1,724,441 research outputs found
Block Card 5345 Brandon Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | Dwelling | Homedale Addition (Toledo, Ohio) | Reynolds Corners Area (Toledo, Ohio) | 5345 Brandon Road (Toledo, Ohio
Block Card 5345 Winona Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 5345 Winona Road (Toledo, Ohio) | Dwelling | Elizabeth Park Addition (Toledo, Ohio) | Greenwood Park area (Toledo, Ohio
Block Card 5345 Darlene Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 5345 Darlene Drive (Toledo, Ohio) | Dwelling | Gary Park Addition (Toledo, Ohio) | Reynolds Corners Area (Toledo, Ohio
Block Card 5345 Kellogg Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 5345 Kellogg Road (Toledo, Ohio) | Dwelling | Homedale Addition (Toledo, Ohio) | Reynolds Corners Area (Toledo, Ohio
Microspore developmental stage and anther length influence the induction of tomato anther callus
No full textAnthers of L680A, Licato and Ailsa Craig tomato (Lycopersicon esculentum) were plated on Doy's basal medium 1 to determine whether microspore developmental stage and anther length influence anther callus production. Although calli were induced at all stages of anther development, anthers containing prophase I-stage microspores produced the highest frequency of calli. Fewer calli were produced as microspores approached the uninucleate and binucleate pollen stage. Callus diameter also decreased as anther development progressed. Significantly larger calli were produced from prophase I than later-stage anthers. Time of anther harvest (morning vs. afternoon) did not significantly affect callus number or diameter. Anther and flower bud length were both significantly correlated with anther developmental stage, the number of anthers producing calli, and mean calli diameter. In each case, anther length exhibited a significantly better correlation than bud length..RE: 20 ref.; SC: CA; HO; PL; 0C; 0P; 7BSource type: Electronic(1) http://upei-resolver.asin-risa.ca?sid=SP:CABI&id=pmid:&id=&issn=0018-5345&isbn=&volume=27&issue=7&spage=838&pages=838-840&date=1992&title=HortScience%20&atitle=Microspore%20developmental%20stage%20and%20anther%20length%20influence%20the%20induction%20of%20tomato%20anther%20callus.&aulast=Summers&pid=%3Cauthor%3ESummers%2c%20W%20L%3bJaramillo%2c%20J%3bBailey%2c%20T%3C%2Fauthor%3E%3CAN%3E19931642181%3C%2FAN%3E%3CDT%3EJournal%20article%3C%2FDT%3
Small and medium agility dogs alter their kinematics when the distance between hurdles differs
No full textThere is currently a lack of research examining the health and welfare implications for competitive agility dogs. The aim of this study was to examine if jump kinematics and apparent joint angles in medium (351 mm - 430 mm to the withers) and small (< 350 mm to the withers) agility dogs altered when distances between consecutive upright hurdles differ. Dogs ran a course of nine hurdles; three set at 3.6 m apart; three at 4 m apart and three at 5 m apart. Both medium (P=0.044) and small (P=0.006) dogs landed closer to the hurdle when consecutive hurdles were set at 3.6 m apart, with small dogs jumping slower at this distance (P=0.006). Results indicate that jump kinematics, but not apparent joint angles, alter when the spacing between hurdles differs. These findings may have implications for the health and welfare of agility dogs and should be used to inform future changes to rules and regulations
IJzergieterijen langs de Oude IJssel, 1689-heden Utrecht:Stichting Matrijs ,2007 978-90-5345-329-2
No full textItem does not contain fulltextJan Smit IJzergieterijen langs de Oude IJssel, 1689-heden Utrecht:Stichting Matrijs ,2007 978-90-5345-329-
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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