1,725,137 research outputs found

    Santa Fe (ATSF) 3136

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    A photograph print showing Santa Fe 3136, 2-8-2 (BLW), Los Angeles, CA

    Mandurama photograph collection [3136] [picture] /

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    Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an8526486-3136

    Enseignement religieux 3131 3136 Programme d'etudes 2004

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    Enseignement religieux 3131 3136 Programme d'etudes 200

    Enseignement Religieux 3131 or 3136 Programme d'etudes 2004

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    Enseignement Religieux 3131 or 3136 Programme d'etudes 200

    Block Card 3136 Miles Avenue

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Cleveland double | 3136 Miles Avenue (Toledo, Ohio) | duplex | Lincolns Subdivision | Auburndale Area (Toledo, Ohio

    Block Card 3136 Glanzman Road

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: 3136 Glanzman Road (Toledo, Ohio) | Dwelling | Heather Downs Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio) | Bungalow Style | Side gable

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Forum of necessity in Quebec Private International Law: C.c.Q. art. 3136

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    L’article 3136 C.c.Q. énonce une exception aux règles de compétence généralement applicables aux autorités québécoises. Fondé sur le principe de nécessité et en l’absence de for, il autorise une autorité à se saisir d’une affaire qui ne relève pas directement de sa compétence lorsqu’il est impossible ou « déraisonnable » pour les parties d’avoir accès à une autorité étrangère et que le litige présente néanmoins un lien suffisant avec le Québec. De ce fait, l’article 3136 confère une compétence discrétionnaire à une autorité québécoise. Cette discrétion, déjà limitée par les critères de l’article 3136, a en outre fait l’objet d’une interprétation encore plus réductrice par la Cour d’appel dans l’affaire Lamborghini. L’élément crucial est que la juridiction de nécessité implique que le litige soit assujetti à un remède efficace dans le for du Québec. Par ailleurs, alors que la condition relative à la disponibilité d’un remède efficace rend l’exercice de la juridiction de nécessité raisonnable, celui-ci devient déraisonnable en raison de la condition exigeant que des démarches étrangères soient instituées. Le critère de remède est soit ignoré, soit jugé sans valeur tant par la doctrine que par la jurisprudence. S’appuyant sur une approche comparative entre le droit civil et la common law, l’auteur propose en première partie une analyse générale de cette règle exceptionnelle et insiste particulièrement sur la législation suisse dont les rédacteurs de l’article 3136 C.c.Q. se sont sans doute inspirés. Dans une seconde partie, l’article 3136 est mis en perspective avec les dispositions générales du Code et son historique législatif est souligné. La troisième partie est consacrée à l’analyse des divers éléments de l’article, tandis que dans la dernière partie, l’auteur aborde l’étude des décisions judiciaires relatives à l’application du principe de nécessité et l’absence de for.Article 3136 C.c.Q. is a departure from the general rules of jurisdiction applicable to a Quebec authority. Based on the principle of necessity and in the absence of an appropriate forum, it authorizes an authority to exercise jurisdiction in relation to a matter not subject to its direct jurisdiction when it is impossible or unreasonable for the parties to access a foreign authority and when the litigation has a sufficient connection with Quebec. Article 3136 thus confers a discretionary jurisdiction on a Quebec authority. This discretion is limited by the definitional elements expressed in article 3136 and has been further narrowed by an inappropriate interpretation by the Court of Appeal in Lamborghini. The critical factor is that necessity jurisdiction implies that the litigation is subject to an effective remedy in the Quebec forum. Availability of an effective remedy renders reasonable the exercise of necessity jurisdiction and the requirement that foreign litigation be instituted, unreasonable. However, the factor of remedy is ignored, or without expression, in both doctrine and jurisprudence. Supported by a comparative approach between the civil law and the common law, the first part presents a general analysis of this exceptional rule with particular attention to the Swiss law which inspired the drafters of article 3136. In the second part, article 3136 is considered in context with the general provisions of the Code and the legislative history of the provision is clarified. The third part analyzes the definitional elements of the article and the last part examines its application as reflected in the relevant jurisprudence

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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