1,722,468 research outputs found
Bilješke uz naronitanski spomenik CIL 3 8438
No full textU radu se raspravlja o znamenitom, ali nažalost izgubljenom naronitanskom nadgrobnom spomeniku CIL 3, 8438 s dona militaria i centurionskim insignijima na čeonoj strani. Ukazuje se na zanimljivi način na koji je izgubljen, tipološku pripadnost spomenika, jedan neprimijećeni element ikonografije (vitis), a na kraju se predlaže i datiranje. Usputno se osvrće i na složenu problematiku postrojbe u kojoj je pokojnik služio u trenutku smrti, tj. pitanje jesu li kohorta Camp. bez ili s rednim brojem I jedna ili dvije postrojbe.</jats:p
Bilješke uz naronitanski spomenik CIL III 8438
Full text linkThis paper discusses the notable, but unfortunately lost Naronitan tombstone CIL 3, 8438 with dona militaria and centurion insignia on the front side. It describes the interesting way in which the tombstone was lost, as well as its typological classification, pointing out an iconographic element that has remained unnoticed (a vitis), and finally proposing a dating for it. At the same time, it touches upon the complex subject matter of the unit in which the deceased served at the time of his death, i.e. the question of whether the Camp. cohort without or with the ordinal number I was a single unit or two units.U radu se raspravlja o znamenitom, ali nažalost izgubljenom naronitanskom nadgrobnom spomeniku CIL 3, 8438 s dona militaria i centurionskim insignijima na čeonoj strani. Ukazuje se na zanimljivi način na koji je izgubljen, tipološku pripadnost spomenika, jedan neprimijećeni element ikonografije (vitis), a na kraju se predlaže i datiranje. Usputno se osvrće i na složenu problematiku postrojbe u kojoj je pokojnik služio u trenutku smrti, tj. pitanje jesu li kohorta Camp. bez ili s rednim brojem I jedna ili dvije postrojbe
The Southern Pacific No. 8438 lead loco pulls through the Norden sheds
No full textImage of Southern Pacific No. 8438 nearing Norden sheds through the snow
The SD-40, Southern Pacific No. 8438 lead loco pulls through the Norden sheds
No full textImage of Southern Pacific No. 8438 pulling through the Norden sheds
The SD-40, Southern Pacific No. 8438 lead loco has pulled through the Norden sheds
No full textImage of Southern Pacific No. 8438 nearing Norden sheds through the snow
Eastbound SD-40, Southern Pacific No. 8438, pulls closer to the Norden sheds after passing Soda Springs crossing
No full textImage of Southern Pacific No. 8438 nearing Norden sheds through the snow
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
8438 إجمالي عدد الطلاب والطالبات بجامعة قطر حتى العام الدراسي 95/94
No full textذكر التقرير الاحصائي الصادر عن جامعة قطر عدد طلاب الجامعة في الفصل الدراسي 1995/94 م 8438 طالب وطالبة، وقد احتوى التقرير على نسب الطلاب والطالبات القطرين والغير قطري
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
