1,774,703 research outputs found
Resolución UNRN Nº 1338/2010. Deja sin efecto Resolución UNRN Nº 461/2010. Aprobar el Reglamento Interno de la Carrera Interinstitucional de Maestría en Magistratura
Fil: Universidad Nacional de Río Negro (U). Universidad Nacional de Río Negro. Río Negro, ArgentinaResolución UNRN Nº 1338/2010. Deja sin efecto Resolución UNRN Nº 461/2010. Aprobar el Reglamento Interno de la Carrera Interinstitucional de Maestría en Magistraturafals
Participant 461 Community Conversations Artwork
In this art piece, Participant 461 reminds viewers of safety measures that need to be followed during the COVID-19 pandemic. The participant expresses sadness over not being able to see loved ones.New Jersey Department of Healt
Abschlussbericht für die Jahre 1996 - 2007 mit Berichtsband für die Jahre 2005 - 2007 [mit CD]
Sonderforschungsbereich 461 "Starkbeben : Von geowissenschaftlichen Grundlagen zu Ingenieurmaßnahmen" von Juli 1996 bis Dezember 2007 an der Universität Karlsruhe. Forschungsfeld des SFB 461 waren Starkbeben mit einem regionalen Fokus auf den Vrancea-Ereignissen in Rumänien, wo sie immer wieder starke Schäden verursachten. Diese Risiken und die Gewissheit, dass Rumänien und seine Städte wieder von einem Starkbeben betroffen werden, bildeten die Motivation der Arbeit, erkennend, dass Schadensminderung mit moderner Wissenschaft und Technik sowie mit konsequenter Implementierung des Wissens möglich und aussichtsreich ist
Resolución UNRN N° 461/2009. Aprueba la designación como docente interino.
Fil: Universidad Nacional de Río Negro (U). Universidad Nacional de Río Negro. Río Negro, ArgentinaResolución UNRN N° 461/2009. Aprueba la designación como docente interino.fals
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Verlustliste Nr. 461. (Nr. 461. /1916)
VERLUSTLISTE NR. 461.
Verlustliste (-)
Verlustliste Nr. 461. (Nr. 461. /1916) ([1])
Belehrung. (2)
Offiziere. (3)
A, B, C, D, E, F, G, H, J (3)
K (3)
L, M, N, P, R, S, T, V (4)
W (4)
Z (5)
Mannschaft. (5)
A (5)
B (6)
C (11)
D (13)
E (15)
F (16)
G (18)
H (20)
I (24)
J (24)
K (26)
L (33)
M (35)
N (40)
O (41)
P (42)
R (45)
S (47)
T (52)
U (54)
V (54)
W (55)
Z (57)
Berichtigungen zu den Verlustlisten: (58)
Nr. 73. Nr. 85. Nr. 100. Nr. 108. Nr. 167. Nr. 294. Nr. 317. Nr. 357. Nr. 358. Nr. 402. Nr. 418. Nr. 447. (58)
Ergänzungen und Berichtigungen zu den Verlustlisten: (58)
Nr. 77. Nr. 296. Nr. 427. (58)
Berichtigungen der Internierungsorte der aus Serbien nach Italien gebrachten Kriegsgefangenen. (58)
D, G, K, M, R (58)
S, T, V (59
Band 3, 461 (Sammlung Friedlaender)
BAND 3, 461 (SAMMLUNG FRIEDLAENDER)
Band 3, 461 (Sammlung Friedlaender) (Public Domain) (1
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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