1,723,269 research outputs found

    UMNH:Mamm:6130

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    UMNH:Mamm:6130 Voucher specimen study ski

    Shoppee, Lionel Conrad, 6130

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/416724Surname: SHOPPEE. Given Name(s) or Initials: LIONEL CONRAD. Military Service Number or Last Known Location: 6130. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 25082.238877 Item: [2016.0049.48985] "Shoppee, Lionel Conrad, 6130

    6130 Schwermetallrasen (Violetalia calaminariae)

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    Der LRT 6130 umfasst natürliche und halbnatürliche lückige bis relativ geschlossene Rasen auf schwermetallreichem Substrat meist älterer Abraumhalden des Bergbaus, auf natürlich oder anthropogen mit Schwermetallen kontaminiertem Flussschotter bzw. auf anstehendem schwermetallhaltigen Gestein (in Sachsen-Anhalt durch Bergbau nahezu vollständig vernichtet). Die Schwermetallrasen sind durch eine hochspezialisierte Flora charakterisiert

    J.P. Sutcliffe (Ed.), Australian Grab Bag : Conceptual Analysis and Method in Psychology : Essays in honor of W.M. O'Neil

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    Contains fulltext : 6130.pdf (Publisher’s version ) (Open Access

    An Efficient and Diastereoselective Synthesis of PSI-6130: A Clinically Efficacious Inhibitor of HCV NS5B Polymerase

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    R7128 is the prodrug of 2′-deoxy-2′-fluoro-2′-C-methylcytidine (PSI-6130), a potent and selective inhibitor of HCV NS5B polymerase. Currently, R7128 is in clinical trials for the treatment of HCV infection. To support clinical development efforts, we needed an efficient and scalable synthesis of PSI-6130. We describe an improved, diastereoselective synthetic route starting with protected d-glyceraldehyde. No chiral reagents or catalysts were used to produce the three new contiguous stereocenters. Introduction of fluorine at the C-2 tertiary carbon was accomplished in a highly regio- and stereoselective manner through nucleophilic substitution on a cyclic sulfate. Scale-limiting chromatographic purifications were eliminated through the use of crystalline intermediates

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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