37,876 research outputs found

    Noise in and as music

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    One hundred years after Luigi Russolo’s “The Art of Noises,” this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The book’s focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material—as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first and foremost practitioners, which inevitably turns attention toward how and why noise is made and its potential role in listening and perceiving. Contributors include Peter Ablinger, Sebastian Berweck, Aaron Cassidy, Marko Ciciliani, Nick Collins, Aaron Einbond, Matthias Haenisch, Alec Hall, Martin Iddon, Bryan Jacobs, Phil Julian, Michael Maierhof, Joan Arnau Pàmies, and James Whitehead (JLIAT). The book also features a collection of short responses to a two-question “interview”—“what is noise (music) to you?” and “why do you make it?”—by some of the leading musicians working with noise today. Their work spans a wide range of artistic practice, including instrumental, vocal, and electronic music; improvisation; notated composition; theater; sound installation; DIY; and software development. Interview subjects include Eryck Abecassis, Franck Bedrossian, Antoine Chessex, Ryan Jordan, Alice Kemp (Germseed), George Lewis, Lasse Marhaug, Maja Solveig Kjelstrup Ratkje, Diemo Schwarz, Ben Thigpen, Kasper Toeplitz, and Pierre Alexandre Tremblay

    Author Peter FitzSimons speaking at the National Library of Australia, Canberra, 13 November 2012 /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author Peter FitzSimons speaking at the National Library of Australia, Canberra, 13 November 2012.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia

    An Exploration of Truncation in Italian

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    Italian displays a rich variety of truncation patterns and therefore forms an ideal testing ground for constraint interaction determining truncation in general. This paper describes in detail the various truncation patterns of Italian: monosyllabic light syllable templates, bisyllabic templates and atemplatic patterns, both initially and stress anchored. Based on joint work with Sabine Arndt-Lappe, a set of anchoring and size restrictor constraints is proposed, which determines the typology of Italian truncation patterns and avoids generating systems which are not attested among the world's languages. Specifically, it is proposed that two Anchor constraints (Anchor-L and Anchor-R), defined as alignment constraints, are responsible for edge anchoring in truncation as well as for maximality effects. Anchor-stress, defined as a faithfulness constraint, is reponsible for stress anchoring. The size-restrictor constraint Coincide-s1 guarantees that monosyllabic templates emerge and, through its gradient evaluation, allows the generation of atemplatic truncation patterns. This set of constraints allows to preserve the architecture of Generalized Template Theory, where templates emerge as unmarked structures, but at the same time avoids unwanted predictions of other constraint sets proposed in the literature for truncation or reduplication.This paper has been published as: Alber, B. (2010), An Exploration of Truncation in Italian, in: Peter Staroverov, Daniel Altshuler, Aaron Braver, Carlos A. Fasola and Sarah Murray (eds.). Rutgers Working Papers in Linguistics vol. 3. Rutgers LinguisticsAlber, Birgit (2010), An Exploration of Truncation in Italian, in: Peter Staroverov, Daniel Altshuler, Aaron Braver, Carlos A. Fasola and Sarah Murray (eds.). Rutgers Working Papers in Linguistics vol. 3. Rutgers Linguistics

    The comparative analysis of “Peter and Wendy” by J.M. Barrie and “Harry Potter and the Philosopher’s Stone” by J.K. Rowling based on common themes and their influence on the plot, setting and characters with regard to the differentiation of the structure of the society between the dates of publication of the novels.

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    J.M. Barrie and J.K. Rowling are of the best-known authors of the 20th century with their twisting plots and epic characters, when it comes to children’s literature. Although their books Peter Pan and Wendy (1911) and Harry Potter and the Philosopher’s Stone (1997) are considered to be children’s classics, there are not many investigations on the importance of the themes of the novels. This essay investigates the influence of the common themes of the novels on the plot, setting and characters with regard to the change in the societal structure between the publication dates of the books. Barrie and Rowling both explore the themes of gender roles, childhood, fantasy and the battle between the good and the evil in their novels. However, the interpretation of two themes, gender roles and childhood, demonstrates disparity due to the differentiation of the societal structure between the dates of publication of the novels since both authors depict their societies’ current views in their books. The different exploration of the themes of gender roles and childhood affects the portrayals of the novel characters, especially the protagonists; Peter and Harry, and the primary female characters; Wendy and Hermione. The themes of fantasy and the battle between the good and the evil, on the other hand, are reflected similarly, thus, allowing the authors to create magical settings and intriguing plots that catch the attention of children. Overall, it is observed that both Barrie and Rowling skilfully entwine the themes with the structure of their novels

    Hansborough grave, President Harding [rapid]

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    Photo of a man at the grave of Peter Hansborough, who drowned in 1889 during an exploration survey. The site is near President Harding Rapid on the Colorado River, and was visited during the Aaron Belnap Ross river trip through the Grand Canyon in the spring of 1966

    Moral Good, the Beatific Vision, and God’s Kingdom Writings by Germain Grisez and Peter Ryan, S.J.. Edited by Peter J. Weigel

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    For close to half a century, the work of Germain Grisez has been highly influential, and his writings continue to receive considerable attention from philosophers and theologians of diverse viewpoints. His co-author for this work is the professor and noted moral theologian Fr. Peter Ryan, S.J., currently the executive director of the Secretariat of Doctrine and Canonical Affairs of the United States Conference of Catholic Bishops (USCCB). These two eminent scholars explore fundamental questions about Christian eschatology, moral theory, the purpose of human life, and the promise of human fulfilment. The authors examine Christian teaching on the final destiny of persons, investigating the meaning of God's kingdom, the hope of the beatific vision, and the centrality of moral goodness and divine grace in one's final end. This work is an ideal source for students, scholars, ministers and lay persons interested in basic questions of Christian theology, the philosophy of religion, ethical theory, and Catholic doctrin

    Murder on the mountain: author talk with Peter J. Wosh

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    Author talk by Peter J. Wosh on May 5th, 2022, on his book, "Murder on the Mountain: crime, passion, and punishment in gilded age New Jersey.

    Scurt apendice la Istoria lui Petru Maior = Kurzer Anhang zur walachinschen Geschichte des Peter Major

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    Scurt apendice la Istoria lui Petru Maior = Kurzer Anhang zur walachinschen Geschichte des Peter Major / ţesută de Teodor Aaron. - Buda : cu Tiparul C. Universităţi din Pesta, 1828. - 79 p. ; 20 cm. Text cu caractere chirilice. - Însemnări

    Lunchtime Talk with Author and Attorney Peter Godwin

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    Author and attorney Peter Godwin gave a lunchtime talk about the topics discussed in his book, The Fear, which focuses on the human rights situation in Zimbabwe under the rule of Robert Mugabe

    Aaron A. Gardner and Thomas Gardner with Susan Ursin Niemcewicz, June 15, 1803

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    The following document is an indenture between Aaron Gardner, Thomas Gardner, and Susan Niemcewicz. One thousand dollars was to be paid to Susan Niemcewicz or her attorney. This document also includes notes in Susan Niemcewicz and Peter Kean’s hand where they recorded payments received between September 5, 1803, through January 1820.https://digitalcommons.kean.edu/lhc_1800s/1261/thumbnail.jp
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