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    KEPRIBADIAN PADA TOKOH UTAMA DALAM FILM “TONI ERDMANN” KARYA MAREN ADE (SUATU KAJIAN PSIKOSASTRA)

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    ABSTRAK Film “Toni Erdmann” karya Maren Ade ini dirilis tahun 2016. Film ini mengangkat cerita tentang kesedihan seorang ayah terhadap putrinya yang sudah beranjak dewasa dan jarang pulang untuk berkumpul dengan keluarga karena disibukkan oleh pekerjaan putrinya. Sang Ayah bernama Winfried Conradi sudah cukup lama tidak menghabiskan waktu bersama putrinya, Ines Conradi. Itu dikarenakan putrinya yang terbilang cukup sibuk dengan pekerjaannya sehingga jarang pulang untuk berkumpul bersama keluarga. Tujuan penelitian ini adalah untuk mengetahui karakter tokoh utama dengan menggunakan teori kepribadian Carl Gustav Jung. Metode penelitian yang digunakan adalah metode analisis isi menggunakan pendekatan psikoanalisis Carl Gustav Jung. Hasil penelitian menunjukkan bahwa Tokoh Winfried Conradi cenderung termasuk kedalam tipe kepribadian ekstrovert. Dalam tipe kepribadian ini, Winfried Conradi cenderung sebagai pemikir, perasa dan intuitif. Hal itu terlihat dari sikap terbuka kepada anak dan keluarganya. Ia menceritakan apa yang dia rasakan saat ini. Ia meras kesepian karena hidup sendiri tanpa ada perhatian lebih dari sang Anak. Ia juga mudah bersosialisasi dengan orang lain. Hal itu terlihat dari bagaimana ia mengobrol dengan rekan Bisnis anaknya dengan mengubah penampilannya menjadi Toni Erdmann layaknya seorang Pebisnis. Sementara Ines Conradi cenderung memiliki tipe kepribadian introvert. Dalam tipe kepribadian ini, Ines cenderung perasa dan intuitif. Hal itu terlihat dari sikap tertutupnya kepada masalah pribadinya. Ia merupakan individu yang cenderung tertutup akan hal pribadinya. Keresahan yang dialaminya juga tidak mau ia bagi dengan orang lain. Saat ditanya Sang Ayah soal rencana ke depan untuk hidupnya, sikapnya berubah selalu dan seolah berusaha menutup diri. Selain itu, Intuisi kuat yang dimiliki Ines membuatnya selalu yakin akan urusan bisnisnya dapat diselesaikan dengan baik. Kata Kunci: Teori Keprbadian; Film Toni Erdmann; Carl Gustav Jung. ****************************** ABSTRACT The film "Toni Erdmann" by Maren Ade was released in 2016. The film lifts the story of a father's sadness towards his daughter who had grown up and rarely returned to gather with family because he was busy with his daughter's work. The father named Winfried Conradi hasn't spent enough time with his daughter, Ines Conradi. That's because his daughter who is quite busy with work so rarely go home to gather with family. The purpose of this study was to determine the main character's character by using Carl Gustav Jung's personality theory. The research method used is the content analysis method using Carl Gustav Jung's psychoanalytic approach. The results showed that Winfried Conradi's figures tended to belong to the extrovert personality type. In this personality type, Winfried Conradi tends to be a thinker, a feeling and an intuitive. This can be seen from the open attitude towards children and their families. He tells how he feels right now. He felt lonely because of living alone without any more attention from the child. He is also easy to socialize with other people. This can be seen from how he chatted with his son's business associates by changing his appearance to Toni Erdmann like a businessman. While Ines Conradi tends to have an introverted personality type. In this personality type, Ines tends to be sensitive and intuitive. This can be seen from his closed attitude to his personal problems. He is an individual who tends to be closed to personal matters. He also experienced the anxiety he did not want to share with others. When asked by Father about future plans for his life, his attitude changed always and seemed to try to shut down. In addition, the strong intuition that Ines has made him always confident that his business affairs can be resolved properly. Keywords: Personality Theory; Toni Erdmann film; Carl Gustav Jung

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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