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    Santa Fe (ATSF) 3826

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    A photograph print showing Santa Fe 3826, 2-10-2, Denver, CO. [see also 2008.008.2086 & 6208-9

    Santa Fe (ATSF) 3826

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    A photograph print of Santa Fe (ATSF) 3826, 2-10-2 (BLW, class 3800), on a freight train, Las Vegas, NM. [see also 2008.008.2086-7 & 6209

    Santa Fe (ATSF) 3826

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    A photograph print of Santa Fe (ATSF) 3826, 2-10-2 (BLW, class 3800), on a freight train, Las Vegas, NM. [see also 2008.008.2086-7 & 6208] [This photo developed at Houstin Payne photography, 120-1/2 Broadway, Shawnee, OK

    Block Card 3826 119th Street

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 3826 119th Street (Toledo, Ohio) | Cape Cod Style | Oakview Beach (Toledo, Ohio) | Point Place (Toledo, Ohio) | North Toledo (Toledo, Ohio

    LEMA 3826-ES: Antonio Cruz y Antonio Ortiz

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    Concurso de ideas para la ordenación del recinto de la Exposición Universal de Sevilla de 1992 (Expo92). Propuesta de los arquitectos Antonio Cruz y Antonio Ortiz (LEMA 3826-ES). Colaboradores: Carlos Castro; Antonio Gámiz; Luis Gutiérrez; Luis Montiel; Fernando Montie

    Association of -3826 G variant in uncoupling protein-1 with increased BMI in overweight Australian women

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    Aims/hypothesisTo determine whether genetic variation in uncoupling protein-1 (UCP-1) is associated with obesity or obesity-related risk factors in overweight women.MethodsWe genotyped 526 overweight/obese women (mean body mass index 34.1 kg/m2, range 25.0 to 47.5 kg/m2) for the -3826 A-->G uncoupling protein-1 polymorphism. Of the 526 women genotyped 144 had fasting blood samples analysed for glucose and lipid measurements.ResultsThe -3826 G allele was found with a frequency of 0.23 and was associated with higher BMI (p = 0.02). A higher frequency of this polymorphism (0.33) was found in subjects with Type II (non-insulin-dependent) diabetes mellitus (p = 0.02), though adjustment for BMI weakened this significance (p = 0.06). The -3826 G variant was associated with increased fasting glucose (p = 0.01). This was, however, a result of a greater proportion of women with Type II diabetes also having the G variant (p = 0.10, adjusted for Type II diabetes). The -3826 G variant of uncoupling protein-1 did not have an effect on other metabolic variables associated with obesity.Conclusion/interpretationIn overweight Australian women the -3826 G variant of UCP-1 increased the susceptibility to obesity indicating that UCP-1 could be involved in weight regulation

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Duguetia cf. latifolia R.E. Fr. from Colombia collected by E. Álvarez, A. Camargo, F. Toro #3826

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    File Name: TOLI-26511-ZAR-05-SOT-TF-EAD-3826.jpg CÓDIGO FOTO: TOLI-26511-ZAR-05-SOT-TF-EAD-3826- Fotografía: SI Nº TOLI: TOLI-26511 PARCELA: ZAR-05 CÓDIGO: SOT-TF-EAD-3826 Nº COLECTA: 3826 NUEVOS COLECTORES: Alejandro Camargo, Felipe Toro & Esteban Alvarez COLECTORES: E. Álvarez, A. Camargo, F. Toro Nº MUESTRAS MONTADAS: 1 Homologación: No homologado Nueva fecha del evento : 30/11/2018. Fecha del evento: 27/04/2019. Proyecto : Recursos Botánicos Disponibles en Línea (BRAVO) para la flora Colombiana Continente: SA Pais: Colombia Estado/Provincia: Amazonas Municipio: Leticia Localidad: Resguardo Indígena Ticuna-Huitoto Km 6-11. Elevación minima en metros: 200 Elevación maxima en metros: 300 Latitud: -4.004 Longitud original: -69.896 datum geodésico: WGS 84 Latitud decimal: -4.004 Longitud decimal: -69.896 Identificado por: Diego Suescún Fecha de identificación: 15/02/2019. Nombre cientifico: Duguetia cf. latifolia R.E. Fr. Reino: Plantae Filo: Magnoliophyta Clase: Equisetopsida Orden: Magnoliales Familia nueva: Annonaceae Género nuevo: Duguetia especie nueva: latifolia Autoría del nombre científico: R.E. Fr. : Annonaceae genero herbario: Duguetia especie herbario: latifolia Especie de herbario para TNRS: Duguetia latifolia Especie corregida herbario y desde TNRS: Duguetia latifolia Familia corregida desde TNRS: Annonaceae : 5490</p

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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