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Resolución UNRN N° 627/2009. Otorga equivalencia. No otorgar equivalencia.
No full textFil: Universidad Nacional de Río Negro (U). Universidad Nacional de Río Negro. Río Negro, ArgentinaResolución UNRN N° 627/2009. Otorga equivalencia. No otorgar equivalencia.fals
BGT-Plattform TNP 627 PL01-09
Get PDFBGT-PLATTFORM TNP 627 PL01-09
BGT-Plattform TNP 627 PL01-09 (Gesamtansicht PL01-09)
Gesamtansicht BGT-Plattform TNP 627 (Gesamtansicht PL01-09)
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Verlustliste Nr. 627. (Nr. 627. /1917)
No full textVERLUSTLISTE NR. 627.
Verlustliste (-)
Verlustliste Nr. 627. (Nr. 627. /1917) ([1])
Belehrung. (2)
Offiziere. (3)
A, B, C, D, E, F, G, H, I, J (3)
K (3)
L, M, N, O, P, R (4)
S (4)
T, U, V, W, Z (5)
Einjährig-Freiwillige. (5)
Mannschaft. (6)
A (6)
B (9)
C, D (10)
E (10)
F (12)
G (13)
H (14)
I (17)
J (18)
K (18)
L (20)
M (21)
N (28)
O (28)
P (29)
Q (37)
R (37)
S (42)
T (51)
U (53)
V (53)
W (55)
Z (57)
Berichtigungen zu den Verlustlisten: (59)
Nr. 504. Nr. 585. Nr. 606. Nr. 611. Nr. 612. (59)
Ergänzungen und Berichtigungen zu den Verlustlisten: (59)
Nr. 110. (59)
Berichtigung bereits veröffentlichter, jedoch nicht legal nachweisbarer Todesfälle. (59)
Nr. 115. (59
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
El Tlacuache Núm. 627 (2014). 627 Año 13 (2014) junio. El Tlacuache
No full textEl asentamiento prehispánico del cerro del Yohualtépetl por Giselle Canto Aguilar y Ana Emma Peña Rodríguez. - Loza Mayólica Virreinal en las excavaciones arqueológicas del Mercado de Tlayacapan Raúl Francisco González Quezada, Juana Mitzi Serrano Rivero, Flor de María Rodríguez Silva y Sara Paulina Sánchez Guzmán. - Algunas razones por las que es importante la zona arqueológica de Teopanzolco por Barbara Konieczna Z
Magic for the rain [Magie pour la pluie] - CTH 627
No full textTranscription of the tablet concordance KBo II 12 (inventory no. 26/e (+)Bo 14) related to the festival of KI.LAM dedicated to the magic and cult of rain. Emmanuel Laroche translated this text as "Fête du KI.LAM,” and classified in the category of texts of festivals and cults among diverse festivals (Catalogue des textes Hittites, No. 627).Paper (3 sheets
Festival of KI.LAM, tablet concordance KBo II 12 - CTH 627
No full textTranscription of the tablet concordance KBo II 12 (inventory no. 26/e (+)Bo 14) related to the festival of KI.LAM. Emmanuel Laroche translated this text as "Fête du KI.LAM,” and classified in the category of texts of festivals and cults among diverse festivals (Catalogue des textes Hittites, No. 627).Paper (1 sheet
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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