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Astronomische Nachrichten, nos 2890-2903
No full textR. R. Astronomische Nachrichten, nos 2890-2903. In: Bulletin astronomique, tome 6, 1889. pp. 330-336
“2889” vs. “2890”
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This article offers a detailed comparison of Michel Verne’s 1889 short story “In the Year 2889” and Jules Verne’s 1891 recycled version of the same story, now called « La Journée d’un journaliste américain en 2890 » [The Day of an American Journalist in 2890]. In my analysis, I have also pointed out some of the alterations Michel made to his father’s version when later editing it for inclusion in the posthumous 1910 edition of Verne’s Hier et demain [Yesterday and Tomorrow], now retitled « Au XXIXe siècle : La Journée d’un journaliste américain en 2889 » [In the 29th Century: The Day of an American Journalist in 2889].
Résumé
Cet article propose une comparaison détaillée de la nouvelle de 1889 de Michel Verne “In the Year 2889” [En l\u27an 2889] et de la version de Jules Verne recyclée en 1891 de la même histoire, maintenant intitulée « La Journée d’un journaliste américain en 2890 ». Dans mon analyse, j\u27ai également souligné certaines des modifications que Michel a apportées à la version de son père en l\u27éditant plus tard pour l\u27inclure dans l\u27édition posthume de Hier et demain de Verne, cette fois intitulée « Au XXIXe siècle : La Journée d’un journaliste américain en 2889 »
2890. Gilles li Muisis (Aegidius Mucidus)
No full text2890. Gilles li Muisis (Aegidius Mucidus). In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). III. Les Capétiens, 1180-1328. Paris : A. Picard et fils, 1903. pp. 202-203
Room temperature diluted magnetic semiconductor synthesized by dual beam laser deposition
No full text10.1007/s00339-004-2890-9Applied Physics A: Materials Science and Processing803565-568APAM
Title XI. Of Partnership (Art. 2801 - 2890)
Get PDFChap. 1. General Provisions (Art. 2801 - 2823) Chap. 2. Rules Relating to the Different Kinds of Partnerships (Art. 2824 - 2852) Chap. 3. Of the Obligations of Partners towards Each Other and towards Third Persons (Art. 2853 - 2875) Chap. 4. Of the Different Manners in Which Partnerships End (Art. 2876 - 2890)https://digitalcommons.law.lsu.edu/la_civilcode_book_iii/1011/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Linked collectors and determiners for: Catalogue of the type specimens of Bufonidae and Megophryidae (Amphibia: Anura) from research collections of the Zoological Institute, Russian Academy of Sciences.
No full textNatural history specimen data linked to collectors and determiners held within, "Catalogue of the type specimens of Bufonidae and Megophryidae (Amphibia: Anura) from research collections of the Zoological Institute, Russian Academy of Sciences". Claims or attributions were made on Bionomia by volunteer Scribes, <a href="http://bionomia.net/dataset/5c7bf05c-2890-48e8-9b65-a6060cb75d6d">https://bionomia.net/dataset/5c7bf05c-2890-48e8-9b65-a6060cb75d6d</a> using specimen data from the dataset aggregated by the Global Biodiversity Information Facility, <a href="https://gbif.org/dataset/5c7bf05c-2890-48e8-9b65-a6060cb75d6d">https://gbif.org/dataset/5c7bf05c-2890-48e8-9b65-a6060cb75d6d</a>. Formatted as a Frictionless Data package
Linked collectors and determiners for: Catalogue of the type specimens of Bufonidae and Megophryidae (Amphibia: Anura) from research collections of the Zoological Institute, Russian Academy of Sciences.
No full textNatural history specimen data linked to collectors and determiners held within, "Catalogue of the type specimens of Bufonidae and Megophryidae (Amphibia: Anura) from research collections of the Zoological Institute, Russian Academy of Sciences". Claims or attributions were made on Bionomia by volunteer Scribes, <a href="http://bionomia.net/dataset/5c7bf05c-2890-48e8-9b65-a6060cb75d6d">https://bionomia.net/dataset/5c7bf05c-2890-48e8-9b65-a6060cb75d6d</a> using specimen data from the dataset aggregated by the Global Biodiversity Information Facility, <a href="https://gbif.org/dataset/5c7bf05c-2890-48e8-9b65-a6060cb75d6d">https://gbif.org/dataset/5c7bf05c-2890-48e8-9b65-a6060cb75d6d</a>. Formatted as a Frictionless Data package
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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