1,724,466 research outputs found
Astronomische Nachrichten, n° 3933-3943
Astronomische Nachrichten, n° 3933-3943. In: Bulletin astronomique, tome 23, 1906. pp. 196-203
Block Card 3933 Crary Drive
This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Moxhart Mechanical Tables (Toledo, Ohio) | garages | Keystone Addition (Toledo, Ohio) | Deveaux Area (Toledo, Ohio) | West Toledo (Toledo, Ohio) | 3933 Crary Drive (Toledo, Ohio
Block Card 3933 Donegal Drive
This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch Style | 3933 Donegal Lane (Toledo, Ohio) | Dwelling | Dublin Place Addition (Toledo, Ohio) | Trilby Area (Toledo, Ohio)
Park Cities Baptist Church, 3933 Northwest Parkway, Dallas, Texas
Park Cities Baptist Church, 3933 Northwest Parkway, Dallas, Texashttps://mavmatrix.uta.edu/specialcollections_squirehaskinsphotography/3796/thumbnail.jp
Park Cities Baptist Church, 3933 Northwest Parkway, Dallas, Texas
Park Cities Baptist Church, 3933 Northwest Parkway, Dallas, Texashttps://mavmatrix.uta.edu/specialcollections_squirehaskinsphotography/3797/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Vacuum gaps in pulsars and PSR J2144-3933
In this paper we revisit the radio pulsar death line problem within the framework of curvature radiation and/or inverse compton scattering induced vacuum gap model above neutron star polar caps. Our special interest is in the recently detected pulsar PSR J2144-3933 with extremal period 8.5 seconds, which lies far beyond conventional death lines. We argue, that formation of vacuum gaps requires a complicated multipolar surface magnetic field, with a strenght much higher than the surface dipolar component , and radii of curvature much smaller than the neutron star radius cm. Such a multipolar surface field is also consistent with death lines including the extremal pulsar PSR J2144-3933. Since vacuum gap models produce sparks, our paper naturally supports the spark related models of subpulse drift phenomenon as well as to the spark associated models of coherent pulsar radio emission
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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