1,721,134 research outputs found

    Mobiliser l'art : son role dans les mouvements sociaux

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    En mai 2012, un gratte-ciel était occupé à Milan par un groupe d'artistes et travailleurs culturels réunis autour de "Macao" et qui a affirmé publiquement un nouveau role pour l'art et la culture dans la société. Ce chapitre propose une réflexion autour de quelques points clés théoriques inspirée par cette étude de cas, pertinente pour la compréhension de la relation entre l'art et la mobilisation politique. La particularité de cette etude de cas découle de la nature particulière de la mobilisation elle-meme: une mobilisation d'artistes qui s'expriment avec leurs propres moyens d'expression artistiques dans des environnements de communications hybrides, non exclusivement linguistiques. L'apport spécifique de l'art dans des mobilisations connectives reste une question centrale

    Culture is reclaiming the creative city : the case of Macao in Milan, Italy

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    In May 5, 2012, a group of artists and cultural workers occupied a 33-storeys abandoned skyscraper in Milan, founding Macao or the “New Centre for Arts, Culture and Research”. It was an event, with thousands of people joining in, newspapers headlines, and a massive flow of social media activity. Along with spaces, they claimed a new role for art and culture in society. Macao constitutes one of the last nodes of the national network of occupied theatres, which spread out in Italy from early 2011. This case is explored with the aim of understanding to what extent Macao, and more in general the global wave of art activism, constitutes an alternative to the neo-libel articulation of the creative city in Milan. On the one hand, we ask whether Macao is a political actor able to influence the local cultural policy and to what extent it is included in the urban governance of Milan. Related questions concern Macao claims and expectancies, and its possible process of normalization. On the other hand, we evaluate Macao’s role into the cultural milieu at different levels (local, national, international). We will argue that Macao not only is an actor included in the urban governance, but also it provides the city a different cultural offer, open to bottom-up processes

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Artwork, Art Labour amp Activism

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    artWork: Art, Labour and Activism brings together a variety of perspectives on contemporary cultural production and activism in order to interrogate how the concepts of art, labour and activism intersect in practices for social change. The book asks: what can we learn about contemporary art and politics by looking at the intersections between art, labour and activism? And what theoretical tools can help us arrive at a deeper understanding of these intersections? In order to address these questions, the chapters in this edited volume look at issues such as the role of art as activism, the use of social media and technology in creative production and organising, the politics of artmaking, the commodification of culture and the possibility of a creative commons, and the work of artist activists as educators. In addition to offering a variety of new perspectives from researchers and practitioners, this volume makes an original theoretical contribution by proposing new paths towards interdisciplinary research in this field that combine sociological, anthropological, philosophical and art theory perspectives
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