2,044 research outputs found
Resenha de Pandemic and crisis of democracy de André Duarte
No full textPandemic and crisis of democracy by André Duarte (2023) shows clearly how the misgovernment of Jail Bolsonaro was linked with the lack of trust in democracy and with her crisis. Duarte reflects from the present about the different consequences of Brazil’s recent past, specifically during the COVID-19 crisis. The author adopts a theoretical attitude that allows him to think the particular situation of Brazil from the perspective of several authors, among which we highlight the figure of Hannah Arendt.Pandemic and crisis of democracy de André Duarte (2023) entreteje y muestra de manera clara cómo el des-gobierno de Jair Bolsonaro estuvo estrechamente ligado a la pérdida de confianza y a la profunda crisis democrática. Tomando distancia de textos y ensayos sobre la pandemia que pensaron de manera especulativa acerca del futuro, Duarte reflexiona sobre el pasado reciente de Brasil durante la crisis sanitaria y sus consecuencias desde el presente. Para ello, y trabajando bajo la forma de un ensayo, adopta una actitud teorética por medio de la cual analiza y adopta una serie de herramientas conceptuales para poder pensar la situación particular de Brasil, a partir del aporte de diferentes autores y autoras entre las que destaca Hannah Arendt.Pandemic and Crisis of democracy (2023), de André Duarte, tece e mostra claramente como o desgoverno de Jair Bolsonaro esteve intimamente ligado à perda de confiança e à profunda crise democrática. Distanciando-se dos textos e ensaios sobre a pandemia que pensavam especulativamente sobre o futuro, Duarte reflete sobre o passado recente do Brasil durante a crise sanitária e suas consequências no presente. Para tanto, e trabalhando em forma de ensaio, adota uma abordagem teórica por meio da qual analisa e adota uma série de ferramentas conceituais para pensar a situação particular do Brasil, com base nas contribuições de diferentes autores, entre eles Hannah Arendt
The landscape as a political issue for Ruy Duarte de Carvalho
No full textThis article proposes an analysis of the political nature that the Angolan author Ruy Duarte de Carvalho perceives in landscape, in the book As paisagens propícias (2005). Dedicating his literary production to the preservation of the memory of the Kuvale peoples, who are nomadic, rural and illiterate, and aiming to keep alive their traditions and way of life, Ruy Duarte ends up proposing reflections on the consequences of colonialism in Angolan society that adhered to the values of Western civilization.Este artigo propõe uma leitura do caráter político que o autor angolano Ruy Duarte de Carvalho percebe na paisagem, no livro As paisagens propícias (2005). Dedicando sua produção literária à preservação da memória dos povos Kuvale, povos nômades, rurais, analfabetos e ambicionando manter vivas as suas tradições e o seu modo de vida, Ruy Duarte acaba por propor reflexões sobre as consequências do colonialismo na sociedade angolana que aderiu aos valores da civilização ocidental
Notas sobre poesia e erro em Ondula, savana branca e A terceira metade, de Ruy Duarte de Carvalho
No full textThe aim of this study is to investigate the relation between poetry and error after the poetic insertion of verses of African oral tradition poetry off Ondula, savana branca in the novel A terceira metade, by Angolan author Ruy Duarte de Carvalho.O objetivo deste estudo é verificar a relação entre poesia e erro, a partir da inserção poética de versos da poesia de matriz oral africana, de Ondula, savana branca, no romance A terceira metade, do angolano Ruy Duarte de Carvalho
El Tlacuache Núm. 235 (2006). 235 Año 7 (2006) noviembre. El Tlacuache
No full textTemplo y Ex convento de la Inmaculada Concepción de María, Zacualpan de Amilpas por Guadalupe Calzada G. - La conservación del Centro Históricode Cuernavaca, Morelos (Primera de dos partes) por Fernando Duarte Soriano
El Tlacuache Núm. 237 (2006). 237 Año 7 (2006) diciembre. El Tlacuache
No full textLa conservación del Centro Histórico de Cuernavaca, Morelos por Fernando Duarte Soriano. - La localidad de Atapuerca (España) y su importancia para conocer la evolución del hombre moderno por Eduardo Corona-Martínez
O espaço vivido : literatura e antropologia em Ruy Duarte de Carvalho
