: Double-section saddle-stitch; Self-wrappedPaper: Somerset text paper; Handmade cover paperTypography: Digitally LTC Caslon ProPhysical Dimensions: 12.2 x 8.5 cmPrint Original Price: 25 U.S. dollarsColophon: This book was printed on Somerset paper from photopolymer plates using a Vandercook No. 4 letterpress. The type was composed in LTC Caslon Pro using Adobe InDesign. The frontispiece illustration is based on a wood engraving fone by the author. Of three hundred copies handsewn into covers of handmade paper infused with the aroma of chili, this is copy number

    MGUS Everywhere: What Does it Mean and What to do About it

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    MGUS Everywhere: What Does it Mean and What to do About it. Dr. Adam Starr; Hematology/Oncology Department Objectives: List the tests needed for an MGUS workup Develop a differential when an abnormal paraprotein is found Understand the management of various paraproteinemia

    Adam und Eva in der byzantinischen und abendländischen Kunst des Mittelalters

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    The pictorial art of the Church, as a spiritual product of the Christian civilisation, has continually received great influences from its ecclesiastical tradition and it was defined by its formal aesthetical standards and its iconographic preferences. A more nuanced reading of the parallels can be attained by placing the images in their visual context, which would allow a better appreciation of the meanings within. The biblical story of Adam and Eve, which is the theme of the following thesis, reflects the differentiation between the Eastern and the Western understanding of the events of the history of the holy Oikonomia, a point, which is the major ground for the development of the relative pictorial motifs. The protoplasts are the protagonists from their creation and life in paradise, the fall and expulsion until their resurrection through Christ. Their story is visualised in a number of scenes and episodes, having thus their original sin and resurrection for specific reasons centralised. This doctoral thesis attempts to collect as many parallels of the scenes is possible, trying to collate the Eastern with the Western visual approach in a deductive way, in order to reach our constructive conclusions and make available the combination of the art, theology and liturgy in the scenes of Adam and Eve in Genesis and in Resurrection (Anastasis). The reading we tried to perform was based upon the specific iconographical elements, which were worth to be commented. Our aim was to detect the direct bond between the production of art and the relevant patristic and apocryphal writings or even the theological theories, by quoting texts from the ecclesiastical literature, as well as the liturgical praxis.Die kirchliche Kunst hat als geistiges Produkt der christlichen Kultur stets unter dem Einfluss der kirchlichen Tradition gestanden und wurde durch ihre formalen ästhetischen Standards und ihre ikonographische Auswahl bestimmt. Eine genauere Bestimmung der Parallelen kann erreicht werden, indem man die Bilder in ihren visuellen Kontext stellt, was zu einem besserem Verständnis ihrer Inhalte führt. Die biblische Geschichte von Adam und Eva, welche das Thema unserer Arbeit ist, reflektiert das differenzierte Verständnis der Heilsgeschichte (Oikonomia) in Ost und West, welche die Hauptursache für die Entwicklung der entsprechenden Bildmotive ist. Die Stammeltern sind die Protagonisten dieser Geschichte seit der Schöpfung und dem Leben im Paradies, sowie Sündenfall und Vertreibung, bis zu ihrer Auferweckung durch Christus. Ihre Geschichte wird in einer Reihe von Szenen und Episoden visualisiert, wobei die Ursünde und die Auferstehung aus besonderen Gründen im Mittelpunkt stehen. Diese Dissertation versucht, so viele wie mögliche Gemeinsamkeiten der Darstellung herauszuarbeiten, um so in deduktiver Weise den visuellen Zugang des Ostens und des Westens in Beziehung zu setzen, um zu konstruktiven Ergebnissen zu kommen und eine Verbindung von Kunst, Theologie und Liturgie in den Darstellungen von Adam und Eva in der Genesis und der Anastasis, am Anfang und am Ende also, herzustellen. Unsere Untersuchung basiert auf den spezifischen ikonographischen Elementen, die wir kommentieren. Unser Ziel war es, die unmittelbare Verbindung zwischen der künstlerischen Darstellung und den entsprechenden patristischen oder apokryphen Schriften oder sogar den theologischen Theorien zu ermitteln, indem wir Texte aus der kirchlichen Literatur, aber auch aus der liturgischen Praxis heranzogen. Wir versuchten die Beteiligung der Stammeltern Adam und Eva im Genesis-Zyklus und der Anastasis-Szene in Beziehung zu setzen, deren Darstellungsnormen zur Gänze auf der Heilsverheissung Gottes basieren. So besteht unsere Dissertation aus zwei Teilen: Genesis und Anastasis (Abstieg in den Hades), sowie einem Anhang, welcher die Überschrift „Die Bildsprache der Geschichte der Stammeltern“ trägt, der Bibliographie und einer Liste der verwendeten Abbildungen

