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N-Reactor shutdown for fuel rupture indications - tube 3361
No full textThe N-Reactor was shutdown on July 7, 1964, due to fuel rupture indications on tube 3361. The rupture has been confirmed as a failure in the downstream inner fuel element in tube 3361 caused by a pin hole in the weld and braze metal. This document presents a historical record of the rupture indications observed prior to and following the shutdown. The operating history of tube 3361 is compared with an adjacent tube, with no abnormal conditions observed at any time. Reactor temperature and power history since initial primary loop heatup are presented to show the total operating history experienced by N-Reactor
Block Card 3361 Bishop Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Cleveland double | 3361 Bishop Street (Toledo, Ohio) | duplex | Clifton Park Addition | Auburndale Area (Toledo, Ohio
Jean Renart : L’afaire | de la rose (v. 3360-3361)
No full textLefèvre Sylvie. Jean Renart : L’afaire | de la rose (v. 3360-3361). In: Romania, tome 133 n°531-532, 2015. pp. 279-310
Block Card 3361 Forest Grove Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 3361 Forest Grove Drive (Toledo, Ohio) | Ranch houses | Fullers Forest Grove | Franklin Park Area (Toledo, Ohio) | West Toledo (Toledo, Ohio
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Ethnocentrism in the Low Countries: A comparative perspective
Full text linkContains fulltext :
3361.pdf (Publisher’s version ) (Open Access)New Community, continued by: Journal of ethnic and migration studies [1369-183X
IO Islamic 3361. Mukâtabât-i-'allâmî, Official Letters and refined prose-writings of Abû- alfaḍl
No full textIO Islamic 3361. Mukâtabât-i-‘allâmî, Official Letters and refined prose-writings of Abû- alfaḍl</p
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C Reactor fuel failures tubes 2562 and 3361
No full textC Reactor experienced two severe fuel failures, one in process tube 2562 on 10-27-67, and one in process tube 3361 on 12-27-67, both resulting in major efforts to effect their removal. The intent of this document is to present a summary of the action taken for the removal of the failed elements
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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