3,422 research outputs found
A biblioteca de Anghel
No full textEste artigo pretende apontar alguns possíveis caminhos de leitura para a poesia de Golgona Anghel. O objetivo é partir do pressuposto de que alguns de seus poemas apontam, na esteira do pensamento de Antoine Compagnon e Jacques Derrida, para um trabalho da citação/cintilação que torna legível a construção de uma biblioteca. Os poemas, tal como uma biblioteca, hospedam em seus versos / estantes uma série de elementos que foram cortados, recortados e, depois, enxertados em um novo lugar; apontando para aquilo que Pedro Eiras, a respeito da poesia de Golgona Anghel, chamou de uma “itinerância de vozes, locais e tempos”
Golgona Anghel. Do realismo satírico à poética vadia
No full textWe will approach Golgona Angel’s book “Vim por que me pagavam”. In this author, we want to observe precisely the characteristic of the prostituted identity of the present and questions of what we can notice as its ≪ satirical realism ≫, where the author is inspired by the Lusitanian burlesque tradition.Abordaremos o livro “Vim porque me pagavam” de Golgona Anghel. Nesta autora, queremos observar precisamente a caracteristica transfronteirica da identidade prostituivel do presente e questoes daquilo que podemos notar como sendo seu “realismo satirico”, onde a autora inspira-se na tradicao burlesca lusitana
Foreword Anniversary of Professor Sorin Dan ANGHEL
No full textProfessor Sorin Dan ANGHEL was born in 1951, Sighisoara, Romania, and graduated Babes-Bolyai University Cluj-Napoca in 1975. After graduating Faculty of Physics, he was assigned by the Ministry of Education to work as a physicist in industry at Geologic and Geophysics Prospections for Hydrocarbons Enterprise, Bucharest (1975-1979). Between 1979-1987 continued to work as a physicist at Heavy Machinery Factory, Cluj-Napoca. Since 1984 to 1991 he held activities at Research Institute for Analytical Instrumentation (ICIA) Cluj-Napoca, as Senior Research Scientist III in Laboratory for Gas Discharges and Atomic Spectroscopy. Prof. S.D. Anghel earned in 1991 his PhD in Physics.
Since 1991 worked at Babeș-Bolyai University, Faculty of Physics as teaching assistant professor (1991-1999), associate professor (1999-2003) and professor (2003-present), respectively
Living with the past: the City and its Philosophers in Late Antique Athens
No full textZusammenfassungDie Mitglieder der neuplatonischen Akademie von Athen
übten bis in die Spätantike hinein die paganen Kulte aktiv aus. Mitunter gehen
Gelehrte davon aus, dass auch die übrige Stadt Athen, zumindest partiell, die
Praktiken der neuplatonischen Lehrer und ihrer Schüler teilte. Doch die Akademie
bestand nur aus wenigen Mitgliedern. In welchem Maße waren die Praktiken der
Akademiemitglieder für das religiöse Leben Athens in der Spätantike repräsentativ?
Der vorliegende Aufsatz behauptet, dass die Quellen, nämlich die literarischen Texte, die von den Akademiemitgliedern selbst stammen, zusammen mit
den archäologischen Daten auf ein vollkommenes Desinteresse der Bürger Athens
an der Praktizierung des kultischen Heidentums hindeuten, ja nicht einmal an
dem Erhalt der Götterstatuen in ihrer Stadt. Der Aufsatz untersucht diese Frage.
Das erste Beispiel stellt die Episode von Nestorios (Zosimos, Neue Geschichte 4.18)
dar. Eine neue Auslegung der Passage wird vorgeschlagen: Nestorius zielt darauf
ab, den heidnischen Kult wiederherzustellen, indem er auf der Akropolis den Kult
des Achilles einführte. Die Mitbürger zeigten sich desinteressiert und ablehnend.
Das zweite Beispiel untersucht die Einführung des Kultes der Athene, den Proklos
in seinem eigenen Haus der Göttin widmete (Marinos, Leben des Proklos 30). Dazu
wurde die These aufgestellt, dieser Bericht spiegele sich in einer Statuensammlungen
wider, die in zwei Häusern Athens aufgefunden wurden (Haus Omega auf den
nördlichen Abhang des Aeropag und das so genannte ‚Haus des Proklos‘ auf der
südlichen Seite der Akropolis). Die Sammlung von Statuen aus unterschiedlichen
verlassenen Orten um Athen herum bezeugen auch hier, dass die Stadt kein
Interesse hatte: weder an einem paganen Kult noch an der Erhaltung der Statuen.
Das letzte Beispiel beschäftigt sich mit Hegias, der private Heiligtümer im Hinterland
von Athen wieder errichtete und sie für den paganen Kult nutzte (Damaskios,
Das Leben des Philosophen 145). Die Initiative des Philosophen stieß auf Kritik bei
seinen Verwandten. Alles deutet darauf hin, dass die Ausübung paganer Rituale
und des Kultes kaum auf Interesse seitens der Mitbürger stieß, aber in keinem Fall
auf Gewalt. Die Bemühungen der letzten Heiden zielten darauf ab, die heiligen
Bilder zu erhalten; sie blieben auch unter den Philosophen bedeutsam, weil ihre
Philosophie den praktischen Kult nicht aufgeben wollte.AbstractIt has long been recognized that the members of the Neoplatonic Academy
of Athens remained active practitioners of pagan cults well into Late Antiquity.
