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[IO Islamic 3037] قصّۀ كامروپ
Ḳiṣṣa-i-Kâmrûp.
This manuscript is now IO Islamic 822 in the India Office collections.
[metadata: Hermann Ethé, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 3037 here with notations and hyperlinks].
822
Another copy of the same.
This modern and undated copy of the same version begins as in the preceding copy. The proper order of ff. 1-9 is: 1, 3-8, 2, 9. This MS. belonged formerly to John G. Plunkin (?), Bengal, 1806.
No. 3037, ff. 151, ll. 11 (ll. 14 on ff. 1, 3, and 4); Nasta’lîḳ; size, 83/8 in. by 55/8 in
Histological analysis of the aboveground parts of <i>sd37</i> and 3037.
<p>(A) The seedling phenotypes of <i>sd37</i> and 3037 plants at 7 DAG. Arrows indicate the second leaf sheath. Bar = 1 cm. (B) Parenchyma cells in the second leaf sheaths of <i>sd37</i> and 3037 plants. Bars = 0.05 mm. (C) The number of parenchyma cells in the second leaf sheaths of <i>sd37</i> and 3037 plants. Error bars indicate ± SD (N = 20). A significant difference (**, <i>P</i><0.01) was found between the <i>sd37</i> and 3037 plants. (D) The length of parenchyma cells in the second leaf sheaths of <i>sd37</i> and 3037 plants. Error bars indicate ± SD (N = 20). A significant difference (*, <i>P</i><0.05) was found between the <i>sd37</i> and 3037 plants. (E) Longitudinal sections through each stem internode of <i>sd37</i> and 3037 plants. Arrows indicate the second internodes below the panicle. Bar = 1 cm. (F) Longitudinal sections of the middle of the second stem internode of <i>sd37</i> and 3037 plants at the heading stage. Bars = 0.05 mm. (G) The length of the second stem internodes in <i>sd37</i> and 3037 plants. Error bars indicate ± SD (N = 20). A significant difference (**, <i>P</i><0.01) was found between the <i>sd37</i> and 3037 plants. (H) The length of the parenchyma cells in the second internodes in <i>sd37</i> and 3037 plants. Error bars indicate ± SD (N = 20). No significant difference (<i>P</i>>0.05) was found between the <i>sd37</i> and 3037 plants. (I)–(J) Longitudinal sections through the SAMs of 3037 and <i>sd37</i> plants. Arrows indicate the second internode. Bars = 0.05 mm. (K) Longitudinal cell number in the second internode below the SAM. Error bars indicate ± SD (N = 10). A significant difference (**, <i>P</i><0.01) was found between the <i>sd37</i> and 3037 plants.</p
Block Card 3037 Strathmoor Avenue
This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Garrison Colonial Style | 3037 Strathmoor Avenue (Toledo, Ohio) | Dwelling | Heather Downs Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
House 1B 3037 Riverside Av Jacksonville FL
N Wilson Redmond House Jacksonville FL (2) Contributing Building - Riverside Historic District - National Register of Historic Places
NRIS #85000689
Built 1919
Architect: Ransom Buffalow
3037 Riverside Avhttps://digitalcommons.unf.edu/historical_architecture_main/7661/thumbnail.jp
Type of requests to acquire medicines (n = 3037).
Type of requests to acquire medicines (n = 3037).</p
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Clima organizacional y satisfacción laboral en la Institución Educativa N° 3037 - Lima, 2014
La presente investigación titulada: “Clima organizacional y Satisfacción laboral en
los trabajadores de la Institución Educativa N° 3037 Gran Amauta - San Martin de
Porres, 2014”, tuvo como objetivo determinar la relación entre el Clima
organizacional y Satisfacción laboral en los trabajadores. Esto como respuesta al
problema: ¿Qué relación existe entre el Clima organizacional y la Satisfacción
laboral en los trabajadores de la Institución Educativa N° 3037 Gran Amauta - San
Martin de Porres, 2014?
La investigación se desarrolló bajo un diseño descriptivo correlacional, con
enfoque cuantitativo, en el cual la muestra estuvo conformada por 110
trabajadores de la Institución Educativa N° 3037 Gran Amauta - San Martin de
Porres, 2014. Para obtener la información requerida, previamente se validaron los
instrumentos y se demostró la validez y confiabilidad, mediante la técnica de
opinión de expertos y Alfa de Cronbach; la técnica que se utilizó fue una
encuesta y el instrumento el cuestionario graduado en la escala de Likert para
ambas variables.
Sobre el objetivo general: determinar la relación entre Clima
organizacional y satisfacción laboral en los trabajadores de la institución
educativa N° 3037 Gran Amauta-San Martín de Porres, 201, se concluye que
existe relación significativa entre Clima organizacional y satisfacción laboral en
los trabajadores de la institución educativa N° 3037 Gran Amauta-San Martín de
Porres, 2014. Lo cual se verifica con la prueba de Spearman (sig. bilateral = .000
< 0.01; Rho = .747**)
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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