1,731,605 research outputs found
Mandurama photograph collection [2836] [picture] /
No full textAlso available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an8526486-2836
CHU 2836
No full textEsse Trabalho de Conclusão de Curso em Design de Produto aborda o resgate da função do Orelhão como suporte telecomunicativo a partir do design participativo e do design crítico. Este resgate parte da redefinição das funcionalidades do equipamento urbano através do projeto de um novo dispositivo substituto ao aparelho telefônico existente. A Critical Artefact Methodology, de Bowen (2009) que articula o design participativo ao design crítico foi a metodologia selecionada e empregada devido a natureza do Orelhão, um artefato de ampla distribuição no meio urbano, porém cada vez menos utilizado pela população. O projeto busca valorizar o Orelhão, projeto do design brasileiro de autoria da arquiteta Chu Ming Silveira, aproveitando a infraestrutura já existente para a criação de um novo dispositivo telecomunicativo: CHU 2836. Através das técnicas e ferramentas do design participativo e da visão do design crítico foram definidas novas funcionalidades telecomunicativas, materializadas no CHU 2836, com objetivo de possibilitar a viabilização econômica e social do Orelhão. A proposta final inclui, além das funcionalidades, o potencial de ser uma plataforma para outros dispositivos futuros que ofereçam novos serviços e utilidades para a população.This Course Completion Assignment in Product Design tackles the rescue of Orelhão's (brazilian telephone booth) function as telecommunication support from participatory design and critical design. This rescue starts from redefining the features of urban furnishing through the design of a new device to replace the existing telephone equipment. The methodology, Critical Artefact Methodology of Simon Bowen (2009) where the critical design and participatory design are articulated, was selected due to the nature of Orelhão, an artifact widely distributed in urban areas, but less and less used by the population. The project seeks to enhance the Orelhão, a brazilian design product authored by architect Chu Ming Silveira, leveraging existing infrastructure to create a new telecommunication device: CHU 2836. By the techniques and tools of participatory design and vision of the critical design new telecommunication features were defined, materialized in CHU 2836, with the goal of enabling economic and social viability of Orelhão. The final proposal includes, in addition to functionality, the potential to be a platform for other future devices that offer new services and facilities for the population
Block Card 2836 Inwood Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Modern Colonial Style | | Dwelling | Whitney Hills Addition (Toledo, Ohio) | Auburndale Area (Toledo, Ohio) | 2836 Inwood Drive (Toledo, Ohio
Block Card 2836 Glendale Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: 2836 Glendale Avenue (Toledo, Ohio) | Dwelling | Bensch Place Extension (Toledo, Ohio) | South Toledo Area (Toledo, Ohio) | Colonial Styl
Qualitäts Spiral: Bohrer »Noris« in Zähigkeit u. Schneidefähigkeit unübertrefflich! Paul Midas Nürnberg. Tel.: 2836
No full textQUALITÄTS SPIRAL: BOHRER »NORIS« IN ZÄHIGKEIT U. SCHNEIDEFÄHIGKEIT UNÜBERTREFFLICH! PAUL MIDAS NÜRNBERG. TEL.: 2836
Qualitäts Spiral: Bohrer »Noris« in Zähigkeit u. Schneidefähigkeit unübertrefflich! Paul Midas Nürnberg. Tel.: 2836 ( -
Burris, Donald A. - Collector (SC 2836)
No full textFinding aid only for Manuscripts Small Collection 2836. Printed list, with explanatory note, of African American deaths or burials in Warren County, Kentucky. Information includes name, death date, and death certificate number where known. The list is stated to cover 1911 “to present.” Also includes a short list of African American cemeteries in south central Kentucky prepared by Leonetta Strange
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
SK Dekan : SK Dekan No.2836/UN16.02.D/PP/S1Keb/2020 tanggal 23 November 2020
No full textSK Dekan : SK Dekan No.2836/UN16.02.D/PP/S1Keb/2020 tanggal 23 November 202
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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