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    Block Card 5045 Brandon Road

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 5045 Brandon Road (Toledo, Ohio) | Dwelling | Westhaven First Addition (Toledo, Ohio) | Reynolds Corners Area (Toledo, Ohio

    Block Card 5045 Oldham Drive

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 5045 Oldham Drive (Toledo, Ohio) | Ranch house | Colonial Village Plat Two | Greenwood Area (Toledo, Ohio) | West Toledo (Toledo, Ohio

    Block Card 5045 Clover Lane

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch Style | 5045 Clover Lane (Toledo, Ohio) | Dwelling | Grandview Woods Addition (Toledo, Ohio) | Trilby Area (Toledo, Ohio)

    Block Card 5045 Kellogg Road

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Front gabled | 5045 Kellogg Road (Toledo, Ohio) | Dwelling | Westhaven First Addition (Toledo, Ohio) | Reynolds Corners Area (Toledo, Ohio) | Folk House Styl

    Modulator For Klystron 5045

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    The first modulator for a forinjector klystron of VEPP -- 5 is being tested now in BINP in Novosibirsk. The forinjector of VEPP -- 5 will involve a 510 MeV Linac consisting of four accelerating modules. The Klystron 5045 manufactured at SLAC [1] was chosen to drive the accelerating modules. This paper presents a design and some testing results of this modulator. I. INTRODUCTION The modulator is a conventional line type modulator with some supplementary characteristics. A simplified electrical layout of this modulator is shown in Fig. 3. The voltage value in a filter capacitor CF is determined by a phase-control system with six SCRs. The CF charging current is limited by three 500#H inductors connected to the primary winding of the rectifier transformer. In addition, this system provides "soft-start" capability and fast protection. The PFN is resonantly charged through a charging high-voltage SCR-switch (HV-switch), a charging inductor, and de-spiking circuits. The resonant PFN charge..

    Decentralisatie in een nieuwe Grondwet

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    Contains fulltext : 5045.pdf (Publisher’s version ) (Open Access

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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