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ANALISIS PENGGUNAAN SETSUBIJI －隊 (TAI) DAN －団 (DAN) DALAM KALIMAT BAHASA JEPANG
Full text linkAgung Rachmat Fathoni. 2019. Analisis Penggunaan Setsubiji -隊 (tai) dan -団 (dan) dalam Kalimat Bahasa Jepang. Skripsi. Program Studi Pendidikan Bahasa Jepang. Fakultas Bahasa dan Seni. Universitas Negeri Jakarta.
Dalam bahasa Jepang terdapat berbagai jenis imbuhan atau setsubiji, di antaranya yaitu setsubiji –tai dan –dan. Menurut Vance, setsubiji –tai dan –dan merupakan setsubiji yang menyatakan kelompok. Setsubiji –tai dan –dan keduanya memiliki kesamaan arti yaitu ‘kelompok’. Namun, terdapat ketidakjelasan cara penggunaan setsubiji –tai dan –dan pada suatu kata di dalam kalimat apakah dapat saling menggantikan atau tidak. Hal inilah yang menjadi latar belakang penelitian ini.
Dalam penelitian ini setsubiji –tai dan –dan dianalisis dari segi kata dasar dan makna setsubiji –tai dan –dan. Tinjauan kata dasar dianalisis berdasarkan teori gabungan dari teori Masuoka dan Takubo serta teori Terada, dan analisis asal usul kata dasar berdasarkan teori Sunarni dan Johana serta teori Sudjianto. Tinjauan penggunaan dan makna setsubiji –tai dan –dan akan dianalisis berdasarkan teori Vance mengenai setsubiji –tai dan –dan. Penulis menggunakan teknik subtitusi untuk mencari persamaan dan perbedaan serta untuk mengetahui setsubiji –tai dan –dan bisa saling menggantikan atau tidak pada suatu kata di dalam kalimat. Data berupa contoh kalimat yang diperoleh dari laman surat kabar daring berbahasa Jepang yaitu Yomiuri Shinbun (www.yomiuri.co.jp).
Hasil penelitian ini adalah jenis kata dasar yang melekat dengan setsubiji –tai dan –dan umumnya yaitu jenis jitai meishi atau chuushouteki na meishi. Persamaan setsubiji –tai dan –dan dari segi makna yaitu keduanya menunjukkan makna ‘kelompok’ dalam kalimat bahasa Jepang. Dari segi kata dasar, jenis kata dasar setsubiji –tai dan –dan sama-sama berupa kata benda yang cenderung kepada jitai meishi atau kata benda abstrak. Perbedaan setsubiji –tai dan –dan, yaitu setsubiji –tai digunakan untuk menyatakan kelompok yang terbentuk secara terstruktur untuk mencapai suatu tujuan sehingga menekankan kesan ‘kesamaan tujuan’, sedangkan setsubiji –dan digunakan untuk menyatakan kelompok yang terbentuk karena kesamaan jenis, status, atau profesi sehingga menekankan kesan ‘kesamaan jenis’. Dari segi kata dasar, jenis kata dasar pada setsubiji –dan lebih luas dan hampir semua jenis dapat digunakan, sedangkan jenis kata dasar pada setsubiji –tai lebih cenderung kepada jitai meishi/chuushouteki na meishi. Setsubiji –tai dan –dan dapat saling menggantikan jika dalam suatu kalimat kata yang bersubtitusi setsubiji –tai dan –dan tidak mengubah makna, baik makna kata yang terbentuk melalui afiksasi maupun makna keseluruhan pada suatu kalimat.
Kata kunci : Analisis, setsubiji, -tai, -dan
Agung Rachmat Fathoni. 2019. Analysis of the Use of Setsubiji -隊 (tai) and -団 (dan) in Japanese Sentences. Thesis. Japanese Language Study Program. Faculty of Language and Art. State University of Jakarta.
There are various types of affixes or setsubiji in Japanese, including the setsubiji -tai and -dan. According to Vance, setsubiji -tai and -dan are setsubiji which represent groups. Setsubiji -tai and -dan both have the same meaning, 'group'. However, there is a lack of clarity about how to use setsubiji -tai and -dan in a word in the sentence whether they can replace one another or not.
In this research setsubiji -tai and -dan are analyzed in terms of the basic words and meanings of setsubiji -tai and -dan. The basic word review is analyzed based on the combined theory of Masuoka and Takubo’s theory and Terada’s theory, and the analysis of the origin of the base words based on Sunarni and Johana’s theory and Sudjianto's theory. A review of usage and meaning of setsubiji -tai and -dan will be analyzed based on Vance's theory of setsubiji -tai and -dan. The author uses substitution techniques to look for similarities and differences as well as to find both of setsubiji -tai and -dan can substitute or not in a word of the sentence. The data are form of example sentences obtained from the pages of Japanese online newspaper, called Yomiuri Shinbun (www.yomiuri.co.jp).
The results of this study are basic types of words that are attached to setsubiji -tai and -dan generally the type of jitai meishi or chuushouteki na meishi. The setsubiji -tai and -dan equations in terms of meaning both indicate the meaning of 'groups' in Japanese sentences. In terms of basic words, the types of basic words setsubiji -tai and -dan are both nouns which tend to jitai meishi or abstract nouns. The difference between setsubiji -tai and -dan, namely setsubiji -tai is used to express groups formed structurally to achieve a goal so that it emphasizes the impression of 'similarity of objectives', whereas setsubiji - and is used to declare groups formed due to similarity in type, status, or profession thus emphasizing the impression of 'species equality'. In terms of basic words, the basic types of words in setsubiji -dan wider and almost all types can be used, while the basic types of words in setsubiji -tai are more likely to jitai meishi / chuushouteki na meishi. Setsubiji -tai and -dan can replace each other if in a sentence the substitution of setsubiji -tai and -dan does not change the meaning, both the meaning of the word formed through affixation and the overall meaning of a sentence.
Keywords: Analysis, setsubiji, -tai, -da
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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