1,725,685 research outputs found
Southern Pacific (SP) 3297
No full textA photograph print showing the Southern Pacific (SP) 3297, 2-8-2, ex: Newaukum Valley (logging railroad in Washington), Portland, OR.
Astronomische Nachrichten, nos 3291-3297
No full textR. R. Astronomische Nachrichten, nos 3291-3297. In: Bulletin astronomique, tome 12, 1895. pp. 405-408
Mandurama photograph collection [3297] [picture] /
No full textAlso available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an8526486-3297
Kerala sees fall in availability of sardines,3297 tonnes caught last year: CMFRI study Mathrubhumi.com dated 6th July 2022
Full text linkA study by Central Marine Fisheries Research Institute (CMFRI) reveals that the availability of Sardines(mathi) in Kerala has seen a significant fall. Last year, a total of 3297 tonnes of sardines were fished. This means a decrease of 75 percent when compared to previous years. This is the most significant dip in the availability of sardines since 1994
IO Islamic 3297. Akbarnâma, History of the Emperor Akbar
No full textIO Islamic 3297. Akbarnâma, History of the Emperor Akbar</p
Response distributions of major variables in the study (N = 3297).
No full text<p>Response distributions of major variables in the study (N = 3297).</p
ISO 3297 : Information and documentation -- International standard serial number (ISSN)
No full textRevisado en 2011.Este estándar lo mantiene la agencia ISSN International Centre, en París.La ISO 3297:2007 define y promueve el uso de un código estándar ( ISSN ) para la identificación única de las publicaciones seriadas y otros recursos continuados. Cada ISSN es un identificador único para una serie específica u otro recurso continuado en un medio definido. La ISO 3297:2007 también describe un mecanismo, la "conexión ISSN (ISSN -L) ", que prevé la colocación o la vinculación entre las diferentes versiones de los medios de un mismo recurso continuado .
El ISSN se aplica a las publicaciones seriadas y otros recursos continuados, sean pasados, presentes o que estén a punto de publicarse o producirse en un futuro previsible, sea cual sea el medio de publicación o producción .
Las monografías individuales, registros sonoros y de vídeo, publicaciones musicales impresas, obras audiovisuales y obras musicales tienen sus propios sistemas de numeración y no se mencionan específicamente en la norma ISO 3297:2007. Tales materiales pueden llevar un ISSN, además de sus propios números estándar cuando son parte de un recurso continuado.IS
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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