No full textEste trabalho propõe observar, principalmente na análise da obra Vou lá visitar pastores (2000), a relação do autor Ruy Duarte de Carvalho com o espaço vivido. A pesquisa se estende com menos profundidade às outras obras do autor – Como se o mundo não tivesse leste (2008), Os papéis do inglês (2007), Actas da Maianga (2003), As paisagens propícias (2005), Lavra (2005), A câmara, a escrita e a coisa dita...(2008), A Terceira Metade (2009) e Desmedida (2010) – , com o objetivo de traçar um breve panorama biográfico de Duarte, devido à sua inscrição pessoal tanto na poesia quanto nos enredos. Observei que, para o autor, o espaço transcende os limites da realidade física, visto que também é o lugar da criação e da ficção. Para o outro esse espaço vivido representa a extensão da própria vida, pois essa relação de pertencimento estabelece um acordo coletivo entre esses sujeitos e o lugar. Ruy Duarte empenhou grande parte de sua vida no estudo dessas relações, propondo-se a ir lá viver com eles. Com isso, busquei analisar tais questões, pois a partir de experiências desse tipo tem-se mais autoridade para dizer do outro, conforme pôde ser verificado no cotejo entre a minha experiência e a do autor. Nesse sentido, observei ainda a implicação que a Literatura e a Antropologia tiveram para o desenvolvimento de tal projeto de escrita, bem como a maneira de Ruy Duarte se apropriar desses discursos para criar seu próprio estilo literário. Além disso, intentamos dar visibilidade à obra desse importante autor angolano, visto que seu estudo é de suma importância para a compreensão das culturas africanas. Para dar conta de tudo isso, tornou-se necessário um diálogo com inúmeros teóricos de diferentes áreas do saber, dentre os quais se destacam: James Clifford, Walter Benjamin, Gaston Bachelard, Homi Bhabha, Roland Barthes, Rita Chaves, Laura Cavalcante Padilha, Antonio Candido, Frantz Fanon, Rodolfo Kusch, François Laplantine, Ella Shohat/Robert Stam e Paul Zumthor.This research proposes to observe Ruy Duarte de Carvalho’s relationship with the lived space, especially in view of the work Vou lá visitar pastores (2000). Due to his personal inscription in both poetry and plots, the research superficially extends to other works of the author - Como se o mundo não tivesse leste (2008), Os papéis do inglês (2007), Actas da Maianga (2003), As paisagens propícias (2005), Lavra (2005), A câmara, a escrita e a coisa dita...(2008), A Terceira Metade (2009) e Desmedida (2010) - in order to trace a brief biographical overview of Duarte. We note that, for the author, the space transcends the limits of physical reality, since it is also the space of creation and fiction. For the 'other', this lived space is the extension of life itself, because this relation of belonging establishes a collective agreement between the subjects and the place. Ruy Duarte committed much of his life in the study of these relations, and therefore was willing to go live with them. Therewith, we sought to examine these issues, because from such experiences one has more authority to report about the “other”, as evidenced in the comparison between the experiences of the author and mine. In this sense, the implications that Literature and Anthropology have had for the development of such a writing project were also observed, as well as the way Ruy Duarte incorporates these discourses to create his own literary style. In addition, we seek to give visibility to the work of this important Angolan author, since his work is of great importance for the understanding of African culture. To account for all that, we set up a dialogue with numerous theorists from different disciplines, among which we highlight: James Clifford, Walter Benjamin, Gaston Bachelard, Homi Bhabha, Roland Barthes, Rita Chaves, Laura Cavalcante Padilha, Antonio Candido, Frantz Fanon, Rodolfo Kusch, François Laplantine, Ella Shohat / Robert Stam and Paul Zumthor
Leonora Duarte (1610–1678): Converso Composer in Antwerp
No full textLeonora Duarte (1610–1678), a converso of Jewish descent living in Antwerp, is the author of seven five-part Sinfonias for viol consort — the only known seventeenth-century viol music written by a woman. This music is testament to a formidable talent for composition, yet very little is known about the life and times in which Duarte produced her work. Her family were merchants and art collectors of Jewish descent who immigrated from Portugal in the early sixteenth century to escape the Inquisition; in exile in Antwerp, they achieved enormous success and provided the means with which to educate their children and integrate them into certain aspects of their business world. Duarte’s musical education reveals knowledge of many instruments as well as lessons in composition and it is manifested in the prominence her music played in her internationally-known family.
