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Block Card 4339 Suder Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling | Ranch houses | Roselawn Homes (Toledo, Ohio) | Point Place (Toledo, Ohio) | North Toledo Area (Toledo, Ohio) | 4339 Suder Avenue (Toledo, Ohio
Block Card 4339 Kingsbury Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 4339 Kingsbury Avenue (Toledo, Ohio) | Colonial Revival Style | Walnut Hills (Toledo, Ohio) | Willys Park area (Toledo, Ohio) | West Toledo (Toledo, Ohio
Block Card 4339 Parrakeet Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 4339 Parrakeet Avenue (Toledo, Ohio) | Bungalow Style | Craftsman Style | Elmwood Park (Toledo, Ohio) | Willys Park area (Toledo, Ohio) | West Toledo (Toledo, Ohio
[Veto of H. 4339, R-382]
No full textThis veto message from Governor Mark Sanford vetoes H. 4339, R-382, which allows National Guard members who joined after June 30, 1993, and have reached the age of 60 and have 20 years of service to receive a monthly pension
Το θνησιγενές άρθρο 2Α του νόμου 4339/2015: βασικά ζητήματα συνταγματικότητας
No full textΠαρουσίαση του άρθρου 2Α του νόμου 4339/2015 και των απόψεων που εκφράστηκαν στη θεωρία ως προς τη συνταγματικότητά του, με άξονα την αρμοδιότητα του Εθνικού Συμβουλίου Ραδιοτηλεόρασης και τον αριθμό των αδειών των παρόχων περιεχομένου.Presentation of article 2A of Law 4339/2015 and the opinions expressed by the theoriticians of law concerning its costitutionality, especially the jurisdiction of the National Radio and Television Council and the number of the licenses for the content providers
In vitro proliferation of mononuclear phagocytes from murine and human bone marrow
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4339.pdf (Publisher’s version ) (Open Access
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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