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A presença dos dias / La presenza dei giorni
No full textLa presenza dei giorni is the Italian translation of the equivalent Portuguese colletion of aphorisms A presença dos dias of Adalberto Alves. The literary work has been translated for the first time in Italian language by Elena Chiarini in this volume
Traduzione di <i>A presença dos dias</i> / <i>La presenza dei giorni</i>
Get PDFAdalberto Alves is an internationally renowned Portuguese poet, translator and arabist essayist and he is the author of a wide literary activity. The collection of aphorisms A presença dos dias / La presenza dei giorni is presented here for the first time in Italian translation. It is one of his most fascinating literary works aimed at those who want to know the western and eastern philosophical world of Adalberto Alves
Chapter Adalberto Alves e l'aforisma
Get PDFThe aphorism is the literary form choosen by the Portuguese poet Adalberto Alves in the collection A presença dos dias / La presenza dei giorni. The essay aims to analyse the concept of aphorism in Adalberto Alves with an eastern and western philosophical view
Chapter Adalberto Alves e l'aforisma
No full textThe aphorism is the literary form choosen by the Portuguese poet Adalberto Alves in the collection A presença dos dias / La presenza dei giorni. The essay aims to analyse the concept of aphorism in Adalberto Alves with an eastern and western philosophical view
Traduzione di <i>A presen\ue7a dos dias</i> / <i>La presenza dei giorni</i>
No full textAdalberto Alves \ue8 un poeta, traduttore e saggista arabista portoghese di fama internazionale e autore di una vasta opera letteraria. La raccolta di aforismi A presen\ue7a dos dias/La presenza dei giorni qui presentata per la prima volta in traduzione italiana, \ue8 una delle sue opere pi\uf9 affascinanti per coloro che vogliono addentrarsi nel mondo filosofico orientale e occidentale di Adalberto Alves
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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