Examining Duarte’s life presents a remarkable opportunity to consider performance within the early modern domestic sphere — this is a project that intersects with embodiment and display, as well as issues of gender and race. This dissertation considers Duarte and her music as products of diverse influences within the landscape of post-Inquisition Antwerp, as evidence of complex and symbiotic relationships with contemporaries, and as vital testimony to the cultural accomplishments of women conversos in early modern Europe, about which almost nothing is known. It draws upon musical analysis, critical theory, art history, Jewish studies, and my own performances and recording of her music. What emerges is a narrative in which the experience of domestic musical performance allowed Duarte to navigate the waters of social diplomacy within the broader context of cultural exchange in Antwerp
The creole chronicle of Vera Duarte
No full textThe article aims to investigate, in the writing of Vera Duarte\u27s only chronicle book, hybrid dictions typical of the gender and the place of the feminine in Cape Verdean society, when the chronicle, metamorphosed from historical to literary genre, is one of the humanizing instruments of valuing the issues of everyday life that intends the lowered space in which women were inserted in patriarchal societies. It can be seen that the author, in The word and the days, portrays her daily life through the subjectivity of everyday life, when documenting and analyzing aspects of Creole society.O artigo tem por objetivo investigar, na escrita do único livro de crônicas de Vera Duarte, dicções híbridas próprias do gênero na sociedade cabo-verdiana, quando a crônica, metamorfoseada de gênero histórico a literário, é um dos instrumentos humanizadores de valorização das questões do cotidiano que tenciona o espaço rebaixado em que a mulher foi inserida nas sociedades patriarcais. Percebe-se que a autora, em A palavra e os dias, retrata o seu dia a dia pela via das subjetividades do cotidiano, ao documentar e analisar aspectos da sociedade crioula
Bothynus araya Duarte & Grossi 2020, new species
No full textBothynus araya Duarte & Grossi, new species (Figs. 5 A–F; 7B; 8E; 9E; 10D, F; 12E) Diagnosis. Both sexes of B. araya are similar to B. entellus; however B. araya can be distinguished using the following characters: stridulatory apparatus with well-marked carinae near to basal margin in both sexes (Fig. 7B); parameres with lateral “flaps” distinctly as narrow as basal half (Fig. 8E); female differ from the females of other species in this group by the pronotum with weakly punctate concavity and smooth discal area (Fig. 10D) and proventrite with a long furrow at anterolateral angles (Fig. 10F). Etymology. The specific epithet is named as tribute to the grandmother of the first author. The name “araya” originates from the Tupi-Guarani dialect, meaning “grandmother”. This name should be treated as a noun in apposition. Type material. Holotype not dissected. Brasil: Paraná: Guarapuava, 3.IV.2012, Oliveira. G.B. – 1♂ (CERPE). Paratypes [16 males and 2 females]. One male and one female with same data as holotype (CERPE). Brasil: Minas Gerais: Poços de Caldas, XI.1995,— 1♂ (YPC). Paraná: Castro, Estrada Castro-Tibagi, Km 15, 15.XII.2006, P. Grossi & Parizotto— 1♂ (EPGC). Brasil: Santa Catarina: Campos Novos, (27º23’S, 51º12’W), II.2011, armadilha pitfall, R.C. Campos—(1♂ MAHC, 5♂ 1♀ CERPE, 4♂ CEMT). Paraguay: Caaguazú: Sommerfeld, I.1962 — 1♂ (MAHC). No data —(1♂ CERPE, 1♂ YPC). Description. Holotype male (Fig. 5A). Body l ength: 25.0 mm. Body width: 14.0 mm. Color: Dark brown. Head: Clypeus subpentagonal in shape, moderately punctate, weakly setose on sides, strongly constricted laterally at apical half, basal half with parallel and slightly raised sides. Frontoclypeal suture with a weak ridge interrupted at middle, nearly reaching the lateral margins. Interocular width equals 2.8 transverse eye diameters, frontal surface weakly rugopunctate, sides scarcely setose, basal area between eyes smooth. Eye canthus subquadrate. Mouthparts: Mandibles bidentate, teeth subtriangular. Mentum subtriangular, convex at disc, weakly rounded and densely covered with setose punctures on sides, disc smooth. Maxilla with quadridentate galea; 1 apical tooth (strong), 2 medial teeth (1 weak, 1 strong), 1 basal tooth (weak). Pronotum: Moderately convex, without horns, only with 1 small, conic-shaped apical tubercle; concavity V-shaped, shallow, confined to anterior area (Fig. 5A), hypomeron convergent (Fig. 5D); surface finely punctate Scutellar shield: Triangular in shape, smooth. Elytra: Surface with barely marked longitudinal striae, finely punctate, only observed under 90X magnification. Legs: Inner protarsal claw dilated, protarsomere IV with short ventral apex (Fig. 5E). Mesofemora with setae confined on disc (Fig. 5F). Mesotibiae slightly convex on external surface. Abdomen: Ventrites I–IV completely setose, V setose only on sides, VI bordered with setae on apex. Tergite VII with stridulatory apparatus formed by a band of transversal carinae well marked on the basal area, becoming finely marked toward the apical area (Fig. 7B). Tergite VIII with weak, setose punctures confined to sides, disc smooth. Variation. Male paratypes differ from holotype in the following aspects: Body length: 21.0– 26.5 mm. Body width: 11.0–13.0 mm. Color: Pronotal and elytral surface with variation from dark reddish brown to reddish brown. Pronotum: Concavity