1,736,165 research outputs found
988. Hildegarius
No full text988. Hildegarius. In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). II. Époque féodale, les Capétiens jusqu'en 1180. Paris : A. Picard et fils, 1902. p. 14
[988 by the numbers]
No full text"September 2022."; At head of title: 988 suicide & crisis lifeline988 by the numbers -- Call demand -- Local response -- Text and cha
Grammar [988]
No full textGrammar.
This manuscript is now IO Islamic 2624 in the India Office collections.
[metadata: Otto Loth, A Catalogue of the Arabic Manuscripts in the Library of the India Office, (volume 1), no. 988 here with further notations and hyperlinks].
988.
2624. Size 81/2 in. by 6 in. Five, seven, and thirteen lines in a page.
I.Foll. 1-14. Paradigms of the Arabic Verbs.
Begins: الحمد لله .... اعلم اسعدك الله تعالى وايّانا فى الدارين ان الافعال كلّها على اربعة اقسام الخ.
Conclusion: تمت كتاب الميزان .
II. Foll. 15-37. Another treatise on the Verbs.
Begins: الحمد لله .... اعلم اسعدك الله تعالى و ايّانا فى الدارين من حيث المعنى نوعان لازم و متعدّى الخ.
Conclusion: تمت الاوزان .
Plainly written. Of the thirteenth century.
The remainder of the volume is in Persian and Urdu.
[Bible. Leydeniana.
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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