1,724,504 research outputs found

    Hawaii mainichi - XXXIII, no. 8904

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    Misprinted as issue 8905, it is actually issue 8904

    UMNH:Mamm:8904

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    UMNH:Mamm:8904 Voucher specimen study ski

    Linked collectors and determiners for: Cercle des mycologues de Montréal Fungarium (CMMF).

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    Natural history specimen data linked to collectors and determiners held within, "Cercle des mycologues de Montréal Fungarium (CMMF)". Claims or attributions were made on Bionomia by volunteer Scribes, <a href="http://bionomia.net/dataset/21705170-d2b6-42de-8904-c3bca4b83591">https://bionomia.net/dataset/21705170-d2b6-42de-8904-c3bca4b83591</a> using specimen data from the dataset aggregated by the Global Biodiversity Information Facility, <a href="https://gbif.org/dataset/21705170-d2b6-42de-8904-c3bca4b83591">https://gbif.org/dataset/21705170-d2b6-42de-8904-c3bca4b83591</a>. Formatted as a Frictionless Data package

    Linked collectors and determiners for: Cercle des mycologues de Montréal Fungarium (CMMF).

    No full text
    Natural history specimen data linked to collectors and determiners held within, "Cercle des mycologues de Montréal Fungarium (CMMF)". Claims or attributions were made on Bionomia by volunteer Scribes, <a href="http://bionomia.net/dataset/21705170-d2b6-42de-8904-c3bca4b83591">https://bionomia.net/dataset/21705170-d2b6-42de-8904-c3bca4b83591</a> using specimen data from the dataset aggregated by the Global Biodiversity Information Facility, <a href="https://gbif.org/dataset/21705170-d2b6-42de-8904-c3bca4b83591">https://gbif.org/dataset/21705170-d2b6-42de-8904-c3bca4b83591</a>. Formatted as a Frictionless Data package

    California Poll: 8904 -- October 23-28, 1989

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    The Field Poll, established in 1945 as The California Poll by Mervin Field, has operated continuously as an independent, non-partisan, media-sponsored public opinion news service. Each year the Field Polls cover a wide range of political and social topics examining California public opinion. Continuing measures are made of voter support for leading political figures vying for major state and federal offices, job ratings of important political figures and reactions to significant political events. Voter awareness, understanding and predispositions of major campaign issues and salient statewide ballot propositions are also tracked over time. For poll 8904 N=807

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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