    The death of American virtue ::Clinton vs. Starr /

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    A professor at Duquesne University Law School details the wide-ranging investigation into President Clinton "that divided the nation and nearly toppled Clinton's presidency. From special prosecutor Kenneth W. Starr's initial probe of the Whitewater land deal in Arkansas to the Paula Jones sexual harassment suit to the Monica Lewinsky affair, culminating in a dramatic Senate impeachment trial," the author relies on exclusive interviews with President Clinton, Ken Starr, Monica Lewinsky and family, Linda Tripp, Paula Jones, Susan McDougal and many other key players as well as documents from the Justice Department's internal investigation into Starr--Dust jacket

    STARR, Frederick

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    Title: Collection, 1906-1928 Description: 0.5 linear ft. Notes: Afro-American anthropologist, college teacher, and author. Personal papers, correspondence, documents, memorabilia, and photographs relating chiefly to Starr\u27s travels in Liberia in 1912. Includes legislative acts, resolutions, proclamations, and official expressions of support for the Liberian government; together with materials pertaining to the political history of Maryland County, Liberia, and the Grebo people of West Africa. Gift, ca. 1950. Subjects: Afro-American anthropologists. lcsh Afro-American authors. lcsh Afro-American college teachers. lcsh Liberia -- Description and travel. Liberia -- History -- 1847-1944. Liberia -- Politics and government -- To 1944. Maryland County (Liberia) Grebo (African people) Location: Howard University, Moorland-Spingarn Research Center (Washington, DC) NIDS Fiche #: 4.72.147 NUCMC #: DCLV96-A70

    Nonrandom Risk: The 1970 Draft Lottery

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    This article, created by Norton Starr of Amherst College, presents a dataset containing the 1970 draft lottery information, which illustrates a nonrandom procedure. Some of the key concepts covered included: Chi-square testing, correlation, exploratory data analysis, graphical analysis, randomness, and regression. The article also contains datasets from the 1971 and 1972 draft lottery for further research. If any more research is required, the author has included a fairly large list of references

    Togo Mizrahi and the Making of Egyptian Cinema

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    In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.;“A captivating account of Egyptian film director Togo Mizrahi. Starr shows that Mizrahi’s distinct, often comical vision of Egypt captured a dramatic moment of social, political, and cultural transformation in which people of diverse backgrounds coexisted and struggled to achieve better lives.” JOEL GORDON, author of Revolutionary Melodrama: Popular Film and Civic Identity in Nasser’s Egypt;“A remarkable study of a remarkable career. Starr offers a comprehensive analysis of a life in filmmaking that adds nuance to our definition of Egyptian nationalism and enhances our appreciation of Alexandrian cinema. This is a book of recovery, reclamation, and celebration.” NANCY E. BERG, Professor of Hebrew and Comparative Literature, Washington University in St. Loui

    Ensuring Defense Counsel Competence at International Criminal Tribunals

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    This article addresses the problem of incompetent representation by defense counsel in international criminal tribunals. According to the author, the ineffectiveness of a particular attorney may be attributable to a number offactors, including a lack of experience with international criminal law, unfamiliarity with the procedures of international criminal tribunals, and the simple failure to be fluent in the languages used by the court. Starr explains that the problem of incompetence persists because of obstacles to the recruitment, retention, and appointment of proficient defense lawyers, as well as the lack of administrative or judicial oversight concerning competence. The author points out the shortcomings of solutions that have already been suggested by scholars and advocates, such as establishing associations of counsel or creating an Office of the Defender within the tribunal. Finally, Starr sets forth a new method by which the International Criminal Court can hopefully avoid the incompetence problem that has plagued its predecessors. The author\u27s proposed solution incorporates expanded recruiting practices, intensive training programs, and a more selective appointment process

    Ensuring Defense Counsel Competence at International Criminal Tribunals

    No full text
    This article addresses the problem of incompetent representation by defense counsel in international criminal tribunals. According to the author, the ineffectiveness of a particular attorney may be attributable to a number offactors, including a lack of experience with international criminal law, unfamiliarity with the procedures of international criminal tribunals, and the simple failure to be fluent in the languages used by the court. Starr explains that the problem of incompetence persists because of obstacles to the recruitment, retention, and appointment of proficient defense lawyers, as well as the lack of administrative or judicial oversight concerning competence. The author points out the shortcomings of solutions that have already been suggested by scholars and advocates, such as establishing associations of counsel or creating an Office of the Defender within the tribunal. Finally, Starr sets forth a new method by which the International Criminal Court can hopefully avoid the incompetence problem that has plagued its predecessors. The author\u27s proposed solution incorporates expanded recruiting practices, intensive training programs, and a more selective appointment process
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