1,720,952 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    REPRESENTASI KOMUNITAS ASIA DI PRANCIS PADA GERAKAN ANTI RASISME JE NE SUIS PAS UN VIRUS DALAM MEDIA DARING LE FIGARO

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    Penelitian ini memiliki tujuan untuk memaparkan representasi yang dibangun oleh penulis artikel berita Le Figaro dalam wacana ini terhadap komunitas asia di Prancis dengan struktur-struktur menurut Teun Van Dijk. Penelitian kualititatif deskriptif ini dilakukan untuk mengetahui dan memperoleh struktur-struktur wacana kritis perspektif Teun A van Dijk dalam media daring Le Figaro dengan kajian analisis wacana krtitis. Sumber data yang digunakan merupapakn artikel berita yang dipublikasikan oleh Margaux d’Adhémar dari media daring Le Figaro pada bulan Januari 2020. Adapaun objek dari penelitian ini adalah kata , frasa, klausa, dan kalimat yang terdapat dalam artikel. Teknik pengumpulan data penelitian ini berasa dari penelitian studi dokumentasi. Teknik analisis data yang digunakan merupakan model kajian analisis wacana kritis van Dijk yang mencakup tiga struktur, yaitu dimensi teks, kognisi sosial, dan konteks sosial. Jika dianalisa secara umum, penulis berita ingin menyampaikan pesan mengenai permasalahan sosial yang menimpa sebagian komunitas asia di Prancis pasca munculnya kasus Covid-19 di Prancis. Permasalahan tersebut merupakan tindakan rasis yang terjadi kepada komunitas asia di Prancis. Sehingga kejadian ini melatarbelakangi munculnya gerakan anti-rasisme “Je Ne Suis Pas Un Virus”. Melalui strategi wacana model Teun A van Dijk, penelitian ini menemuan bahwa, informasi dalam setiap kalimat yang terdapat dalam teks berhubungan dengan kalimat informasi selanjutnya. Penelitian ini juga menemukan bahwa teks artikel berita ini merupakan salah satu representasi dari keadaan sosial komunitas asia di Prancis yang mengalami tindakan rasis. ***** This research aims to explain the representation built by the author of Le Figaro news article in this discourse towards the Asian community in France with structures according to Teun Van Dijk. This descriptive qualitative research was conducted to find out and obtain the structures of critical discourse from the perspective of Teun A van Dijk in the online media Le Figaro with the study of critical discourse analysis. The data sources used are news articles published by Margaux d'Adhémar from Le Figaro online media in January 2020. The objects of this research are words, phrases, clauses, and sentences contained in the article. The data collection technique of this research comes from documentation study research. The data analysis technique used is van Dijk's critical discourse analysis study model which includes three structures, namely the text dimension, social cognition, and social context. If analysed in general, the news writer wants to convey a message about the social problems that befall some Asian communities in France after the emergence of the Covid-19 case in France. These problems are racist acts that occur to the Asian community in France. So that this incident is the background for the emergence of the anti-racism movement "Je Ne Suis Pas Un Virus". Through the discourse strategy model of Teun A van Dijk, this research found that the information in each sentence contained in the text is related to the next information sentence. This study also found that the text of this news article is one of the representations of the social conditions of the Asian community in France who experience racist acts

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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