occasionally small and shallow compared to holotype, sometimes U-shaped. Aedeagus: Parameres in caudal view (Fig. 8E), middle area abruptly constricted on sides, apical half expanded in shape of subparallel lateral “flaps”, as narrow as the basal half. In lateral view, apex downcurved (Fig. 9E). Female paratypes (Fig. 5B) differs in the following aspects: Body length: 21.0– 26.5 mm. Body width: 11.0–13.0. Pronotum: Concavity rounded, small, confined near to anterior margin; latero-anterior surface moderately punctate, concavity weakly punctate, disc smooth (Fig. 10D). Legs: Protarsus not thickened, claws simple. Venter: Proventrite with a long furrow at anterolateral angles (Fig. 10F). Abdomen: Ventrite VI triangular shaped, not emarginate apically. Tergite VIII flattened in lateral view. Geographic distribution. Brazil: Minas Gerais, Paraná, Santa Catarina. Paraguay: Caaguazú (Fig. 12E). Bothynus araya occurs in open fields predominantly characterized as having shrubby vegetation within the “Campos Gerais” region from southern Brazilian to Paraguay.Published as part of Duarte, Paulo R. M. & Grossi, Paschoal C., 2020, Bothynus entellus (LePeletier & Serville) (Coleoptera: Scarabaeidae: Dynastinae) species group: taxonomic revision and description of two new species, pp. 101-121 in Zootaxa 4750 (1) on pages 111-113, DOI: 10.11646/zootaxa.4750.1.5, http://zenodo.org/record/370286
Ruy Duarte de Carvalho : caminhos de um poeta antropólogo
No full textA relação interdisciplinar entre a literatura e a antropologia tem florescido na escrita contemporânea. Alguns autores constroem suas personagens com base em longas pesquisas etnográficas. As vozes anônimas ganham vida ao serem traduzidas pelas vozes autorizadas dos escritores modernos. Desse modo, a ficção se transforma em uma maneira de dizer o que se vê nas diferentes culturas. Ver, interpretar, traduzir o mundo: a experiência passou a ser a inspiração literária de muitos autores modernos, e, consequentemente, a discussão envolvendo literatura e antropologia tem crescido de maneira produtiva e está abrindo caminho para novos estudos envolvendo os dois campos. Um bom exemplo disso é a escrita do angolano Ruy Duarte de Carvalho, que mistura elementos etnográficos em sua obra literária. Sendo assim, o objetivo deste trabalho é mostrar como se configura essa relação nas obras Os papéis do inglês (2007) e Vou lá visitar pastores (2000). Em ambas o narrador-autor desde o início apresenta traços bio(biblio)gráficos inusitados. Cito como exemplo a constante retomada referencial de personagens que o acompanharam em suas “deambulações etnográficas” em Vou lá visitar pastores. Nessa obra o narrador/autor conta sua própria experiência antropológica e observa as experiências dos outros para contá-las à sua maneira. Observamos que o olhar de Ruy Duarte de Carvalho está voltado para os povos e as culturas africanas, tanto que, mesmo em Os papéis do inglês, a história desse ilustre representante do Ocidente adquire valor secundário no decorrer da obra. Duarte produz narrativas permeadas por questões de identidade, memória e autoria em que se alternam papéis assumidos ora por ele “mesmo”, ora pelo “outro”. Para tanto, além da leitura das obras citadas, consideraremos conceitos como tradição e modernidade e póscolonialismo a partir dos estudos de Laura Padilha, e discutiremos os pressupostos de James Clifford (2011) e Cliford Geertz (2009) sobre as aproximações entre antropologia e literatura.The interdisciplinary relationship between literature and anthropology has flourished in contemporary writing. Some authors build their characters based on long ethnographic research. The anonymous voices come alive when they are translated by the authoritative voices of the modern writers. Thus, the fiction becomes a way of saying what we see in different cultures. Seeing, interpreting, translating the world: the experience became the literary inspiration for many modern authors, and consequently, the discussion involving literature and anthropology has grown productively and is opening ways for new studies involving the two camps. A good example is the writing of an Angolan Ruy Duarte de Carvalho, mixing elements ethnographic in his literary work. Thus, the aim of this work is to show how to set up this relationship in the works of English papers (2007) and I'm going to visit pastors (2000). In both the narrator-author from the beginning shows unusual bibliographic traces. I cite as an example the constant referencial resumption of those characters that accompanied him on his "ethnographic wanderings "Vou lá visitar pastores". In this book the narrator /author tells his own anthropological experience and observe the experiences of the others to explain it with his own manners. We note that Ruy Duarte de Carvalho's look is turned to the peoples and cultures of Africa, so that even in "Os papéis do inglês", the history of this distinguished representative of the western civilization acquires secondary value throughout the work. Duarte produces narratives permeated by issues of identity, memory and authority in alternating roles assumed sometimes by "himself", other times by the "other". Therefore, in addition to reading the works cited, we will consider concepts like tradition and modernity and post-colonialism from the studies of Laura Padilla, and discuss the assumptions of James Clifford (2011) and Clifford Geertz (2009) on the proximities of anthropology and literature
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