1,720,985 research outputs found
Reading: Alice Fulton
In this audiovisual recording from Thursday, March 27, 2008, as part of the 39th Annual UND Writers Conference: “Revolutions,” Alice Fulton reads “Wonder Bread,” “Close,” “= =,” “Southbound in a Northbound Lane,” “Undoing,” “Maidenhead,” “The Permeable Past Tense of Feel,” and “Shy One.”
Introduced by Thom Caraway
Dove, Rita, Alice Fulton, Mark Jarman, and Roger Weingarten : lecture : narrative poetry conference; April 17th, 1986
Paper notes from vendor : Cuts speaker off at 91:05Contents:
Lecture (Part I) Narrative Poetry Conference
Lecture (Part II) Narrative Poetry ConferenceDescription on cassette : Narrative Poetry Conference -
Talks: Roger Weingarten, Alice Fulton, Mark Jarman, Rita Dove.
Intro: Bogen, Hudgins. April 17, 1986
Tape 1 of 2Digital Projects SAN: Folder and disc location for wav file: 20120420/Disc 7. Folder and disc location for mp3 file: 20120420/Disc 8/4-20-12 mp3
Faux, Flawed, Failed: Alice Fulton\u27s Fuzzy Poetry and Poetics on \u3ci\u3eCascade Experiment\u3c/i\u3e by Alice Fulton
Alice Fulton is a poet and a theoretician who, for over 25 years, has tried to make much of, and even to occupy, this new fuzzy space. As many of her notebook entries (collected in The Poet’s Notebook: Excerpts from the Notebooks of Contemporary American Poets. Ed. Stephen Kuusisto, et al. NY: W.W. Norton, 1995) attest to, Fulton refers to and privileges the gap, the between. One entry mulls over the possibilities opened up by fuzzy logic, stating, “Conventional logic is based on the idea that a statement…is either true or false. Fuzzy logic deals with the degree of truth, expressed ‘as an assigned value between zero and one.’ The choice is no longer zero or one. Non-duality is a continuum rather than an either/or.” Other entries extend this interest by noting a preference for “thirdness rather than binary thought” and clarify, quoting Marjorie Garber’s Vested Interests, “‘third’—describes ‘a space of possibility…challenges the possibility of harmonic and stable binary symmetry.’ Third questions the idea of one: of identity, self-sufficiency, self-knowledge.” Fulton confirms her beliefs and makes them even a bit fuzzier in a later interview with Christanne Miller (in Contemporary Literature 38.4 (Winter 1997)): “One of the things I like about the notion of betweenness or third space—actually, it doesn’t have to be third; it can be fourth, or fifth, or thousandth—is that it stands outside of polarity and dualism.”
Originally published in Pleiades: A Journal of New Writing and used with permission
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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