Sometimes, however, it is argued that the rest of the city of Athens shared, at least
in part, the practices of the Neoplatonic professors and their students. Yet the
Academy consisted of a few members only. How representative were the practices
of the members of the Academy for the sacred landscape of the city of Athens in
Late Antiquity? The present article argues that the sources, namely the literary
passages emanating from the members of the Academy themselves, as well as
archaeological data point to a general lack of interest of the city in the practice of
cultic paganism and even in the preservation of statues in Athens. The first case
study is the episode of Nestorius (Zosimus New History 4.18). A new interpretation
of the passage is proposed: Nestorius aims to restore public pagan cults by
introducing on the Acropolis the worship of Achilles. The city however does not
react positively and shows a profound lack of interest. The second case study is
that of Proclus introducing a cult of Athena in his own house (Marinus Life of
Proclus 30). It is argued that this passage is a reflection of the collections of
statuary found in two large houses in Athens (House Omega on the northern slope
of the Areopagus and the so-called “House of Proclus ” on the south side of the
Acropolis). The statue collections were gathered from abandoned sites around
Athens, again testifying that the city was not interested either in pagan worship or
the upkeep of the statues. The final case study is that of Hegias restoring private
shrines in the hinterland of Athens and using them for pagan worship (Damascius
Philosophical Life 145). The philosopher’s initiative was criticized by his relatives.
In all cases pagan cultic practices were met with lack of interest by the city,
although in no case with violence. In all cases the efforts of the active pagan
practitioners were to preserve sacred images, signifying that they had not lost their
importance even in circles well familiar with Neoplatonic philosophy
Anghel Saligny : Omul şi Monumentul
No full textAnghel Saligny was a remarcable engineer, world wide predecessor of metal building science and reinforced concrete, creator of multiple inventions and of unique solutions in designing and building bridges, industrial constructions, for the foundation of port piers and docks, as well as grain silos through the use of precast concrete, all of these in world premiere
A alegoria do matadouro na poesia de Golgona Anghel
No full textThis paper investigates the poetics of Golgona Anghel by analyzing the image of the slaughterhouse used as a figuration of the contemporary world. To this end, theoretical considerations of a biopolitical nature are mobilized. Considering the allegorical nature of contemporary Portuguese poetry (Martelo, 2008; 2009) and based on a lexical-image survey of terms belonging to the semantic field of meat production, it can be inferred that the issue in focus is widespread in Anghel’s work. Whether through the construction of the landscape or the representation of human figures, the creation of the poems reveals the precariousness of life that is blatant in the contemporary horizon, blurring the boundaries between the zones of life and death, between humans and non-humans.Este artigo investiga a poética de Golgona Anghel através da análise da imagem do matadouro como uma figuração do mundo contemporâneo. Para isso, são mobilizadas considerações teóricas de matriz biopolítica (Giorgi, 2011; 2016; Maciel, 2016; 2023). Tendo em vista o caráter alegórico da poesia portuguesa contemporânea (Martelo, 2008; 2009) e com base em um levantamento léxico-imagético de termos pertencentes ao campo semântico da produção de carne, depreende-se o espraiamento da questão em foco na obra de Anghel. Seja pela construção da paisagem, seja pela representação de figuras humanas, a configuração dos poemas dá a ver a precarização da vida flagrante no horizonte contemporâneo, diluindo as fronteiras entre as zonas de vida e de morte, entre humanos e não humanos
Remus Gabriel Anghel: Romanians in Western Europe. Migration, Status Dilemmas, and Transnational Connections: Lexington Books, Plymouth 2013, 207 s.
No full textA review of the book by Remus Gabriel Anghel
11th IEEE International On-Line Testing Symposium
No full textIssues related to on-line testing are increasingly important in modern electronics systems. In particular, the huge complexity of electronic systems has seen reliability needs growing up in various application domains as well as pressure for low cost products. There is a corresponding increasing demand for cost-effective on-line testing techniques. These needs have increased dramatically with the introduction of very deep submicron and nanometer technologies. Nanometer technologies impact adversely noise margins and make mandatory integrating on-line test in modern ICs. The Symposium is also emphasizing on on-line testing in the continuous operation of large applications such as wired, cellular and satellite telecommunication, as well as in cryptographic chips.
The Symposium is sponsored by the IEEE Computer Society, Test Technology Technical Council (TTTC), co-organized by the TTTC On-line Testing TAC and the European Group of TTTC, in collaboration with TIMA Laboratory, University of Bologna, Purdue University and IRoC Technologies.
General Chairs:
Michael Nicolaidis (iRoC Technologies)
Lorena Anghel (TIMA Laboratory)
Program Chairs:
Cecilia Metra (Bologna University)
Kaushik Roy (Purdue University
Anghel: Alala ng katawan
No full textAnghel : alaala ng katawan is a documentary-fiction film about an entertainer, a city, and the reality that they live with. The film narrates the story of Nina, an entertainer in the streets of Angeles City, and how her life is intertwined with the story of another woman facing similar struggles. The filmmakers merge the stories of the local people with the historical narrative of the city where the difference of reality and fiction can only be seen on the truth that lies in between: that Angeles City and the entertainer are both prostitutes, the former to foreign colonizers and the latter to customers. It can be a reference for researchers who wish to tackle prostitution in the Philippines and body politic of Angeles City and the entertainer
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Excerpt From Anghel Rugina's Report on his trip to Romania
No full textAnghel Rugina relays a message to the President about Ceausescu's desire for real "bridges" between Romania and the United States
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