1,724,014 research outputs found
Block Card 5116 Burlingame Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 5116 Burlingame Drive (Toledo, Ohio) | Dwelling | Crestview Subdivision (Toledo, Ohio
Block Card 5116 Oldham Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 5116 Oldham Drive (Toledo, Ohio) | Ranch houses | Colonial Village Plat Two | Greenwood Area (Toledo, Ohio) | West Toledo (Toledo, Ohio
A Reduced Star Catalog Containing 5116 Designated Stars
Full text linkPositional and color magnitude data for 5116 stars are given
SB 867 and sHB 5116 comparison
No full textElectronic data.; Title from title screen.; "May 12, 2003."; Compares SB 867 (File 69) and sHB 5116 (File 22), which involve alternatives to incarceration for persons with psychiatric disabilities.; Harvested from the web on 6/5/0
Overheid en gelijkheid
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5116.pdf (Publisher’s version ) (Open Access
Facing the Past: The Memory of the Holocaust in Éva A-5116
No full textLászló Nádasy’s Éva A-5116 (1965) was chosen as the main focus of my research to draw attention to the first full-length documentary in Hungary dealing with the memory of the Holocaust. Éva A-5116 both in terms of themes, and in terms of using various, modern cinematic tools, is a unique representation of the Holocaust. Though the documentary is thought-provoking and gripping by today’s standards too, the film remains unknown in the public’s eye. The main aim of my thesis is to examine the attempts of 1960s Hungarian filmmaking to represent the repressed trauma as well as guilt related to different kinds of individual involvement in the Holocaust, to force the audience, and, thereby the whole society, to finally face the horrors of the Holocaust as well as their own conscience through Éva A-5116.AmerikanisztikaMSc/M
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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America COMPETES Reauthorization Act of 2010 (H.R. 5116) and the America COMPETES Act (P.L. 110-69): Selected Policy Issues
Full text linkThis report provides background information on P.L. 110-69 and H.R. 5116, includes information about related legislative activity in the 111th Congress, and analyzes four policy issues addressed by these measures: (1) STEM Education, (2) Federal Research Programs and Activities, (3) Broadening Participation, and (4) Funding. It also discusses selected policy concerns identified in the debate about U.S. competitiveness and describes how the House-passed version of H.R. 5116 responds to those concerns. It contains a description of federal multi-agency research and development initiatives that are included in H.R. 5116, as passed by the House
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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